Stateline Motel

Ursula's performance is definitely brilliant in this movie. She proves not only is she beautiful, but given the right role she can act the hell out of it.

Fabio Testi looks good, but isn't the greatest actor, though he does try to hold his own.

An interesting plot that keeps you interested to the end.

L' ultima chance is one of those Italian films overdubbed in English in order to appeal to english-speaking audiences. It's about the love of a woman for a criminal who stays at the motel she owns. Well, it's a little more complicated than that, but it's an interesting plot. The movie, however,is poorly made, complete with lousy acting (Andress being an exception). Suspense is maintained throughout the movie, which is certainly a plus.

5

There's a reason why "Stateline Motel", despite the presence of four impressive and well-known cult names, is so obscure and never shows up in lists of unjustly forgotten exploitation movie gems that you must see. It is simply not a gem. It all starts fantastic and promisingly, with the hunky Fabio Testi who, upon his release from a Canadian prison, immediately drives to a jewellery store and commits a violent robbery! What an example of a criminal who has learned lessons from his prison sentence. His partner, the mighty Eli Wallach, shoots an innocent witness and they get involved in an exciting chase with the police. All this happens in the first 10 minutes, so at that moment you think that "Stateline Motel" is going to be a top movie.

From the moment the two break up and agree to meet again on the other side of the border, things go wrong... with Wallach's plan, but also with the film itself. Fabio's character Floyd is stupid enough to deliberately swerve his car on a snowy road and drives into the verge. He ends up in a motel near the border and falls head over heels for the lady of the house. Of course, you can't blame him for that, because she's Ursula Andress and she looks unhappy. Meanwhile, everyone in the motel suspects that Floyd is one of the wanted jewel thieves and wants to get hold of them. And of course, partner Wallach isn't happy with Floyd not sticking to their agreement.

Even after the genius first ten minutes, "Stateline Motel" is still worth watching, but everything is so slow and predictable. There are no surprises in the script (except for one implausible one, at the very end) and there is overall too few action and excitement. Eli Wallach and the beautiful Barbara Bach (as the daughter of the motel owner) are underused, while the script builds too much mystery around the character of Ursula Andress. Does she genuinely love Floyd, or do you just want the jewels? There is also a long lovemaking scene, but you can hardly see anything in the dark motel room. If you want to see Ursula undress and admire the splendor of her naked body, you better watch "Colpo in Canna" or "Perfect Friday".

Stateline Motel is an Italian crime film shot in Montreal, featuring Fabio Testi and Eli Wallach as the criminals, and Bond girl Ursula Andress as the femme fatale, who throws a wrench into their plans.

After being released from a Canadian prison, where he was holed up for stealing a car, Floyd (played by Testi) is picked up by his partner Joe (Wallach), as the two petty criminals plan on robbing a bank before fleeing back over the border to America.

They manage to pull the job off, but Joe shoots a guy in the process.

So they split up, with plans of meeting back up in New England to split the loot.

However, on his way to the unattended border crossing, Floyd crashes his car, and ends up stuck in the Last Chance Motel, as he waits for his car to be repaired.

But things aren't exactly going smoothly.

Because after a news report airs, with CCTV footage of the robbery, a number of people in the town begin to suspect him of the crime, and want to cash in on the reward for turning him in...that is...if they can't manage to steal the jewels from him, for themselves.

Meanwhile, the wife of the motel owner (Andress) becomes infatuated with the dangerous allure of this mysterious man, and instigates an affair with him, in hopes he will whisk her away from her mundane life in this small border town.

But before he gets a chance to leave, the jewels mysteriously disappear from his room.

He thinks the promiscuous young woman has honey trapped him...but he can't be sure.

While he's trying to figure out who the culprit is...his partner Joe returns in an attempt to track him down.

Thinking he is trying to take the whole score for himself.

So a situation has developed where everyone is paranoid of everyone else, and trying to play each other, in one way or another.

Floyd thinks that if he and Joe work together, they can solve the mystery as to who actually stole the jewels, get them back, and make their escape over the border.

But Joe is suspicious, and thinks that Floyd is trying to make off with the jewels- and the motel owner's wife- for himself.

Now Floyd thinks their lives are at risk.

Believing that Joe is willing to kill them both, so that he can take the whole cache for himself.

So, thinking the motel owner's wife has the jewels- but won't give them to him unless he runs away with her- Floyd agrees to do so, after trying to distract Joe.

But everyone is way off.

As the whole thing ends up a comedy of errors, with a bit of a twist at the end, that leaves everybody a loser.

It seems like this film was shot in both English and Italian, dubbed for the Italian market, then redubbed in English for the American market...and poorly at that.

Because the audio is so out of sync with the video, that it's kind of distracting.

On top of that, none of the acting is very good.

And the twist is rather predictable.

So the whole thing comes off as rather bland.

4.5 out of 10.

For reasons wholly obscure, and not just a trifle baffling, most appraisals of, Maurizio Lucidi's profoundly entertaining Poliziottesco, 'Motel of Fear' (aka) 'L'ultima Chance' (1973) are somewhat lukewarm affairs, this is a dismissive reading I happily don't share, since, Lucidi's lively, jewel-heisting, dangerously double dealing actioner remains a prime example of punchy Italian exploitation, with solid performances from two legitimate icons, the eternally sleek and moistly fabulous, Fabio Testi, and indelible cult hero, Eli Wallach playing a querulous pair of hard-boiled jewel thieves on the lam who discover to their considerable cost that hot rocks and a hotter blonde are too much for them to handle!

Tougher than a butcher's stropping belt, 'L'ultima Chance' is all about the devious machinations of hard-nosed wise guy, Joe (Eli Wallach), and slickly scheming, funky-looking baller, Floyd, played with a singular machismo by the tremendously testicular tearaway, Testi! The hopped up hoods fretful flight to the Stateline Motel is propelled by robust filmmaking, and a booty-boppin' deluge of righteously funky 'action-riffs' from the funk-master general of B-Movie cool, Luis Bacalov! While much of the amusingly pulpy narrative feels overly familiar, its reliance on all the bellicose, bullet-blasted poliziotteschi clichés works to its advantage.'Stateline Motel' is well worth a visit, the decor's a bit dingy, but who cares about the skeevey upholstery when you can eyeball dazzling screen sirens, Barbara Bach & Ursula Andress?