Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor meets a beautiful blond, a detective sergeant and a pair... Read allTrevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor meets a beautiful blond, a detective sergeant and a pair of men running a junior football team.Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor meets a beautiful blond, a detective sergeant and a pair of men running a junior football team.
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Nothing is ever perfect, but in the world of TV drama – Alan Plater's "The Beiderbecke Connection" gets about as close as you can. The show centres on two secondary school teachers – jazz fanatic Trevor Chaplin (James Bolam) & environmental activist Jill Swinburne (Barbara Flynn). The couple stumble on corruption in high places and reluctantly become involved.
The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.
The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.
So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.
In keeping with the title there is also a jazz soundtrack which accompanies the show well.
The first thing you notice is that the story is quite weak. No twists to end each episode, no emotional crises to deal with. The show does have characters though. To supplement the main couple we get the mysterious Big Al (Terrence Rigby) and Little Norm (Danny Schiller). Colin Blakely and Dominic Jephcott appear are coppers at different ends of the progressive scale. Dudley Sutton is a teacher colleague of Chaplin's and Keith Marsh is a number of things including a wannabe supergrass.
The actors are important because rich characters need good actors. All of the above are very good but Bolam, Flynn, Rigby and Blakely are supreme. They "get" what Alan Plater wrote about and convey the characters perfectly. When venturing "out of left field" it is important not to overplay your hand. Writing and acting meet and when played correctly are a joy to behold.
So in each of the 6 episodes you take a journey through a slightly unusual yet still believable world inhabited by slightly unusual yet still believable characters. At the end of each episode you are left wanting more but are not left puzzling over any loose ends.
In keeping with the title there is also a jazz soundtrack which accompanies the show well.
Foolishly I left the UK to live abroad round about the time this was aired on TV, and so have come to it later than most, via DVD.
If I said it was perfect, you would say I was exaggerating, but I would not be. Not only does it capture the era, the mood and the battles therein exquisitely, but the characters are drawn and portrayed with straightforward subtlety and affection. There are no horrible surprises, but it is a gentle very funny mystery which is sorted out tidily. I look forward to the next two stories - also contained in the boxed set - to watch them again too. I'm lucky in that I remember very few things thoroughly, no, it's not dementia, I've always been this way.
The poor reviewer who didn't get it - I hope he's not still in therapy.
As some reviews have said "A jazz soundtrack paces this British series, adding more mystery to the lovers' quest for the truth" and "This outlandishly funny series weaves quirky characters, witty dialogue and a wonderfully smooth, jazz soundtrack into a uniquely satisfying, entertainment experience."
Well, that's not how I'd describe it.. The jazz soundtrack is fabulous, Bix Beiderbecke tracks blast through the slow bits in between the meat of the show, making this a truly immersive, grab-you-by-the-ears and drag-you-along series.
Oh yeah, the dialog, plot, setting are all excellent too - if you haven't seen it, it's worth the 9.3 rating at time of writing this!
Well, that's not how I'd describe it.. The jazz soundtrack is fabulous, Bix Beiderbecke tracks blast through the slow bits in between the meat of the show, making this a truly immersive, grab-you-by-the-ears and drag-you-along series.
Oh yeah, the dialog, plot, setting are all excellent too - if you haven't seen it, it's worth the 9.3 rating at time of writing this!
I recently bought the DVD set of the Beiderbeck Trio - amazingly good stuff. The first one, the Beiderbeck Affair, was made thirty years ago and still retains all its charm and gentle humour.
It pokes fun at pomposity and and in particular "the system" without any expletives or stupidity, a difficult thing to do.
Every word of dialogue is beautifully delivered and every shot is nicely framed, especially the high-level shots.
The two remaining shows maintain the same features - a joy from start to finish. Wish it had been longer.
The additional info booklet was very interesting as were the interviews and the splendid CD of the music tracks.
It pokes fun at pomposity and and in particular "the system" without any expletives or stupidity, a difficult thing to do.
Every word of dialogue is beautifully delivered and every shot is nicely framed, especially the high-level shots.
The two remaining shows maintain the same features - a joy from start to finish. Wish it had been longer.
The additional info booklet was very interesting as were the interviews and the splendid CD of the music tracks.
This was not the first outing for Alan Plater's schoolteacher detectives, who in 1981's Get Lost had been played admirably by Alun Armstrong and Frances Tomelty. However no-one could quibble with the re-casting. James Bolam effortlessly nails each line of the arch dialogue, while the talented Barbara Flynn has that rare quality of looking both believably ordinary and incredibly fanciable. Some wonderful British character actors also get plenty of screen time in what is effectively an ensemble piece. Colin Blakely, Keith Marsh, Danny Schiller, Robert Longden and Keith Clarke all do sterling work, but special mention must be made of Dudley Sutton's tweedy schoolmaster and Terence Rigby's saturnine Big Al, while Dominic Jephcott was a real find as the callow university educated detective. A beautifully constructed series, that remains as pertinent as ever in a society increasingly disrespectful of privacy and intolerant of eccentricity.
Did you know
- TriviaThe names of the leading characters were developed from the characters in Alan Plater's earlier series Get Lost! (1981). When the actors had to be re-cast, Plater looked for new names for what were similar characters. Neville Keaton from 'Get Lost' was a woodwork teacher who liked jazz and football. For the Beiderbecke Trilogy, he became Trevor Chaplin, Keaton and Chaplin being two of Plater's comic heroes. Judy Threadgold from 'Get Lost' was an English teacher and an environmentalist who had been named in homage to Sunderland A.F.C. goalkeeper Harry Threadgold. For the Beiderbecke Trilogy, she became Jill Swinburne, named after Newcastle United F.C. goalkeeper Tom Swinburne.
- GoofsThe filming seemed to alternate between spring and summer. Scenes alternated between bare trees and rain one minute, then the next minute trees in full leaf and blue skies. This was especially the case when Sgt Hobson was watching Big Al's allotment.
- ConnectionsFeatured in Timeshift: Alan Plater: Hearing the Music (2005)
- SoundtracksCryin' All Day
Written by Frankie Trumbauer and Chauncey Morehouse
Performed by Frank Ricotti, soloist Kenny Baker
- How many seasons does The Beiderbecke Affair have?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Дело Бейдербека
- Filming locations
- Yeadon Town Hall, High Street, Yeadon, Leeds, West Yorkshire, England, UK(town hall: Jill's political meeting and counting of the votes)
- Production company
- See more company credits at IMDbPro
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