Eating Raoul

It's the lurid deprived world of Hollywood. Paul Bland (Paul Bartel) is a liquor store clerk in a bad neighborhood but he has gourmet tastes. His wife Mary (Mary Woronov) is a nurse. Their rent is getting raised and they are low on cash. They hate their swinging noisy neighbors. When one of them tries to rape Mary, Paul kills him with a frying pan and steals his money. After another kill, they decide to advertise to lure more swingers. Thief Raoul Mendoza (Robert Beltran) breaks in and discovers a dead body. He proposes to join the Blands with them keeping the money and him keeping the bodies.

It's weird and ridiculous deadpan humor. It's also fun. Bartel and Woronov are a great couple. It has a few big laughs but it is generally a lot of sly silly comedic takes. It is definitely unique.

The Basic plot: A bland couple, The Blands, composed of a wine fanatic and a shapely nurse , live in an apartment house filled with sex-pervert swingers , and when they want to go out and own a restaurant in the country ,but don't have enough money ,so they become bondage merchants who kill their clients for cash.But, Raoul, a handsome young thief, comes in and violates their plans.....

The praise: Dementedly funny,original and quirky, you really can swallow it up. The comic acting by Mary Woronov, Robert Beltran, Paul Bartel, and Doris the Dominatrix is perfect, and the satiric, ironic,darkly comic side is played to a luscious extent. The bondage merchant scenes are hilarious so much that I can't tell you, and the theme song adds deeply to the ironic side........Enjoy!

This movie keeps ending up on my top ten list, no matter how many others come and go with the years. Director Paul Bartel began with a ridiculous premise, and then had everyone play it perfectly straight, which resulted in a comedy that doesn't telegraph its laughs. It's evident that the film was lovingly polished (again) in postproduction, down to the level of tiny incidental sound effects that add immeasurably to the hilarity if you happen to catch them. The story is full of murders, but there's no gore 'n guts here; it's all as discreet as an Agatha Christie novel, where Death is tastefully signaled by a thud from another room. EATING RAOUL is an excellent introduction to the topics of Los Angeles, food, swingers, and real estate loans, and resist as you may, you'll end up cheering for Paul and Mary as they work toward their dream of opening their very own restaurant.

The late Paul Bartel made several interesting and overlooked cult movies in his sadly too short career, including his exploitation classic collaboration with the legendary Roger Corman 'Death Race 2000', but of all his movies he will be remembered for this one, 'Eating Raoul', a minor masterpiece. Shot on a shoe string budget as a real labor of love it is still one of the most entertaining black comedies ever made. Bartel himself co-stars with the tasty Mary Woronov (Warhol's 'Chelsea Girls'), who he had previously acted with in the wonderful romp 'Rock'n'Roll High School' among other things. They show lots of on screen chemistry and make a delightful team, something they obviously realized themselves as they went on to work together several times after this. However they were never better together than in this movie as the uptight but sweet Blands. The Blands have ambitions to open up their own restaurant but have limited means at their disposal. By accident they stumble across a way to get the cash they need using swingers whom they detest. All goes to plan until they encounter the shady locksmith Raoul (Robert Beltran, best known now to Trekkers worldwide). Things then start to get a little more complicated. The three actors seem to love working together and this gives the movie an added zest. The script in witty and unpredictable, and there are some funny bits from the supporting cast, especially Pee-wee Herman sidekick John Paragon as a pushy sex store clerk, and Ed Begley, Jr ('Meet The Applegates') as a horny hippie. This is a wonderful movie, a real comedy gem, that I highly recommend. Paul Bartel R.I.P.

One of the greatest comedies ever made (right up there with National Lampoon's Vacation, Caddyshack, Dumb and Dumber, and Clerks) that really makes a strong statement about swingers, s&m, rape, murder, and cannibalism without becoming tasteless. This is Bartel's greatest accomplishment. A major cult hit and deservingly so.

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