Hell of the Living Dead

'Zombie Creeping Flesh' (as it was originally entitled here in the UK) was one in an entire glut of zombie flicks to follow the success of Romero's endeavours into the (zombie) horror genre.

In it's entirety 'Creeping Flesh' is a decidedly 'weak' film. The acting is crass, macho and hilarious at times. And the fact that the film must consist of at least (I assume) 30% stock-footage gives the impression that director Bruno Mattei really wasn't that enthusiastic about making the film whatsoever - either that or he was severely lacking the funding that it so desperately needed.

Having said that, the film is an entertaining enough affair; in the sense that the comedy and violence is enough to keep most horror fans interested, if not glued to the screen. The idea that zombies, and cannibalism, are a sort of metaphor for Third World hunger is a somewhat unusual idea for a zombie film and I guess this is a sort of reflection surrounding the anxieties in the era in which it was made.

I personally don't believe that this film is as bad as some people have made out. It is, by no means, on par with any of Romero's or Fulci's work yet I don't feel it deserves to be totally written-off. 'Creeping Flesh' is certainly a lot more fulfilling than 'Zombie Holocaust', for example, and a great deal more 'gung-ho'. It just fails though because it is alarmingly 'corny' and very derivate of so much that stood before it. The fact that a fair portion of the soundtrack was originally used in 'Dawn of The Dead' just goes to prove this. If you thrive on gore, zombies, cannibalism, and insane violence then try and check this film out: just don't get your hopes up too high.

When someone says a movie is so-bad-it's-good, they usually mean that it's unintentionally comedic. "Virus" is so inept that it is enjoyable in a way it was not intended to be, but it doesn't fit the traditional so-bad-it's-good classification. (Actually, there was one scene in Virus that I thought was really funny. It involves breasts--you'll know it when you see it.) Here's why I liked Virus: all the ridiculousness adds together to form a fascinating and impossibly cohesive whole. The final product is sort of like a surrealist meditation on human insignificance.

The ridiculous, slow, editing; the idiotic behavior of the characters; and the meandering plot combine to make the movie like a sort of gentle nightmare. It's really like nothing else I've ever seen. There are these lazy, extended struggles with zombies where a bunch of guys just stand back and watch nervously. Most of the heroes are soldiers, and there's an officer, but they are all equally helpless and profoundly "alone." There's a laziness to everything that gives the film an appropriate sense of inevitability. The plot is ambiguous, like in a dream. You get a general sense of what's going on but it's also rather aimless, and only when the characters got to their "destination" did I realize that they had any objective at all. The simple beauty of the animal stock footage provides a startling contrast to the bleakness it surrounds.

I don't mean you have to watch it like it's T. S. Eliot and analyze everything you see for meaning. It is, of course, a meaningless mess of incompetence. But if you sit back and just soak it all in, you will find it hypnotic, bleak, and beautiful.

This is not Dawn of the Dead. It's not Night of the Living Dead. It's a low grade 70's Italian zombie gore flick. The acting is not great, the story is shaky, the dubbing is bad, and the clips of animals are completely off of the story. But you have to take this movie for what it is. It's got some good gore and is a fun movie if you're into zombies. It's not Shakespeare. It's campy and schlocky and goofy, and if you're looking for a true quality horror movie you should go elsewhere. But if you enjoy the Italian zombie genre, you'll enjoy this one. Just don't expect Oscar caliber.

OK... So your gonna make a Zombie Flick... Well first you need Zombie music to set the mood, get Goblin from Dawn of the Dead. In fact, use the same music. And while we are ripping of Dawn of the Dead, let's have a SWAT team.

Now.. set it in a remote location with some natives like Fulci's ZOMBIE

OK... so CANNIBAL HOLOCAUST is a pretty famous flick and Cannibals and Zombies both eat people, so let's get some Cannibal Footage to through in and some pretty wild life stuff too... we can rip that off of that Shockumentary 'Death Faces' which features all the New Guinea cannibal tribes.

Now we have to stir in a large amount of gratuitous gore and go heavy on the eye violence...

Now sprinkle lightly with nudity...

And there ya have it...one gory zombie epic sure to please any die hard zombie gore fan. (but probably no one else will like it)

Bruno Mattei's "Virus", a.k.a. "Hell of the Living Dead", a.k.a. "Night of the Zombies", is an agreeably gory and ridiculous Italian zombie shocker that unfortunately goes on a little too long for it to completely hit the spot, but it's packed with enough laugh out loud moments to make it consistently palatable.

The story is nothing new: an accident at a chemical plant unleashes a virus that infects the recently deceased and turns them into shambling, flesh craving zombies. An elite SWAT team is hired to get to the bottom of things and they travel to New Guinea where the plant is located, hooking up with a bombshell reporter (Margit Evelyn Newton) and her cameraman, and encounter danger every step of the way.

"Virus" benefits from a couple of elements. First off, it's got the standard hilariously terrible vocal performances that we know we'll often get with these things. It's also got a hell of a hammy, delicious, eye rolling performance by Franco Garofalo, playing Zantoro, a member of the SWAT team who loves to taunt the zombies when he gets the chance. The goofy screenplay was co-written by Claudio Fragasso, whose credits include "Zombi 3", "The Other Hell", and..."Troll 2". It includes one hysterical, memorable sequence wherein another member of the team finds some clothing and decides the time is right for a little cross dressing, and launching into a Gene Kelly routine. The music by Goblin is great fun. Newton bares her flesh in one sequence, knowing this is one thing that the local tribe (and viewer) will appreciate. And the action is often intercut with utterly pointless - and thus very amusing - stock animal footage.

It doesn't have the atmosphere of Fulci's horror films of this period, but it's a nice diversion just the same. The faithful will be satisfied if they stick with it. It would be just about impossible to resist any zombie flick where one of the last characters standing gets their face ripped apart in loving close-up.

Overall, not bad.

Seven out of 10.