Joe North is a cab driver in London, something that gives him many opportunities to have sex.Joe North is a cab driver in London, something that gives him many opportunities to have sex.Joe North is a cab driver in London, something that gives him many opportunities to have sex.
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Spurred on by the success of the ribald, 1970s 'Confessions of
' sex comedies, producer/director Stanley Long began his own series in the same vein, the 'Adventures of
' films, starting with Adventures of a Taxi Driver. This first film quickly sets the tone for the whole series: crude and not particularly funny.
Mind Your Language star Barry Evans plays Joe North, a cheeky London cabbie who uses his job as a means of chatting his way into the knickers of his tastier clientèle. Little more than a series of smutty skits in which North experiences variety of silly sexcapades (allowing for the obligatory nudity from some quality British crumpet, and occasional flash of Evan's todger), the film is unsophisticated nonsense with little of the charm or wit of the films it so obviously seeks to emulate.
3.5/10, generously rounded up to 4 for lovely Jane Hayden as Linda (which, coincidentally, is the name of Jane's equally attractive big sister), a suicidal woman saved by North, who tries to help the poor girl out by shagging her (NOT a method recommended by The Samaritans, I believe).
Mind Your Language star Barry Evans plays Joe North, a cheeky London cabbie who uses his job as a means of chatting his way into the knickers of his tastier clientèle. Little more than a series of smutty skits in which North experiences variety of silly sexcapades (allowing for the obligatory nudity from some quality British crumpet, and occasional flash of Evan's todger), the film is unsophisticated nonsense with little of the charm or wit of the films it so obviously seeks to emulate.
3.5/10, generously rounded up to 4 for lovely Jane Hayden as Linda (which, coincidentally, is the name of Jane's equally attractive big sister), a suicidal woman saved by North, who tries to help the poor girl out by shagging her (NOT a method recommended by The Samaritans, I believe).
Problem with sex comedies is they are not sexy or funny. Most are cheaply made to make some easy cash. Of course before the internet these films had a captive market - men.
There are worse film than this - if you are British and over 50 you will see a few familiar faces.
There are worse film than this - if you are British and over 50 you will see a few familiar faces.
Despite this being a real adventure, and a lot of Brit fun, especially when you have a very likable actor in it, this is of course, is just an excuse for a T and A romp. Yes it's a lot of saucy fun, and we know exactly where this film is heading or what kind of film it is, if good looking Evans is involved. The film has no plot, but some familiar faces, especially the very talented Judy Geeson, the girlfriend of Evans's friend. His home life is no picnic, his taxi, the only form of release, and sanctuary where we see him do a few dames, one an older, and hot one who gets locked outside her two story house, which ends with a very familiar clichéd scene in a bathtub, like those in the Confession's movies. It becomes quite a frustrating scene, rather than amusing. We also have a staged taxi hold up, that was a surprise I liked. Poor Evans does cop it, either from his nagging Mum who can't cook, and a harping girlfriend, any guy would righteously strangle. There are funny moments, the most humorous part is in it's starting, where the film takes digs at taxi drivers. One truly unforgivable, but cutely forgivable blooper was Evans ducking back into his taxi naked, after a close call at that married woman's house earlier, where he's in full view, of a female fuzz, walking towards him. Why do I like this bad movie? 1. The soundtrack, 2. The T and A aspect, and 3. Evans, a not so fortunate actor when measured against his talent, and tragically, his suspected murder. One scene, totally unwarranted, was the weird conversation, mostly on Judy's part, where Geeson's' boyfriend asks her to choose between him or her beloved Python. The end scene that marked the return of that sexy suicide jumper, provided the most memorable line. Just watch and enjoy.
What is to be said in the favour of Adventures of a Taxi Driver? Very little, it's sad to say. The film gives new meaning to the term second hand: it's a rip-off of the Robin Askwith Confessions series of sex comedies, which themselves were already sub-Carry On crossed with continental saucy fare. Taxi Driver also mixes in elements of Alfie (the direct to camera narration of the Lothario protagonist), On the Buses (the bickering family arguments) and British B movies of the early 60s involving petty crime. This wholesale appropriation of other people's ideas might be acceptable if they were used here with any skill or aplomb; as it is, the film is tedious, plot less, poorly directed and almost aggressively unfunny. It's attitude to women is dismissive and offensive, and even the usually charming Barry Evans - who made the infantile and racist sitcom Mind Your Language palatable - is heavy handed and dislikeable here.
The few pluses include good comic turns from Adrienne Posta and Diana Dors, a winsome performance from Marc Harrison as Evans' thieving brother and the chance to see, briefly, Stephan Lewis doing Blakey as a strip-show doorman. There's also some intriguing footage of mid-70s Soho which might be of value to social historians.
I suppose that the film does capture a certain mood of cultural desperation which clearly reigned in the UK at the time. Evans' sexual shennanigans seem like the last resort of a man with nothing else to do; the sexual revolution has failed to make life interesting, as people are just as boorish and neurotic and dumb as they ever were. Whether this is a real reflection of the times or merely the projection of the filmmakers' own limited intelligence and wit is a matter of conjecture, although the huge box office success of the film suggests that it did offer the film-going population something they could respond to.
Although the film is about sexual adventures, the sex scenes themselves are as sexy as bromide, with not a single moment of chemistry between Evans (who was gay in reality) and the various women he disrobes.
The few pluses include good comic turns from Adrienne Posta and Diana Dors, a winsome performance from Marc Harrison as Evans' thieving brother and the chance to see, briefly, Stephan Lewis doing Blakey as a strip-show doorman. There's also some intriguing footage of mid-70s Soho which might be of value to social historians.
I suppose that the film does capture a certain mood of cultural desperation which clearly reigned in the UK at the time. Evans' sexual shennanigans seem like the last resort of a man with nothing else to do; the sexual revolution has failed to make life interesting, as people are just as boorish and neurotic and dumb as they ever were. Whether this is a real reflection of the times or merely the projection of the filmmakers' own limited intelligence and wit is a matter of conjecture, although the huge box office success of the film suggests that it did offer the film-going population something they could respond to.
Although the film is about sexual adventures, the sex scenes themselves are as sexy as bromide, with not a single moment of chemistry between Evans (who was gay in reality) and the various women he disrobes.
There is a video game from Sega called Crazy Taxi, in which you drove a taxi all over a city in a haphazard matter to earn bigger money and tips from your fares. But that game pales in comparision to this movie, the true "Crazy Taxi".
Barry Evans (who would ironically live his last years driving taxis after a succesful career as a British-sitcom star) plays Joe North, a taxi driver in London who is the subject of the adventure. There's no real plot, just him getting into all sorts of sexual situations with women of varying degrees of beauty. We see him talking into the camera to the audience about his plans to woo the women he meets into having sexual encounters with him.
Evans is pretty good, about the same as Christopher Neil would be in the next two films. Stephen Lewis (Inspector Blakey of "On The Buses" fame) has a small role as a doorman in a strip club. The aging Diana Dors plays Joe's mother. An O.K. timewatcher, but it's quite titalating at times (talky too). Bravo (The Canadian version) loves showing these 70's British sex comedies; they've shown three "Adventures" movies.
For some reason, they borrowed a bit of Sesame Street's theme song's music to create theirs.
Barry Evans (who would ironically live his last years driving taxis after a succesful career as a British-sitcom star) plays Joe North, a taxi driver in London who is the subject of the adventure. There's no real plot, just him getting into all sorts of sexual situations with women of varying degrees of beauty. We see him talking into the camera to the audience about his plans to woo the women he meets into having sexual encounters with him.
Evans is pretty good, about the same as Christopher Neil would be in the next two films. Stephen Lewis (Inspector Blakey of "On The Buses" fame) has a small role as a doorman in a strip club. The aging Diana Dors plays Joe's mother. An O.K. timewatcher, but it's quite titalating at times (talky too). Bravo (The Canadian version) loves showing these 70's British sex comedies; they've shown three "Adventures" movies.
For some reason, they borrowed a bit of Sesame Street's theme song's music to create theirs.
Did you know
- TriviaWhen Barry Evans' acting career dwindled in later life, he became a local taxi driver in Leicester to earn a living.
- ConnectionsFeatured in The Best of the Adventures (1981)
- SoundtracksTitle Song (My Cruisin' Casanova)
Written by Graham Preskett
Sung by Adrienne Posta
Produced by Gordon Chambers (as Gordon T. Chambers)
- How long is Adventures of a Taxi Driver?Powered by Alexa
Details
- Release date
- Country of origin
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- Also known as
- Die unglaublichen Abenteuer eines Taxifahrers
- Filming locations
- Westbourne Grove, Notting Hill, London, England, UK(Pedestrian crossing at junction with Colville Rd where nun enters taxi)
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