IMDb RATING
5.7/10
3.9K
YOUR RATING
A troubled, rebellious teen drives his rambunctious baseball team out to Houston where they play an exhibition game and the boy meets his estranged father, and hires him as the teams coach.A troubled, rebellious teen drives his rambunctious baseball team out to Houston where they play an exhibition game and the boy meets his estranged father, and hires him as the teams coach.A troubled, rebellious teen drives his rambunctious baseball team out to Houston where they play an exhibition game and the boy meets his estranged father, and hires him as the teams coach.
- Director
- Writers
- Stars
Jaime Escobedo
- Jose Agilar
- (as Jaime O. Escobedo)
Alfred Lutter III
- Ogilvie
- (as Alfred Lutter)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Can you name another movie that captured the 70's generation as well as the bond of friendship with the most diverse group of kids in the world. Forget comparing this film to the original or that piece of crap Japan flick that completed the trilogy. This is an amazing film that tells a decent story, but overall gives a funny and enjoyable film that you never get tired of. Even if you hate the Bears or some of the annoying characters, its a classic because it never gets old. The characters all seem too real. Since none of the actors made it big, it adds to how real the characters in the film are. For that, possible sad reason, the film can only be seen through the eyes of the young.
Most of the standard crew (Walter Matthau and Tatum O'Neal are huge absences though) return for this feather-weight sequel to the highly popular original of 1976. This time juvenile delinquent Jackie Earle Haley and his teammates hit the road to Houston to play a little league game in the Astrodome. It seems that Haley's estranged father (William Devane) also lives in Texas and he becomes a focal point as the club lacks a manager. The kids are more grown up this time but their maturity seems to be on the decline as they only care about girls (who are all obviously older than they are) and getting into general mischief. The only real attraction is the Astrodome as the old scoreboard and the novelty of the eighth wonder of the world in 1977 make the closing act of the picture a nostalgic view to a part of sports history that many have already forgotten about. Overall the movie is a stinker with little else to recommend. 2 stars out of 5.
Probably like most kids my age at the time, I found this to be the *second* coolest movie of summer 1977 (gee, what do you suppose was the first). But with age comes awakening and through viewings in my later years the holes in this script broke out like jock itch. Although some of the gaps were plugged in the paperback, it still left a leaky script up there on the screen.
First bad play is the lack of explanation as to why the Bears, and not the league-champion Yankees, get to travel to Houston. Later, the kids are held on suspicion of grand theft auto for their van (which they earlier admitted to secretly "borrowing") but the issue is never resolved, so what's the point of making the vehicle hot in the first place? Of course, the hardest pitch to hit is the idea that a Houston home crowd would unanimously root for a visiting team, regardless of some sappy news story of a kid back home with a broken leg. On that note, the photo given to Lupus of his heroic catch from the first film is said to have been taken by Ogilvie's dad. Yet the photo is nothing more than the actual shot itself from the first film. That would mean that Ogilvie's dad would have to have been standing right next to Lupus in the outfield when that catch was made. Okay, okay. This one *is* nitpicky but I hate when movies flub little details like this. Finally, it's established that the winner of the Houston game will advance to a game in Japan. Yet in the next film, BNB Go to Japan (1978), no mention is made, even by the Bears themselves, of the Houston victory and they travel to the land of the rising sun for other reasons, which they address on a talk show hosted by Regis. Even back *then* the man was everywhere.
Trivia: In Paul Brickman's paperback adaptation of his screenplay, Ronzoni spins a tale of scoring with a babysitter. This monologue would later resurface verbatim years later in Brickman's script for Risky Business (1983), in which Tom Cruise, in an early scene, brags to his buddies about scoring with a babysitter.
First bad play is the lack of explanation as to why the Bears, and not the league-champion Yankees, get to travel to Houston. Later, the kids are held on suspicion of grand theft auto for their van (which they earlier admitted to secretly "borrowing") but the issue is never resolved, so what's the point of making the vehicle hot in the first place? Of course, the hardest pitch to hit is the idea that a Houston home crowd would unanimously root for a visiting team, regardless of some sappy news story of a kid back home with a broken leg. On that note, the photo given to Lupus of his heroic catch from the first film is said to have been taken by Ogilvie's dad. Yet the photo is nothing more than the actual shot itself from the first film. That would mean that Ogilvie's dad would have to have been standing right next to Lupus in the outfield when that catch was made. Okay, okay. This one *is* nitpicky but I hate when movies flub little details like this. Finally, it's established that the winner of the Houston game will advance to a game in Japan. Yet in the next film, BNB Go to Japan (1978), no mention is made, even by the Bears themselves, of the Houston victory and they travel to the land of the rising sun for other reasons, which they address on a talk show hosted by Regis. Even back *then* the man was everywhere.
Trivia: In Paul Brickman's paperback adaptation of his screenplay, Ronzoni spins a tale of scoring with a babysitter. This monologue would later resurface verbatim years later in Brickman's script for Risky Business (1983), in which Tom Cruise, in an early scene, brags to his buddies about scoring with a babysitter.
Folks, There is only one group of people who will truly enjoy and think this is a great film-the group who it was intended for: those of us who were in our pre-teens or early teens who saw this when it first came out in the Summer of 1977.
The tale is pretty much the kind of thing that every red-blooded American boy of that age would dream about. The little leaguers fire their tyrannical coach and "borrow" a van to play at a little league championship in Houston. To avoid spoiling it, I'll just say that this deals with their adventures along the way and the results. A "Huckleberry Finn" of the 1970s, to be generous.
The overprotective parents and PC squads of today would have heart attacks at the scenes of the kids' foul language, cigarette smoking, chasing a grown woman, committing grand theft auto, and swiping Playboy magazines. But most of us who saw it at the time knew that this was over -the top and didn't take it that seriously.
Yeah, an adult viewer would agree that the story, writing, and acting are atrocious. But this wasn't intended to be Shakespeare. See it with a 13 year old mind and trust me, you'll "get it." For those of us who saw this as 13 year olds in 1977, leave your brains at the door and enjoy the nostalgia and the theme song "Looking Good." To everyone else-you've been warned!
The tale is pretty much the kind of thing that every red-blooded American boy of that age would dream about. The little leaguers fire their tyrannical coach and "borrow" a van to play at a little league championship in Houston. To avoid spoiling it, I'll just say that this deals with their adventures along the way and the results. A "Huckleberry Finn" of the 1970s, to be generous.
The overprotective parents and PC squads of today would have heart attacks at the scenes of the kids' foul language, cigarette smoking, chasing a grown woman, committing grand theft auto, and swiping Playboy magazines. But most of us who saw it at the time knew that this was over -the top and didn't take it that seriously.
Yeah, an adult viewer would agree that the story, writing, and acting are atrocious. But this wasn't intended to be Shakespeare. See it with a 13 year old mind and trust me, you'll "get it." For those of us who saw this as 13 year olds in 1977, leave your brains at the door and enjoy the nostalgia and the theme song "Looking Good." To everyone else-you've been warned!
As a 12 year old I probably would've given this movie a 10. Along with Star Wars it was my favorite movie for the summer of 77 and probably for a few more years of my youth. Honestly, it is still incredibly nostalgic to me -I'd say more so than any other movie I watched during that time period of my life. Which is why it gets an 8. I agree with the other posts here especially Damonfordham -This movie is for 12-13 year olds (or kids around that age) not adults. If I saw this today for the first time I would think it was god awful. I think you need the combination of youth, innocence, immaturity and to have been growing up in the 70's to really be effected by this film. There was a time and place for this in my life -if I would've have seen it any later I wouldn't have the memory of it I do today. I remember seeing it twice that summer and the theme song (Our time is now (Looking Good) by James Rolleston) staying with me long after. That song still takes me back. Look, movies have changed tremendously, most kids today might not even like this movie and adults forget it -it's not meant for you. Yes it's cheesy- but if you grew up in the 70's and were 12 or so when you saw this then you get it.
I have often sang that song throughout my life when life is looking good- here are the lyrics: The road is open and we're rolling thru and life is looking good We got a dream that maybe could come true and life is looking good If we just stay loose now we'll come out alright There's something telling me our time is now It's just a whisper but I know somehow We've got to listen got to do it now Life is looking good for you and me The clouds have parted and the sun's come thru and life is looking good There's nothing that can beat all we can do and life is looking good If we hold together we're gonna be alright There's something telling me our time is now It's just a whisper but I know somehow We've got to listen got to do it now Life is looking good for you and me If we just stay loose now we're gonna be alright....
I have often sang that song throughout my life when life is looking good- here are the lyrics: The road is open and we're rolling thru and life is looking good We got a dream that maybe could come true and life is looking good If we just stay loose now we'll come out alright There's something telling me our time is now It's just a whisper but I know somehow We've got to listen got to do it now Life is looking good for you and me The clouds have parted and the sun's come thru and life is looking good There's nothing that can beat all we can do and life is looking good If we hold together we're gonna be alright There's something telling me our time is now It's just a whisper but I know somehow We've got to listen got to do it now Life is looking good for you and me If we just stay loose now we're gonna be alright....
Did you know
- TriviaJackie Earle Haley and William Devane argued to the point of fist fighting and had to be separated by production during a cast and crew party.
- GoofsIn the famous "hidden ball trick" scene against the Toros, the Bears pitcher is on the mound during the trick. This would make the play impossible because being on the mound "rubber" without the ball is considered a balk at any level of baseball.
- Quotes
Jose Agilar: Four dollars, for both of us!
- ConnectionsFeatured in Todd's Pop Song Reviews: "Fancy" by Iggy Azalea Ft. Charli XCX (2014)
- Soundtracks1812 Overture
Written by Pyotr Ilyich Tchaikovsky
Details
- Release date
- Country of origin
- Language
- Also known as
- The Bad News Bears 2
- Filming locations
- Mason Park, 10500 Mason Ave., Chatsworth, California, USA(Little League Fields)
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $19,104,350
- Gross worldwide
- $19,104,350
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