Hellhole Women

Even though it's not a real word, the title pretty much sums this one up completely. Sadomania is yet another exploitation 'women in prison' film from the insatiable Jess Franco. I certainly don't have a problem with this sort of film in theory; I mean, who wouldn't want to see a bunch of naked lesbians having sex with each other inside a sleazy prison? But the fact is that these films are often really boring, and once you've seen one - you've seen them all. This one actually has a base plot, and it focuses on a couple of newly weds who get pulled over. She gets thrown into a lesbian jail, and he gets set free! (Sounds a bit unfair to me, who's going to cook his dinner?). After that, it's business as usual as the clothes budget was so miniscule that Franco couldn't afford to have his performers wear much; so everyone appears naked, while a few set pieces that involve a woman being 'hunted' and various other sleazy goings on populate the rest of the movie. I actually managed to get myself a copy of the 'uncut' version, which runs at a massive 102 minutes. As usual, a lot of this movie is filler that could have been cut but, I suppose, for what it is; Sadomania isn't a terrible film.

This is the story of a young woman, kidnapped on her honeymoon, and send to a womens prison, somewhere in the latin world. Her husband spends the rest of the movie trying to save her. That, however is only an excuse for a story, as the real focus of the film are the scenes of degradation committed to the female inmates. This being a Jess Franco movie, you know you're in for a treat, if you're a badfilm fan. It is reprehensible, but most of all, this movie is just silly fun although in a seriously un-PC way. The film is astonishingly misogynistic, and that is unforgivable, but it is fun to see how cheaply this movie was made. A prisoner is eaten by a plastic crocodile, guards are armed with toyguns, the governors car is a beaten up Simca 2000 and the costumes are a riot. Jess Franco himself, however, has the most memorable scene in the movie as he is sodomised by a black youth in his role as a slavetrader. The role as the prisonwarden is played by the late american transsexual actress Ajita Wilson.

A young couple, just married, ignore the sign to not trespass. The moral of the film is obey the signs, but the movie has few morals. The main wardrobe item is a pair of daisy dukes, if they are even wearing anything. Even the guards are topless. If one took out scenes with nudity, there would only be a very short film left. The story is nothing new. The warden gets prisoners, and for this film, they all were apparently cast from a modeling agency, for a corrupt Governor, who naturally is married but impotent. He also likes to play a game, and it involves a naked woman trying to escape, and a rifle. It gets boring and predictable. But plenty of full frontal.

First things first, I quite enjoyed "Sadomania". Despite its low budget, the film is visually impressive with some atmospheric cinematography by Juan Soler.

In terms of plot, it comes as no surprise to learn that the script was adapted from an unused "Ilsa" screenplay. There are many similarities between the "Ilsa" films and "Sadomania". Here, transsexual Ajita Wilson plays Magda Urtado, the wicked warden of "a prison from hell". Well, a prison that contains nubile young women who all look like escapees from Hefner's Playboy Mansion. This is a cue for all sorts of softcore goings-on.

The film's tiny budget is obvious - some of the guards' weapons look like they've been sourced from the bargain bin of "Toys R Us" and the crocodile special effects are somewhat rubbery. On top of this, the prison governor's car is somewhat shabby for a man in his position. However, the film overcomes these trivial obstacles and proves entertaining, even if some of the humour is unintentional.

"Sadomania" even has an appearance by Franco himself as a homosexual brothel owner. As Franco was not keen on contact with a fellow man, Ajita Wilson was asked to play his lover, without wig and disguised by a moustache.

7 out of 10. Not half as seedy as you'd imagine it to be. It could do better in the exploitation department but the cinematography really is rather good.

Sadomania is the infamous Women in Prison flick by the king of ultra low budget exploitation films, Jesus Franco, Spain. He has made many immortal films like Love Letter of the Portuguese Nun (nunsploitation, 1977) and Bloody Moon (ultra-gore, 1981), and even though some of his films are worse and not-so-ambitious, he definitely has a talent and is noteworthy film maker. His greatest masterpiece of the films I've managed to see is Awful Dr. Orlof (1962), the black and white horror classic with Howard Vernon. Sadomania is among his dirtiest films and not without a reason.

The ridiculous plot has a newly wed young couple, who is kidnapped during their journey as they drive their wedding car somewhere in Spain. They are taken to the nearby women prison, led by sadistic lesbian warden (the late Ajita Wilson) and some sleazy governor and his wife, and despite the fact that the prison girls/women work hard there, their real reason to be there is to satisfy these leaders' bottomless sexual desires and perversions. Poor women are raped and abused, in the guaranteed Franco style, but it all ends happily for the protagonists and evil and horny sadists meet their fate, again Franco style.

This film is okay if one happens to like these kind of "guilty pleasures" with huge amount of nudity and love making. The sleaze-o-meter is taken as high as possibly when considered the fact that the head warden Wilson was originally born man, but changed his sex to female, and the close ups of this attractive black lady show that her hands and some parts of the body are definitely male and thus her attractiveness tones down a bit (for hetero sexual man), but still, she is very sensual here, albeit her role character is more than repulsive. The other actors are more or less amateurs, but also talented ones. Beautiful females get naked a lot, and that's the thing Franco has always been able to do. Perhaps every frame of the film "once it gets going" involves at least one naked human being, usually female.

The "message" of this film seems to be that of what hides under our "civilized" surface and what kind of animals we are deep inside. Franco uses plenty of segments without a dialogue and some symbolic scenes (like the knife-fight-to-the-death scene), which show and depict the wild beast psyche what hides inside every human being, but in many cases un-active. Another thing is, that the sadists in the film are totally insatiable and hungry for sex, which is perhaps the strongest instinct in human nature and psyche. Sadomania shows us the faces of human nature we wouldn't necessarily want to face, but as we think about the state of the world and what kind of things take place, Franco's thoughts are more than true and serious. The fact that this film is mostly exploitation oriented doesn't mean that the film couldn't have any artistic merits, and Franco definitely wants most of his films to be more than mere exploitation.

Sadomania is noteworthy piece of Franco cinema, and shot with his usual zooms and beautiful images of nature, stained only by the presence of the film's ugly and evil protagonists. Sadomania has also some interesting elements in its soundtrack, which is supposedly composed by the director himself. I give Sadomania 7/10 rating, but that's only possible if one can watch these films and appreciate them despite their many filthy scenes and characters.