High Anxiety

HIGH ANXIETY suffers only by comparison to Mel's YOUNG FRANKENSTEIN, but it stands by itself as a frisky, very funny screwball spoof of the works of Alfred Hitchcock.

I do agree with others who complain that Mel should have given the Dr. Thorndyke role to someone like Gene Wilder since Brooks does lack the charisma needed to carry this sort of thing. But the other pros in the cast more than made up for this handicap--especially HARVEY KORMAN, CLORIS LEACHMAN, MADELINE KAHN and HOWARD MORRIS.

Cloris Leachman is hilarious as Nurse Diesel (practically repeating her formidable character in YOUNG FRANKENSTEIN) and Madeline Kahn is equally funny as the blonde femme fatale who finds herself in one ditzy situation after another as she tries to reach her father inside the asylum--here called "Psychoneurotic Institute for the Very, Very Nervous." Nothing subtle here. The gags are touch and go, some funny, some painfully unfunny--so it's strictly a mixed bag.

But if you know MEL BROOKS and his kind of satire, this has enough gags to keep you satisfied. Just don't expect anything on the level of YOUNG FRANKENSTEIN.

Mel Brooks' delirious comedy/thriller is a delight even if you're not already an Alfred Hitchcock fan--but if you *are,* you'll love it even more as you peg specific spoofs/references to such Hitch classics as SPELLBOUND, VERTIGO, THE MAN WHO KNEW TOO MUCH '56 (Brooks' piano bar rendition of the title song is the movie's highlight) and THE BIRDS. While Gene Wilder would've been perfect casting as acrophobic psychiatrist Dr. Richard H(arpo). Thorndyke, Brooks is nevertheless as irresistable as he is irrepressible, with Madeline Kahn a fine match for him as the flakiest mysterious blonde this side of Kim Novak. Brooks' stock company of Harvey Korman, Cloris Leachman, Ron Carey, and Howard Morris (as Professor Little-Old-Man, er, Lillolman) are in fine form. Like all of Brooks' best movies, the plot would work just fine as a straight thriller, and the spoofing is as affectionate as it is hilarious. It's a comedy to go crazy over!

Mel Brooks arrives at the "Institute" to find suspicious goings on, and tries to find out what's going on and who is behind it. Cloris Leachman and Harvy Korman are fellow doctors at the asylum, and watch over the institute when Mel must attend a conference. Watch for Barry Levinson (writer, director, producer) as he plays the bellboy. Ron Carey from Barny Miller plays the chauffeur who tries to help Mel when he runs into trouble with the always funny Madeline Kahn. The references to all of Hitchcocks films are many and great, and Mel even sings a song in the movie. His speech given for fellow doctors at the conference goes on a little long, but can be forgiven as it is offset by the quick action for most of the movie. Cloris Leachman is hilarious as Nurse Diesel, and her manner is a funny as her costume. Half the jokes in this movie are things as simple as camera angles, facial expressions, and what people are wearing.

Mel Brooks takes on Hitchcock movies like "Vertigo" and "Spellbound "with a dash of "One Flew Over the Cuckoo's Nest" thrown in. This is an excuse to get the whole Brooks' gang dealing with mental institutions and mental illness. Of course, it is utter zaniness as Brooks as the hospital director is in a madhouse (no pun intended). The patients have nothing on the doctors when it comes to outrageous behavior. The problem here is that Brooks never knows when to quit. With really well done comedies like "Young Frankenstein" and "The Producers" we see his genius with good scripting and characters filling out the fabric of the film. Here it's almost anything for a joke, including a casual reference to Jack Benny and highly dramatic music in one scene which turns out to be a concert band going by in a bus. These are fun, but some of the stuff isn't and draws attention outward.

Mel Brooks is a very funny man, and though sometimes I think his comedy is a little on the low side, "High Anxiety" has some truly hilarious moments.

Mel riffs on Hitchcock, right down to Madeline Kahn's gray suit a la Kim Novak in Vertigo. He combines scenes from "Spellbound," "Vertigo," "Foreign Correspondent," "The Birds," "Psycho," "Dial M for Murder," and "North by Northwest" in this story of a man taking over as the head of a mental sanitarium, replacing a man who is murd - uh, dead.

Kahn is the Hitchcock blonde whose father is in the asylum. To give you an idea of this place where the lunatics have definitely taken over - Cloris Leachman plays a nurse who's into S&M with Harvey Korman. Both of them are a riot. Mel plays it straight which makes him even funnier.

I have two favorite scenes - the first is Mel, doing a perfect imitation of Sinatra's style, singing "High Anxiety" to Kahn. He's fabulous, and the look on Kahn's face is delicious.

My other favorite scene occurs when Brooks and Kahn disguise themselves as elderly people to get through airport security. Psychiatric expert Brooks thinks the more noise you make, the less people notice you. The two of them do a fabulous skit which is priceless.

We really lost a treasure when we lost Madeline Kahn, one of the all-time great talents. It's wonderful to see this and remember her.

I do believe that because of the humor, the film can be enjoyed without having seen the Hitchcock films spoofed, but of course, it's all the better if you have. A delightful film.