Set during the 1857 War of Independence, an obsessed Indian Nawab desires to wed a young Anglo-Indian woman, but the girl's obstinate mother stands between them.Set during the 1857 War of Independence, an obsessed Indian Nawab desires to wed a young Anglo-Indian woman, but the girl's obstinate mother stands between them.Set during the 1857 War of Independence, an obsessed Indian Nawab desires to wed a young Anglo-Indian woman, but the girl's obstinate mother stands between them.
- Awards
- 7 wins & 2 nominations total
Featured reviews
Junoon is a 1978 Hindi feature film directed by Shyam Benegal and produced by Shashi Kapoor. Junoon is a lost gem that deserves more attention than it has received over the last three decades. Based on a novel by Ruskin Bond, Junoon presents the haunting tale of love, obsession, jingoism and death set around the Indian Mutiny of 1857. The movie underlines the atrocities of war while simultaneously trying to grapple with various social, moral and political issues. Junoon's ensemble star cast includes Jennifer Kendal, Shabana Azmi, Nafisa Ali, Naseeruddin Shah, and Shashi Kapoor.
Shyam Benegal and team need to be applauded for bringing Ruskin Bond's poignant tale to life. The movie's attention to period detail is immaculate. Benegal also succeeds in eliciting strong performances from all his actors. While the movie's real highlight is Shashi Kapoor's breathtaking performance, it would be unjust to overlook the other performances. The cinematography speaks for itself: the vivid and powerful images enrich the movie with an element of realism which woos the viewers into believing as if they are part of the history. The history unfolds with a subtle element of drama that keeps monotony at bay, also ensures that it doesn't become melodramatic.
Benegal, by the virtue of his groundbreaking cinematic works in the '70s and the '80s, rightfully established himself as the undisputed heir to the legacy of great Indian auteurs whose works paved the way for a new movement in Indian cinema during the late '40s to the '60s, popularly known as Indian New Wave/Parallel Cinema. Benegal's first four films created a strong buzz among the Indian film aficionados and that's what brought him in contact with Shashi Kapoor who went on to back his next two projects: Junoon and Kalyug.
Shashi Kapoor is breathtaking to watch in the lead role of a love-struck feudal chieftain, Javed Khan, who falls for a young British girl. This, in my opinion, also happens to be Kapoor's best performance ever. What makes the portrayal special is its deceptive simplicity. It may be a cinch to play a madman but it's exceedingly challenging to play a role that lies mid-way between sanity and madness. An actor is required to muster all his talent to bring such a complex caricature to life and that's exactly where Kapoor triumphs as he effortlessly goes through a gamut of emotions during the portrayal.
Junoon is a cinematic epic which serves as a powerful eye-opener for the contemporary Indian filmmakers who, blinded by the glitz and glamour of Bollywood, seem to lack both the ideas and the resolve needed to make great cinema. A major area where the movie scores heavily is in its balanced use of visuals and dialogues. Junoon is a great means to get acquainted with classic Indian cinema and a must watch for anyone who admires topnotch world cinema. 9/10
A more in-depth review can be read at:
http://www.apotpourriofvestiges.com/
Shyam Benegal and team need to be applauded for bringing Ruskin Bond's poignant tale to life. The movie's attention to period detail is immaculate. Benegal also succeeds in eliciting strong performances from all his actors. While the movie's real highlight is Shashi Kapoor's breathtaking performance, it would be unjust to overlook the other performances. The cinematography speaks for itself: the vivid and powerful images enrich the movie with an element of realism which woos the viewers into believing as if they are part of the history. The history unfolds with a subtle element of drama that keeps monotony at bay, also ensures that it doesn't become melodramatic.
Benegal, by the virtue of his groundbreaking cinematic works in the '70s and the '80s, rightfully established himself as the undisputed heir to the legacy of great Indian auteurs whose works paved the way for a new movement in Indian cinema during the late '40s to the '60s, popularly known as Indian New Wave/Parallel Cinema. Benegal's first four films created a strong buzz among the Indian film aficionados and that's what brought him in contact with Shashi Kapoor who went on to back his next two projects: Junoon and Kalyug.
Shashi Kapoor is breathtaking to watch in the lead role of a love-struck feudal chieftain, Javed Khan, who falls for a young British girl. This, in my opinion, also happens to be Kapoor's best performance ever. What makes the portrayal special is its deceptive simplicity. It may be a cinch to play a madman but it's exceedingly challenging to play a role that lies mid-way between sanity and madness. An actor is required to muster all his talent to bring such a complex caricature to life and that's exactly where Kapoor triumphs as he effortlessly goes through a gamut of emotions during the portrayal.
Junoon is a cinematic epic which serves as a powerful eye-opener for the contemporary Indian filmmakers who, blinded by the glitz and glamour of Bollywood, seem to lack both the ideas and the resolve needed to make great cinema. A major area where the movie scores heavily is in its balanced use of visuals and dialogues. Junoon is a great means to get acquainted with classic Indian cinema and a must watch for anyone who admires topnotch world cinema. 9/10
A more in-depth review can be read at:
http://www.apotpourriofvestiges.com/
This movie is a beautiful love story and portrays the feudal life style of the landed aristocracy in North India, particularly in the Awadh region (around Lucknow), a major centre of the 1857 war of independence. Also, IMHO, Javed Khan (Shashi Kapoor)has already seen Ruth, even before the Church massacre (remember the first scene- Ruth notices someone standing outside the house).
Interesting trivia from the movie:
Ruth's grandma is played by Ismat Chughtai, one of the foremost progressive Urdu writers of the last century.
Ruth was played by Nafisa Ali, who had been crowned Miss India in 1977 or 1978 (?). This was her last movie till she appeared in the 2000 movie 'Major Saab' with Amitabh Bacchan (Amitabh's wife).
Interesting trivia from the movie:
Ruth's grandma is played by Ismat Chughtai, one of the foremost progressive Urdu writers of the last century.
Ruth was played by Nafisa Ali, who had been crowned Miss India in 1977 or 1978 (?). This was her last movie till she appeared in the 2000 movie 'Major Saab' with Amitabh Bacchan (Amitabh's wife).
Shashi Kapoor is my favourite actors and he is absolute treat to watch as Javed Khan in this epic.
Directed by Shyam Benegal, Junoon is the story of obsession and love, set around the Indian Mutiny of 1857. The movie tries to outline the war of independence, social and political issues of that time and is able to make that connection.
Junoon is based on Ruskin Bond's book and Shyam Benegal has done an outstanding job in transforming the book in an unforgettable cinema.
For me Junoon is completely Shashi Kapoor's show. He is outstanding in every scene. It's among his best works. Nafisa Ali looks so fresh in Junoon and is able to carry that innocence and portray that emotions on his face. Shabana Azmi is wonderful as Javed Khan's wife.
Directed by Shyam Benegal, Junoon is the story of obsession and love, set around the Indian Mutiny of 1857. The movie tries to outline the war of independence, social and political issues of that time and is able to make that connection.
Junoon is based on Ruskin Bond's book and Shyam Benegal has done an outstanding job in transforming the book in an unforgettable cinema.
For me Junoon is completely Shashi Kapoor's show. He is outstanding in every scene. It's among his best works. Nafisa Ali looks so fresh in Junoon and is able to carry that innocence and portray that emotions on his face. Shabana Azmi is wonderful as Javed Khan's wife.
Adapted from Ruskin Bond's novel, Flight of the Pigeons, is a story about a Pathan,Javed Khan (played by Shashi Kapoor),who is an imposing, proud man rendered feeble by his obsession. The movie is set in the 1857 mutiny where amidst all the bloodshed and atrocities, the only thing Javed Khan can think of is Ruth Labadoor, played by Nafisa Ali(although he is married to Firdaus,played by Shabana Azmi). It shows the tussle between Javed's obsession and pride. On one hand he wants Ruth but on another his nobility doesn't allows him to use force. Ruth's mother Miriam is unrelenting, eventually; the two strike a peculiar, yet greatly symbolic bargain "Dilli apki toh Ruth bhi aapki". Director Shyam Benegal, assisted by ace co-writers (dialogue by Satyadev Dubey and Ismat Chugtai), created overwhelmingly powerful film.Junoon is a beautiful, sad and compelling film.
I've seen this movie twice, and liked it even better the second time. Right from the title scene of the crazy-looking "pir", the atmosphere created is gripping and unforgettable.
The events of 1857 were shocking in their violence, and neither the British nor the rebels showed themselves to be very honorable. The word "junoon" (obsession) connotes a tinge of madness, and that kind of madness is a very appropriate way to view the period. The "love story" is also suffused with the same out-of-control emotion. (Also, only a crazy man would want to leave Shabana Azmi for another woman, even one as gorgeous as the young Nafisa Ali!) Shyam Benegal has made a masterpiece that captures that feeling visually.
Now, if only they would convert this film to DVD, I would buy it in a second.
"That Pathan, he's looking at me."
The events of 1857 were shocking in their violence, and neither the British nor the rebels showed themselves to be very honorable. The word "junoon" (obsession) connotes a tinge of madness, and that kind of madness is a very appropriate way to view the period. The "love story" is also suffused with the same out-of-control emotion. (Also, only a crazy man would want to leave Shabana Azmi for another woman, even one as gorgeous as the young Nafisa Ali!) Shyam Benegal has made a masterpiece that captures that feeling visually.
Now, if only they would convert this film to DVD, I would buy it in a second.
"That Pathan, he's looking at me."
Did you know
- TriviaShashi Kapoor wanted to make good cinema, so he made Junoon, Kalyug, Vijeyta and Utsav which were very appreciated and also won awards from even foreign countries but Shashi Kapoor lost all his money on these films and put him in debt. Then later he made a completely commercial film Ajooba. Ajooba bombed and he went further in to debt
Details
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- Also known as
- A Flight of Pigeons
- Production company
- See more company credits at IMDbPro
- Runtime
- 2h 21m(141 min)
- Sound mix
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