Blame It on Rio

At the risk of ruining my credibility, I proudly declare this as one of my favorite movies. Nobody in their right mind would ever even contemplate a movie like this now, I know. In truth, I'm always shocked it was made at all. It's subject matter beyond the pale of even the low-life studio execs who make the big decisions. The most important and amazing consideration is it was intended as mainstream release. Its not a Troma shclock job. Its a very well made, extremely well written film about a very naughty topic. Consider it a blooper, an accident, if you will, but its great. Quick synopsis, a middle aged dude messes around and falls in love with his best friends 18 year old daughter. And its not exactly tastefully told. There's a ton of gratuitous nudity which is what really dooms it, and makes it just the sort of oddity and pariah people so love to hate. I'm old now, but when i fell in love with it I was like 19 so wipe the perverted sanctimonious smirk off of your face! I like good comedy and well made on location vacation pics, that inspire me to travel. So it's the Peters-Gelbart script and the wonderful scenery that have won it a place in my cold heart. Ok, ok, topless 18 year old girls are a decided bonus.

Stanley Donen directed many wonderful films from 1949 through the 1960s. But his career became very scattershot after the production code fell, and his big screen career came to a lamentable end with Blame It on Rio (1984). Although he later directed a nice little TV movie for ABC in 1999

The film is billed as a comedy, but its grim. Michael Caine stars as a man in the midst of a midlife crisis who, perhaps under the spell of a trip to sultry Rio, embarks on a brief affair with the nymphet daughter (Michelle Johnson) of his best friend (Joseph Bologna). The actors look embarrassed and stricken (this extends to Valerie Harper and Demi Moore as well), the script isn't funny (no laughs in this film, only one gag that produced a tiny smirk), the photography is flat, and the end result is very dour and unappealing.

But the worst mistake of all in the film is including a luscious black-and-white clip of the wing walking "Rio by the Sea-o" production number from 1933's Flying Down to Rio. The brief scene shows the studio system at its height, with true wonder and fascination. It leaves one lamenting the film around the clip all the more.

This film couldn't have been made at any other period of time than that tumultuous, garishly colored, love affair with dubious, cheesy excess known as the 1980's. At any other period of time, this movie would simply be overlooked as a horrid piece of meaningless crap. But not in the 80's, oh no. As a fine work of pure cheese, in the decade of cheese, this film is a sort of masterwork. Everything about this film is total cheese: the acting, the writing, the directing, and cheesiest of all, the music. Has a movie ever had a more grating theme than this movie? It even trumps "I Had The Time Of My Life" and "She's Like The Wind" from Dirty Dancing, which is no small accomplishment. And not only that, but the song is repeated several times throughout the movie. And oh, what else is there? Michael Caine's horrible hair, enormous glasses, and that whacky blue underwear he wears. And Joseph Bologna's insane overacting! Demi Moore's insane attempts at acting! And Michelle Johnson's ample nudity, ample bosom, and insane attempts at being seductive! One could charitably call this film an awkward misfire, but if you're up for it, it's a fine helping of cheese, and a good reminder that as bad as movies can be now, the 80's were the true decade of crap! Crap would never again be as hilariously crappy as it was in the 1980's, and Blame It On Rio is the king of 80's crap!

It's a travelogue/sex-comedy with great photography of Rio, funny jokes and a pleasing early eighties feel. All the typical aspects of life in Brazil are shown like Carnival, native gods/religion, topless sunbathers, street dancers, the monolith dome with Jesus on top etc. There are a lot of funny lines that will keep you entertained and Michael Caine delivers them well. The soundtrack has a lot of bossa nova strains (composed by Ken Wannberg) and adds to the sexy, lighthearted mood.

This is a fun light-hearted comedy, with magnificent views of Brazil and subtle comic performances. It captures that early eighties feel well. And broaches the subject of a teenage temptress more honestly than the recent version of Lolita.

I can only think that this movie was out of time. probably from a gentler age, but it still hits the mark with me, even watching it now.