Wizards

Ralph Bakshi, the man you might know best as the director of that animated The Lord of the Rings film, has in fact had a long and illustrious career as an animator of the weird and bizarre. His films are rarely all that politically correct, kid-friendly or even sane. So, what if he decided to direct a family-oriented fantasy epic?

Well... it would morph into an allegory about the founding of the nation of Israel, the use of propaganda in the Nazi war machine and the struggle between the forces of natural world and the industrial revolution. Nazi flags and swastikas would feature prominently, the main protagonist would be a drug abusing garden gnome lookalike, with a love interest so skimpily dressed that it would not even fly in most strip clubs, and would feature enough gore, horror imagery and acid trip sequences to satisfy even the legendary Caligula.

You know, for kids!

So yeah, the film certainly didn't hit its once intended mark, but when you put that aside, the film itself is actually quite a lot of fun. Sure, it goes bat guano insane with remarkable frequency, makes absolutely no sense whatsoever, is pretty inconsistent when it comes to the quality of animation, contains numerous plot holes and errors, and is all around just a blatant mess. But what a glorious mess it is! This is pure let your jaw hang loose and just take it in kind of experience. The film makers were clearly taking something while animating and you can get the last remaining whiffs of that from this film.

Is it for everyone? Absolutely not! It's offensive, insane and unhinged. But, if that sounds like fun to you, you're in for a ride. My advice: bring booze.

This cartoon was one of those in the seventies when animation was almost dead. A few folks revived it with movies like Fritz the Cat, Lord of the Rings, Fire and Ice and Wizards. Although Wizards didn't do well during the prime time, it rocked as a midnight movie.

But, even with the simple plot, engaging characters and sporadic humor, one gets the impression that this movie was not well-planned. There is conventional animation, rotoscoping and overexposed film sometimes being used on the same screen. It also seems that they ran out of money and had to resort to stills with a narrator (nice voice)...

You'd think that this would make the movie worse; however, it gives the movie a charm that a slicker production wouldn't have...

I found this movie as a teen and used to show it to friends the morning after parties. It's sort of a Saturday morning cartoon gone horribly awry. I've never seen animation like it before, though I understand Bakshi has other stuff out there. I like it better than Heavy Metal and American Pop. I found it while looking for Rock and Rule, which I didn't find very memorable. This, however, I saw once and had to see again! Everyone I've shown it to has liked it- it's a sci-fi fantasy cartoon with a moral message and enough plot and humor to keep things interesting. Again, great morning after type stuff, though perhaps a bit intense and/or slow at times.

This film was Bakshi's test-run, of sorts, for his upcoming version of 'Lord of the Rings'. Supposedly he originally wanted to make a fantasy based on the Holocaust, but settled for a more traditional fantasy. The story deals with wizards and elves in the distant future who dig up long-forgotten Nazi propaganda films and old war machinery, which are used by evil creatures to try and conquer the good creatures. The demons and evil creatures are obviously symbols of Nazis while the elves (with one being the voice of a young Mark Hamill) representing the Jews. It's almost disturbing at times watching old WWII war movie footage with German soldiers fighting alongside animated demons against psychedelic-colored backgrounds. The film is worth viewing for the still-drawings alone that appear throughout the film, with excellent artwork by Michael Ploog. The animation doesn't strive for realism (why bother, since Rotoscoping is so heavily used) but captures the dynamic motion depicted in comic book art. Very good. Highly recommended.

It's funny reading some of the comments on here, today, in the year 2004. Several people got it right, but to the several that got it wrong -- let us go back in time.

Bakshi's "Wizards" is not meant to be a cinematic masterpiece, but it reflected the time of my generation: The children born under the tip of a planet-killing nuclear bomb. Where, as one post commented, we went to school and learned Duck-And-Cover, and air raid sirens were tested once-a-week, every week of the year. We grew up in a world where the idea of surviving to the year 2004 was shaky, at best. And, as bizarre and B-movie bad as Wizards may be, it spoke to that segment of society that realistically expected the world to end, and another to take its place. Wizards has a place in my heart because my third birthday was around the Cuban Missle Crises, and I grew up with the story of how my parents weren't sure if it was worth planning a birthday party that may never happen. Sure, the bombs are still around today. But the ever-present, daily angst of them falling from the sky doesn't exist like it did in the '60s and '70s and '80s.

One more thing: Give Bakshi his due! Sure, he had his fair share of lemons, but if it wasn't for "Fritz The Cat," and "Wizards" and his other attempts -- there'd likely be no "The Simpsons," "South Park," "Ren and Stimpy," "Family Guy," Cartoon Network's Adult Swim and more -- as we know them today. There may have been Warner Brothers' Bugs Bunny, and Rocky and Bullwinkle, but they were still basically defined as children's entertainment(thus, always shown on Saturday morning). Bakshi defined the niche of adult animation with his efforts to get cartoons to grow up. And, if I'm not mistaken, his success (however you want to measure it) helped spawn "Wait 'Til Your Father Gets Home" -- the first adult animated TV show aired at night.