IMDb RATING
5.5/10
3.5K
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After five successful years of living and working together, a couple decide to get married. But what they don't count on is how to survive the honeymoon.After five successful years of living and working together, a couple decide to get married. But what they don't count on is how to survive the honeymoon.After five successful years of living and working together, a couple decide to get married. But what they don't count on is how to survive the honeymoon.
- Nominated for 1 Oscar
- 2 nominations total
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Featured reviews
Enjoyable romantic comedy, but a disappointment considering the talent involved
Burt Reynolds and Goldie Hawn play screenwriting partners, and longtime romantic partners, who decide to get married and then find that marriage is not the same as being "best friends." Written by Barry Levinson ("Diner" "The Natural" "Avalon") and Valerie Curtin (who co-wrote "...and justice for all" "Inside Moves" and "Unfaithfully Yours" with Levinson), based the story on their own lives as writing partners. The film was directed by Norman Jewison ("In the Heat of the Night" "Moonstruck" "Rollerball") and was shot by Jordan Cronenweth ("Blade Runner" "Stop Making Sense" "Peggy Sue Got Married"), along with music by Michel Legrand ("Summer of '42" "The Thomas Crown Affair"), so considering all of the talent behind the camera and in front of the camera, which also included Jessica Tandy, Keenan Wynn, Ron Silver, and Richard LIbertini, the film is somewhat of a disappointment. However, although the film is not as good as I would have hoped, the stars have a likable chemistry and have a fun Tracy/Hepburn type of relationship, where the male and female leads are presented as equals, which is rarely the case with romantic comedies. Watchable if you're fans of the two leads.
Not very friendly
Burt Reynolds and Goldie Hawn as sweetheart screenwriters who live together unmarried; soon however, Burt starts feeling his mortality and wants something substantial, Goldie wants to be a team-player...and so they propose to each other in the shower. These rather uninteresting lovers spend the rest of the picture sniping at one another, and director Norman Jewison keeps the pacing at a sitcom-cute crawl. Reynolds and Hawn create a fatigued sort of rapport that certainly suggests they've known each other a while and have built a relationship which can withstand a little irritability, but what's funny about that? So many of the situations here bomb completely, particularly a really stinky one regarding Hawn's father who molests all his housekeepers. Keenan Wynn and Audra Lindley are wonderful as Burt's parents--but after the first hour, "Best Friends" becomes melodramatic and muddled. I didn't believe for one second these two characters would find their happy ending...they're much too self-involved. ** from ****
A Tired Comedy Driven by Star Power
The undeniable charm of its stars, at the peak of their popularity, is the only thing that makes BEST FRIENDS slightly watchable. This paper-thin story centers on a pair of Hollywood screen writers named Richard Babson (Burt Reynolds) and Paula McCullen (Goldie Haw), who after years of living together, decide to marry, though they both have always felt marriage would destroy their relationship. There's nothing new or interesting here and the thrust of the film is when the pair make a trip to visit each other's parents. Jessica Tandy and Barnard Hughes are wonderful as Goldie's parents, Audra Lindley and Keenan Wynn also have their moments as Burt's parents, but the whole thing just plays like a hastily written sitcom. The film is driven purely on star power and has this whole "been there done that" air about it. I think Burt and Goldie must have needed the money.
A FRIEND WOULDN'T LET YOU SEE THIS...!
A reunion of sorts for director Norman Jewison & writers Barry Levinson & Valerie Curtin (who worked together on 1979's And Justice for All) on this comedy from 1982. Burt Reynolds & Goldie Hawn play screenwriters who are partners at work & partners at home who feel the stirrings of marriage but when they decide to tie the knot & visit each other's in-laws, the sinking feeling of regret soon settles in even as a film they have in production needs their services. Screaming 'inspired by real life', this tale clearly mirrored Levinson/Curtin's real relationship which gives us some interesting comic vignettes but not much else since as a couple on screen, Reynolds & Hawn look uncomfortable even when they're embraced in affection. Jewison hadn't directed such froth as this since his early days in the 60's when he made a couple of Doris Day pics so seeing him return to his roots, as it were, feels like many steps back rather than an evolution for this auteur.
One of Burt Reynolds' greatest films
Based on the real relationship between film director Barry Levinson and his wife, Best Friends is one of the greatest last films that marked Burt Reynolds's popularity.In the brutal crime-drama Sharky's Machine, Reynolds achieved perfection, as a director and a movie star, but here he is sweet, vulnerable and, yes, believable. An absolute box office champion during the seventies and early eighties, Reynolds lends all his charm, claw and talent to his character. Goldie Hawn, charming and provocative, composes with perfection a woman who,in spite of loving Reynolds' character, is afraid of getting married, what may mean a precipitate step in the relationship. Jewinson, one of the last real filmmakers from Hollywood, accomplished a sweet and hopeful comedy/drama about the ups and downs of every couple of lovers. The big surprises are the beautiful (and nominated for an Oscar) song called "How do we keep the music playing?" and the talented supporting cast, that includes Jessica Tandy and Ron Silver.
Did you know
- TriviaBurt Reynolds once said of his co-star Goldie Hawn in this movie: "Goldie Hawn and I had been talking for five years about doing a movie together. She's someone who makes me laugh. Really laugh. I knew her when she was a dumb blonde and even then she was one of the smartest people I knew" and "We'd meet for dinner and compare notes on the scripts we'd read and liked, but we always ran up against the same problem. The male role always dominated the female character or vice versa. They didn't seem to be writing the kind of give-and-take comedies that Tracy and Hepburn [Spencer Tracy and Katharine Hepburn] or Cary Grant and Jean Arthur used to do."
- GoofsGoldie Hawn mentions Teresa Wright not being on the train in Since You Went Away (1944). It was Jennifer Jones, not Wright.
- Quotes
Paula McCullen: Breasts too large, Richard? Every female character you create has breasts too large.
Richard Babson: Mmm... but I make them suffer for it.
- Alternate versionsABC edited 13 minutes from this film for its 1986 network television premiere.
- ConnectionsFeatured in At the Movies: Dueling Critics (1983)
- SoundtracksHow Do You Keep The Music Playing?
Performed by Patti Austin and James Ingram
Music by Michel Legrand
Lyrics by Alan Bergman and Marilyn Bergman
Produced by Johnny Mandel
Arranged by Greg Phillinganes & Johnny Mandel
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Bračna Veza
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Gross US & Canada
- $36,821,203
- Opening weekend US & Canada
- $4,022,891
- Dec 19, 1982
- Gross worldwide
- $36,821,203
- Runtime
- 1h 56m(116 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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