Best Friends

Burt Reynolds and Goldie Hawn play screenwriting partners, and longtime romantic partners, who decide to get married and then find that marriage is not the same as being "best friends." Written by Barry Levinson ("Diner" "The Natural" "Avalon") and Valerie Curtin (who co-wrote "...and justice for all" "Inside Moves" and "Unfaithfully Yours" with Levinson), based the story on their own lives as writing partners. The film was directed by Norman Jewison ("In the Heat of the Night" "Moonstruck" "Rollerball") and was shot by Jordan Cronenweth ("Blade Runner" "Stop Making Sense" "Peggy Sue Got Married"), along with music by Michel Legrand ("Summer of '42" "The Thomas Crown Affair"), so considering all of the talent behind the camera and in front of the camera, which also included Jessica Tandy, Keenan Wynn, Ron Silver, and Richard LIbertini, the film is somewhat of a disappointment. However, although the film is not as good as I would have hoped, the stars have a likable chemistry and have a fun Tracy/Hepburn type of relationship, where the male and female leads are presented as equals, which is rarely the case with romantic comedies. Watchable if you're fans of the two leads.

Norman Jewison (In the Heat of the Night, Rollerball) directed this supposedly romantic comedy about a middle-aged writing couple acting like teenagers at the behest of their respective parents. Barry Levinson and Valerie Curtin wrote the script, based on their own relationship, and while it's not too difficult to spot the authenticity and potential, the script limits itself and gets too hung up on its own conundrums. After a fun start, in which the chemistry between stars Burt Reynolds and Goldie Hawn is palpable and very much enjoyable, the film starts to drag when the couple go on a road trip to their in-laws. It's all obviously meant to feel claustrophobic, but the film isn't just suffocating its protagonists; it's also suffocating itself. There's a lack of perspective here, which the filmmakers try to make up for with babbling, Allenesque dialogue, making the film's various stages seem perpetual and unforgiving. Reynolds and Hawn not only wear each other out, they also wear this entire film out. And Jewison is never able to find the tools to lift Best Friends out from its own misery. It could have been a good movie.

Burt Reynolds' appealing performance is the only thing one can recommend about this aimless, extremely mild comedy. It's so bland that it seems more like a kiddie film. The supporting characters are mostly annoying caricatures. By the end, you'll be feeling that the movie wasn't really worth your time.

Burt Reynolds and Goldie Hawn as sweetheart screenwriters who live together unmarried; soon however, Burt starts feeling his mortality and wants something substantial, Goldie wants to be a team-player...and so they propose to each other in the shower. These rather uninteresting lovers spend the rest of the picture sniping at one another, and director Norman Jewison keeps the pacing at a sitcom-cute crawl. Reynolds and Hawn create a fatigued sort of rapport that certainly suggests they've known each other a while and have built a relationship which can withstand a little irritability, but what's funny about that? So many of the situations here bomb completely, particularly a really stinky one regarding Hawn's father who molests all his housekeepers. Keenan Wynn and Audra Lindley are wonderful as Burt's parents--but after the first hour, "Best Friends" becomes melodramatic and muddled. I didn't believe for one second these two characters would find their happy ending...they're much too self-involved. ** from ****

"Best Friends" is a nice film for a weekend afternoon. It is entertaining, has an easy-to-follow storyline, and shows some respect for the viewer. Burt Reynolds and Goldie Hawn are quite appealing in the leads, but so is the supporting cast, which includes Barnard Hughes, Jessica Tandy, Keenan Wynn, and Audra Lindley (best known as Mrs. Roper on "Three's Company").

Though a comedy, "Best Friends" has, alas, very few laugh-out-loud moments, and is almost too casual in pace for its own good. The near-classic wedding scene (with Richard Libertini) offers perhaps the most genuine laughs, although Reynolds, a very underrated comedic actor, adds some subtle bits of his own throughout the movie.

"Best Friends" is a competently-made and sometimes touching film that also lacks drive and usually fails to produce much more than an occasional smile. But it's worth a look, to be sure.