The House on Skull Mountain

Perhaps the only, at least to my knowledge, haunted-house movie that also qualifies as a pure-blooded Blaxploitation effort, "The House on Skull Mountain" is an overall worthwhile film but unfortunately not the undiscovered gem I hoped it would be. I was mainly attracted by the luscious title and the accompanied DVD-cover illustration; but luckily enough the film is also reasonably well-scripted – albeit derivative of "The House on Haunted Hill" obviously - and entertaining. It's a tale of voodoo, greed and things that go bump in the night. On her deathbed at the house on Skull Mountain (there actually is a skull-shaped rock in the mountain, which is totally awesome!) an elderly black lady, who looks like a guy and talks like a child, orders to send out four letters to four distant relatives. They all travel up to the house, expecting to inherit a fortune, but in fact get a whole lot more than they bargained for. They each become subjected to eerie voodoo rites and spells inflicted by the bald servant of the dead lady. "The House on Skull Mountain" is stylish and professionally made. It's slow-paced and the low number of death sequences are not very bloody or spectacular, but director Ron Honthaner provides a fair share of frissons and unsettling atmosphere. The filming locations are sublime and the titular house is fantastic. The house and the astonishing lead actress Janee Michelle are definitely the main trumps of the film. The climax sequences are rather dull and clichéd, with a voodoo ceremony that seems to go on forever. Youthful gorehounds beware, but fans of 70's horror and peculiar Blaxploitation will definitely enjoy "The House on Skull Mountain"

The House on Skull Mountain? Sounds like some 60's Hardy-Boy adventure to me. I have to say I caught glimpses of this film a couple weeks ago and it was very strange. Your typical 70's horror flick. I mean it wasn't that bad and Victor French does a good job, but it seemed like it was lacking a few things. Maybe I will have to watch it again some time. All I know is films like the infamous "ALIEN" ('79) changed the view of horror movies for ever and that may or may not be a good thing. Too many imitations these days. Take a look at this movie some time.

I recently viewed The House on Skull Mountain (1974) on a random streaming service. The plot revolves around a southern voodoo lady's death, prompting her family to gather for the will, only to realize their lives may be in jeopardy.

Directed by Ron Honthaner in his sole directorial venture, the film features Victor French (Highway to Heaven), Mike Evans (The Jeffersons), Lloyd Nelson (The Dead Pool), and Denis LeHane (The Town that Dreaded Sundown).

While the film explores unique family dynamics and presents some suspenseful and unpredictable situations, it falls short overall. The made-for-television vibe is pervasive, and despite entertaining voodoo scenes, the absence of compelling kill scenes, gore, or blood splatter is noticeable. The background music is reminiscent of classic '70s horror and complements the atmospheric elements with storms, thunder, and rain. The surprising conclusion adds some value.

In summary, The House on Skull Mountain is an uneven and below-average entry to the horror genre. I would rate this a 4/10 and suggest skipping it.

Although I thought that "The House on Skull Mountain" was overall a fairly neat movie, I wish that it had featured more action. And people need to realize that voodoo is more than just people sticking pins in dolls; voodoo is a religion. Of course, there can never be too many movies about haunted houses.

The plot is that an elderly African-American woman dies and a couple of people are invited to her house near Atlanta. Sure enough, there are bad things going on in this house. I thought that Phillippe was sort of a cliché (alcoholic wise guy), but he was the neatest character in the movie! Anyway, there's nothing special about this movie.

I enjoyed this maybe BECAUSE it is so lame. Victor French as Dr. Andrew Cunnigham and Janee Michelle as Lorena Christophe were actually pretty good in their roles. They seem like they are good at their craft, in spite of the silliness of the movie and it's implausible premise. The other folks in the movie had a lot to overcome with the trite lines they were given. At the beginning of the film there is a scene where two of the "heirs" are on a winding mountain road in separate cars on their way to the house (you know---the one on SKULL HILL!). The info about the movie says the house is located in mountains on the outskirts of Atlanta, GA. Right. It was obviously filmed on the Pacific Coast, which is even more "un-voodoo-like" than Atlanta. The terrain, trees and vegetation made the Atlanta location totally unbelievable. And the music! Over-dramatic and hysterical. It's a good movie to watch on a night when your boyfriend is out of town. You can watch it alone and still turn out the lights without being creeped out. I get tired of all the gore in movies today, so this movie at least seems kind of like less of an assault to the senses and kind of harmless. But it still leaves me wondering... How can a movie be so BAD and yet still kind of charming in its own way?