The Internecine Project

Although not a blockbuster, "The Internecine Project" is an outstanding European political thriller from 1973 that has deserved much more attention from critics and movie buffs! Directed by Ken Hughes ("Casino Royale"), this British-German co-production tells the intrigues of corrupt London scientist and former secret agent Robert Elliot who is about to become the personal consultant of the American president. The only problem are four witnesses of his corrupt and dirty past who could break his career, so Elliot has to get rid of them one by one...

Now that's where the big plan starts - Elliot directs the assassination of all four people - a politician, a scientist, a call-girl and a women-hating psychopath - by sending all of them out to kill another one of them in one night while he controls every single action by phone in his office. This all happens in the second half of the movie and causes a nail-biting suspense and hardcore thrill that leads to the very surprising bitter ending...

The direction is great and the dark, and the disturbing settings (the plot mostly takes place at night and in dark rooms) adds much atmosphere to this great thriller. Roy Budd's menacing, "psychological" score with elements of spy music, blaxploitation funk, ethnic sounds and dark cool jazz like his "Get Carter" success is brilliant and don't need to hide behind the seventies' works of Ennio Morricone, Lalo Schifrin or Jerry Goldsmith. The cast is superb as well, with James Coburn as devilish Professor Elliot and a very good supporting cast of Lee Grant, Harry Andrews, Ian Hendry, Keenan Wynne and young German actress Christiane Krueger.

If you ever have the occasion to watch this breath-taking thriller don't hesitate, sit down on your couch and take a ride! The film has also been released as "The Black Panther" and with the very simple title "G" in Germany.

James Coburn is a slick white collar heavy in this twisty thriller, scripted by future directors Barry Levinson ("Rain Man"), who also produced, and Jonathan Lynn ("Clue"). Coburn again projects incredible cool as Robert Elliot, a "professor" who has a major opportunity for advancement in the government. The catch is, he can't afford to have anybody alive who's got knowledge of his past. There are four of these people, and Elliot arranges for all of them to kill each other over the course of a single night. Despite his intricate planning, things don't always go that smoothly.

The excellent cast is the major draw of this film, capably directed by Ken Hughes ("Chitty Chitty Bang Bang"). It's very well paced and sometimes reasonably suspenseful, with a story that might not stand up to a lot of scrutiny, but does solidly entertain for its duration. Another asset is the eclectic soundtrack composed by Roy Budd ("Get Carter" '71).

Coburn is fun to watch in the role of an anti-hero, a man who initially is taken aback at the idea of eliminating these skeletons in his closet, but quickly makes up his mind to be cold-blooded about the whole affair. Lee Grant is fine (and looks very nice, to boot) as the aggressive, feminist journalist with whom he was once involved. Ian Hendry is wonderfully antsy as the diabetic Alex, Christiane Kruger is delectably sexy as Christina, Julian Glover has a good, brief role as a TV host, and Keenan Wynn is endlessly amusing as usual as tycoon E.J. Farnsworth. But the shining star of the production is Harry Andrews as a masseur named Bert Parsons. The character is an angry misogynist, and the viewer may be intrigued and wonder just how this character came to be this way.

Overall, good entertainment. Nothing special, but there are much worse ways to spend an hour and a half.

Seven out of 10.

Ingenious British-made corporate thriller with an impressive cast well-versed in this sort of thing – James Coburn, Keenan Wynn, Ian Hendry, Michael Jayston and Harry Andrews; Lee Grant provides both a feminist viewpoint and a romantic partner for Coburn. The plot involves Coburn’s rise in the political stakes, abetted by ruthless bigwig Wynn; however, he needs to put his shady past behind him and, to this end, organizes an intricate scheme by which his four former associates will eliminate one another on the same night!

Those expecting action, comedy, sex and colorful scenery a' la Coburn’s “Flint” pictures will be sorely disappointed by this low-key, intelligent but humorless character-driven piece – filmed against drab European settings (albeit by the great Geoffrey Unsworth); composer Roy Budd, another genre fixture, delivers an appropriately moody score. Still, the murder sequences themselves (with Coburn bemusedly ticking away each carefully-timed step of his plan) – particularly Andrews’ vicious shower murder of the Christiane Kruger character and the hesitation at carrying out his part of the bargain by the typically angst-ridden Hendry – generate the requisite amount of suspense during the film’s second half.

While Grant’s reporter character seems an intrusion at first, her presence (or, rather, Coburn’s callous mistreatment of her) eventually threatens to jeopardize his ‘mission’ – on finally getting wise to his machinations, she’s willing to suppress her affections and expose him for what he is! The film, however, provides a delicious twist ending, which sees the over-confident Coburn getting his come-uppance – even if the audience is clearly rooting for him – at his moment of glory (by the person he least expected it from)!

Regrettably, this is only available via a reportedly substandard pan-and-scan R2 DVD; then again, I did watch it in this aspect ratio myself – and dubbed in Italian to boot!

James Coburn (gaunt, and with a thick mustache) plays an American diplomat and future adviser to the US President who needs his former life as a secret agent permanently scrubbed; unfortunately, he has four acquaintances in London (a civil servant, a prostitute, a thuggish masseur and a scientist doing research on a device that kills with a high-frequency sound) who know too much about his past. He orchestrates a plan to have the four unwittingly eliminate each other, though a sideline romance with former-flame and uptight writer Lee Grant might be his undoing. Very clever thriller from screenwriters Barry Levinson (who also produced) and Jonathan Lynn, adapting Mort W. Elkind's book "Internecine", though it does take a while to get this plot into motion (and involves a great deal of telephone ringing). Director Ken Hughes is attracted to intricate details and technicalities, but a snappy pace doesn't seem to be his thing. At least one of the killings (with the victim in the shower) is especially ungainly, however the film isn't terribly violent or bloody--Hughes and his writers are more interested in plot development than circumstance. Good performances all around, including Grant as the lover. Grant matches up well with Coburn, and she has a funny, natural reaction when he tells her she should be working on something more her speed--a cookbook. **1/2 from ****

The Internecine Project is a devious plan in which the people who were part of a spy operation are now in the way and become unwitting participants in a plan where they kill each other. The idea is that if you took a 60's era Cold War spy and appointed him or her, in this case James Coburn who's now a suave professor of economics who is a guest on TV news interviews for his views, to a top government post in the 70's (or beyond for that matter), that person would face a thorough background investigation, prompting him or her to eliminate anyone with any damaging knowledge that would derail the appointment. It seems like an extreme solution to the problem, but good enough to make a movie about. One wonders how many political appointees today have had to think up there own internecine projects in order to assure their Senate confirmations. The movie is mostly about the contrived plot and seems trivial and weak, held together more by the locations and some nice background music. Before the ball gets rolling Coburn shares neat scenes with each person on his list that build up the characters. Lee Grant's part as an idealist reporter who's in love with Coburn but doesn't trust his methods, doesn't add much, but Keenan Wynne has a few good scenes as one of Coburn's ruthless business and political connections.