IMDb RATING
4.0/10
4.8K
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A crew of interplanetary archaeologists is threatened when an alien creature impregnates one of their members, causing her to turn homicidal and murder them one by one.A crew of interplanetary archaeologists is threatened when an alien creature impregnates one of their members, causing her to turn homicidal and murder them one by one.A crew of interplanetary archaeologists is threatened when an alien creature impregnates one of their members, causing her to turn homicidal and murder them one by one.
- Director
- Writers
- Stars
- Awards
- 2 wins & 1 nomination total
Barrie Houghton
- Karl
- (as Barry Houghton)
Nick Maley
- Alien Babies
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Low budget sci-fi/horror features gore galore!!
INSEMINOID
Aspect ratio: 2.39:1 (J-D-C Scope)
Sound format: Mono
Whilst exploring a series of caves beneath the surface of Jupiter's moon Xeno, a scientific research team unleashes a long-buried alien creature which impregnates one of the female members of the crew (Judy Geeson). With the subsequent pregnancy developing at an alarming rate, Geeson is compelled to protect her unborn 'children' from scientific scrutiny and begins to massacre her colleagues, one by one...
Responding to the worldwide appetite for overblown space operas established by STAR WARS in 1977, yet remaining true to his roots as a purveyor of exploitation-horror movies (SATAN'S SLAVE, PREY, etc.), British director Norman J. Warren developed the script for INSEMINOID with writers Nick and Gloria Maley, a team of special effects technicians looking for a vehicle in which to showcase their talents. With funding from British and Hong Kong sources, the film went into production at Chislehurst caves (a grim but picturesque location just outside London) shortly after Ridley Scott's ALIEN (1979) wrapped principal photography, though Warren and producer Richard Gordon insist the movie wasn't influenced by Scott's blockbuster in any way.
Unfortunately, INSEMINOID's lofty ambitions are somewhat undermined by its modest £1 million budget, yielding a range of sets, costumes and visual effects which are more reminiscent of "Blake's 7" and "Doctor Who" than STAR WARS, and the cheapskate production values often provoke unintentional laughter. Faced with some fairly amateurish dialogue, most of the cast can't help but sink to the occasion, though Geeson is remarkably good in the leading role, transforming herself from terrified victim to monstrous avenger with scene-stealing glee (unfortunately, she later bad-mouthed the film in no uncertain terms, despite recently admitting she'd never actually seen it!). Stephanie Beacham (SCHIZO, TV's "The Colby's") plays the material with earnest conviction, while Victoria Tennant (THE WINDS OF WAR) makes no impression at all as one of the early victims of Geeson's rampage.
For all its drawbacks, however, the film is fast-moving and eager to please, and benefits enormously from John Metcalfe's expansive scope photography, which Warren uses to evoke a sense of scale at odds with the movie's financial limitations. There's plenty of gory violence on offer, too, though Warren was forced to make a few cosmetic trims to some of the most explicit sequences for censorship reasons in the UK, and it's that version which has prevailed ever since. Sadly, despite the film's modest success (including America, where a slightly truncated print played theatrically under the title HORROR PLANET), the director was unable to finance another venture for several years afterward, and his final film to date, BLOODY NEW YEAR (1987), went straight to video. His long-cherished ambition to remake FIEND WITHOUT A FACE (1957) has yet to happen, which is particularly regrettable - the genre has always needed talented mavericks like Warren, now more than ever.
Aspect ratio: 2.39:1 (J-D-C Scope)
Sound format: Mono
Whilst exploring a series of caves beneath the surface of Jupiter's moon Xeno, a scientific research team unleashes a long-buried alien creature which impregnates one of the female members of the crew (Judy Geeson). With the subsequent pregnancy developing at an alarming rate, Geeson is compelled to protect her unborn 'children' from scientific scrutiny and begins to massacre her colleagues, one by one...
Responding to the worldwide appetite for overblown space operas established by STAR WARS in 1977, yet remaining true to his roots as a purveyor of exploitation-horror movies (SATAN'S SLAVE, PREY, etc.), British director Norman J. Warren developed the script for INSEMINOID with writers Nick and Gloria Maley, a team of special effects technicians looking for a vehicle in which to showcase their talents. With funding from British and Hong Kong sources, the film went into production at Chislehurst caves (a grim but picturesque location just outside London) shortly after Ridley Scott's ALIEN (1979) wrapped principal photography, though Warren and producer Richard Gordon insist the movie wasn't influenced by Scott's blockbuster in any way.
Unfortunately, INSEMINOID's lofty ambitions are somewhat undermined by its modest £1 million budget, yielding a range of sets, costumes and visual effects which are more reminiscent of "Blake's 7" and "Doctor Who" than STAR WARS, and the cheapskate production values often provoke unintentional laughter. Faced with some fairly amateurish dialogue, most of the cast can't help but sink to the occasion, though Geeson is remarkably good in the leading role, transforming herself from terrified victim to monstrous avenger with scene-stealing glee (unfortunately, she later bad-mouthed the film in no uncertain terms, despite recently admitting she'd never actually seen it!). Stephanie Beacham (SCHIZO, TV's "The Colby's") plays the material with earnest conviction, while Victoria Tennant (THE WINDS OF WAR) makes no impression at all as one of the early victims of Geeson's rampage.
For all its drawbacks, however, the film is fast-moving and eager to please, and benefits enormously from John Metcalfe's expansive scope photography, which Warren uses to evoke a sense of scale at odds with the movie's financial limitations. There's plenty of gory violence on offer, too, though Warren was forced to make a few cosmetic trims to some of the most explicit sequences for censorship reasons in the UK, and it's that version which has prevailed ever since. Sadly, despite the film's modest success (including America, where a slightly truncated print played theatrically under the title HORROR PLANET), the director was unable to finance another venture for several years afterward, and his final film to date, BLOODY NEW YEAR (1987), went straight to video. His long-cherished ambition to remake FIEND WITHOUT A FACE (1957) has yet to happen, which is particularly regrettable - the genre has always needed talented mavericks like Warren, now more than ever.
Meatballs and green pea soup
Like a previous contributor, I saw Inseminoid on BBC 1 last Saturday too - but to my eternal shame, I must admit that I actually went out of my way to see it!
Y'see, when I was a spotty teenager way back in the early 80s, I was always intrigued by this movie's premise - aliens! horror! sex! YES!! YES!! YES!! - but was too young to rent it from my local video shop. So when I saw that it was on telly I was ecstatic - twenty years of waiting, over at last!
Well, you know what they say about being careful what you wish for... As everyone's already pointed out, it's sh*te of the highest ordure - 'nuff said.
In answer to the fellow country-man who also endured it on Saturday: as a first (and last) time viewer, obviously I've no idea if it got cut. I imagine the scene that the Beeb would (naturally) be most sensitive about is the 'xeno-rape' scene.
What was shown was a slightly confusing collage of bug-eyed alien leering down at parted thighs (as if seen from the viewpoint of the inseminee), intercut with shots of a crooked leg, behind which you could see a clear plastic tube - the alien's penis? - filled with what looked like meatballs floating in green pea soup. Presumably the tube was being used to penetrate and impregnate the alien's prey.
Does that sound much like the uncut version you saw way back when? As I say, it was pretty confusing and felt like it might have been cut, but given the generally shoddy state of the direction and editing it's hard to tell what's the director's original 'vision' and what's been snipped by the censor's scissors.
Pip-pip, The Hutt
Y'see, when I was a spotty teenager way back in the early 80s, I was always intrigued by this movie's premise - aliens! horror! sex! YES!! YES!! YES!! - but was too young to rent it from my local video shop. So when I saw that it was on telly I was ecstatic - twenty years of waiting, over at last!
Well, you know what they say about being careful what you wish for... As everyone's already pointed out, it's sh*te of the highest ordure - 'nuff said.
In answer to the fellow country-man who also endured it on Saturday: as a first (and last) time viewer, obviously I've no idea if it got cut. I imagine the scene that the Beeb would (naturally) be most sensitive about is the 'xeno-rape' scene.
What was shown was a slightly confusing collage of bug-eyed alien leering down at parted thighs (as if seen from the viewpoint of the inseminee), intercut with shots of a crooked leg, behind which you could see a clear plastic tube - the alien's penis? - filled with what looked like meatballs floating in green pea soup. Presumably the tube was being used to penetrate and impregnate the alien's prey.
Does that sound much like the uncut version you saw way back when? As I say, it was pretty confusing and felt like it might have been cut, but given the generally shoddy state of the direction and editing it's hard to tell what's the director's original 'vision' and what's been snipped by the censor's scissors.
Pip-pip, The Hutt
Solid B-Movie
Shot on a rather low budget, Inseminoid aka Horror Planet is still more entertaining than many sci-fi shows and movies mass produced these days - this little production rides a little on the wave of Alien and mixes elements of horror and sci-fi adventure. For sure this is not a masterpiece, but if you are in the mood for some cheesy 80s B-movie of the sub genre of horror sci-fi, this one will provide some entertaining (and silly fun) moments indeed. This one is recommended if you dig B-movies like Lifeforce, Galaxy of Terror, Forbidden World, Planet of the Vampires, Species and Virus also comes to mind.
Review for the uncut version INSEMINOID.
Male and female scientists set up a research lab on a distant planet and encounter a giant, bug-eyed alien monster. It kills several people, rapes Judy Geeson and disappears, but the horrors are just beginning. Geeson becomes a hard-to-kill, hysterical madwoman with super strength who kills for blood to feed the alien's mutant offspring, which she's now carrying.
This Brit ALIEN clone is often inept and entirely contrived, but not completely without entertainment value. FX are mediocre, but it's bloody, fast-paced and there's a great electric score from John Scott. Judy Geeson is excellent in a role that requires a hell of a lot of merciless ranting and screaming.
HORROR PLANET refers to the original U.S. release of the film, which was cut. The title INSEMINOID refers to the uncut, letterboxed DVD and cable version.
Score: 3 out of 10
This Brit ALIEN clone is often inept and entirely contrived, but not completely without entertainment value. FX are mediocre, but it's bloody, fast-paced and there's a great electric score from John Scott. Judy Geeson is excellent in a role that requires a hell of a lot of merciless ranting and screaming.
HORROR PLANET refers to the original U.S. release of the film, which was cut. The title INSEMINOID refers to the uncut, letterboxed DVD and cable version.
Score: 3 out of 10
Poor man's version of Alien
I can see why this movie isn't talk about that much. The story is basically similar to Alien with a group of people goes to a distant planet and one of them gets infected by an alien. It does something different with the alien impregnated someone and that alien can control her to attack her crew. I do think it's a interesting idea, but it's not executed that well. The pacing feels off with either the movie either running slow or fast on how it handles it. It also seems like Sandy can switch back and forth with the alien controlling her which gets complicated to think about. Also, the movie doesn't have a big budget with the production looks low budget with limited setting and the special effects doesn't look good. And I found the acting to be mostly mediocre.
Inseminoid is a poor man version of Alien that isn't enjoyable to watch.
Inseminoid is a poor man version of Alien that isn't enjoyable to watch.
Did you know
- TriviaThe bulk of the movie was filmed in The Chiselhurst Caves to enhance the production value, but resetting lights and moving cameras around the natural rock formations proved to be problematic and time-consuming.
- GoofsAfter Mark strangles Sandy and she's laying on the floor, you can briefly see her eyes flutter.
- Alternate versionsThe UK theatrical version ended with Mark being attacked by one of the alien babies, then cut straight to the end credits. Video and DVD releases feature the expanded ending, in which a rescue team discovers the aftermath of the attack.
- ConnectionsFeatured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
Details
- Release date
- Country of origin
- Language
- Also known as
- Horror Planet
- Filming locations
- Chislehurst Caves, Chislehurst, Kent, England, UK(Underground Space Headquarters)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,000,000 (estimated)
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