The Power

An Aztec idol, Destacatyl, ends up in the hands of three high School students on the coast near Los Angeles. After an unexpected death, the trio seeks the aid of a tabloid writer, but it's her ex-beau who's fascinated by the artifact and the evident power thereof. Havoc ensues.

"The Power" (1984) mixes the evil spirit shenanigans of "The Exorcist" (1973) with the misshapen man-beast bits of "Altered States" (1980) while the faith-in-the-idol angle is done better in the future "Wendigo" (2001). It's one of those 'almost' movies that almost works enough.

Both Lisa Erickson as blonde teenager Julie and Suzy Stokey as brunette journalist Sandy are effective on the female front. Meanwhile the three teens investigating the spooky happenings is reminiscent of Scooby-Doo, albeit without the dog.

Unfortunately, there's just not enough to push the flick beyond mediocre. It needed a rewrite to flush out the potential, but that takes time and time is money in the movie biz. Still, I enjoyed it well enough for a streamlined mystery/horror from the early '80s.

The film runs 1 hour, 24 minutes, and, was shot in Redondo Beach, California, which is just southwest of Los Angeles.

GRADE: C+

If you remember liking the "Friday the 13th" TV series, with its basic concept of inanimate objects possessing the souls of their unsuspecting owners and eventually causing death and destruction, then this movie - about a creepy small Aztec idol - may be enjoyable for you. The special effects are not bad, considering the budgetary constraints, and there is also a pretty good shock ending. The problem is that you get to see the idol's power in the first few minutes, so you have to wait for the characters to find out (and argue about) what you already know. And some of the acting is pretty amateurish, too. (**)

Man comes in contact with an ancient Aztec figurane that is cursed by an evil spirit. The spirit takes over the man's body and begins a massive killing spree. Swift, fast paced horror film with it's fair share of shocks. This is one film where the low budget actually helps the move and gives it a more realistic feel. The special effects are even pretty good for this kind of movie. Rated R; Violence and Profanity.

I wasn't expecting much from this film, but was eager to try something which I initially thought would primarily be an early 80s teen horror. Although three teens are somewhat critical plot, it is by no means a teen horror film.

'The Power' is about a little Aztec idol that exchanges many hands as its possessor (who must be adult and thus, 'corrupted') becomes the vessel for unleashing all of the idol's evil, and often with deadly implications for not only the victims of the possessor, but of the possessor himself. After making several exchanges in vying over control of this thing, three teenagers wind up finding it and can't figure out what it is, except that since they found it, strange and dangerous things are afoot. They offer to explain the situation to a news reporter who doesn't buy into the spiritual bologna. Although, it is her producer who wants to investigate further, especially if it means he can get control of the idol (I presume the teens are even not yet corrupted enough to feel the dangerous desires encouraged by the idol). It is a story told a thousand times, particularly in 1950s and 60s horror and science fiction fare.

This one was at least, for me, able to sustain some interest. Though low budget, it was not done so obviously cheaply or loaded with bad acting as many of the low-budget, come-and-go horror fare of the earlier decades had (nowadays, they have the same cheesy qualities, but bigger budgets). We are spare enough of it to at least allow ourselves an opportunity to become at least a little bit absorbed with the eerie atmosphere and so forth, despite a story of clichés. And, though not terribly gory, the special effects were done nicely.

Again, it is routine horror tale, especially with the ending (which by modern standards has become a device that is annoyingly overused), but one that is not so embarrassingly bad. It might be worth checking out, even if just for laughs.

The directors duo Stephen Carpenter and Jeffrey Obrow released three divergent low-budget horror movies during the 1980's before their paths separated. Perhaps they really ought to have stuck together for a little while longer, as the quality level of their work improved with each film. Their first feature "The Dorm that Dripped Blood" is a horrendous and suspense-free slasher that is better left forgotten. This one – "Evil Power" - is a nonsensical but fun thriller about psychic possession and their last collaboration, entitled "The Kindred" and dealing with a genetic monster, even is a slick but heavily underrated mixture between horror and Sci-Fi. Maybe if they had stayed together, they would have fabricated some hidden gem of horror during the 1990's, who knows?

"Evil Power" knows a promising and very exciting start, but sadly suffers from an overlong and dreadfully boring middle section. Pivot element of all the horror is a small statue made of clay, representing an ancient Aztec deity with a hardly pronounceable name. The statue provides tremendous amounts of power to whoever possess it. The only problem, however, is that the power isn't a very useful one… The statue brings out your darkest side and eventually causes its owners to transform into horribly deformed maniacs. The little Aztec bastard comes into the hands of three high-school students that learn about its powers during a séance held at an old abandoned graveyard. They wisely decide to give the statue to a newspaper reporter for further research, but she's a firm non-believer of the supernatural. Her boyfriend Jerry, on the other hand, quickly becomes obsessed with the thing. "Evil Power" is well worth checking out in case you're a sucker for 80's horror nostalgia. The special effects, especially during the first ten and last fifteen minutes, are delightfully cheesy and gruesome. They're fairly well-handled for being a low-budgeted flick and include some gooey melting parts and impalement. The atmosphere is relatively sinister as well, with two memorable sequences in particular. One in the graveyard and the other in the remote Mexican desert. There are some massive holes in the plot and, quite honestly, it's a bunch of senseless nonsense, but I definitely don't regret watching this little-seen oddity of the early 80's.