Assassin

Dou you already heard that old story of an US's agency calls back those former collaborators when some situation running out of control??, How about Schwarzenegger's COMMANDO or even Lambert's FORTRESS 2: RE-ENTRY also RAMBO III just name a few, it's happened with Robert Conrad to be back with full power to stop a hitman that going mad after many killings, they just don't aware him that in fact he is dealing with a powerful Cyborg, what a double-crossing.

I thought that he'd returned just by the gorgeous Scientist Karen Austin working as supporting high tech computer, the top-secret Cyborg's developing was under oversight of Robert Webber, now they ought stop the hybrid-human when he has to be recharging his plutonium batteries for a thirty minutes only, meanwhile it is impossible to break, (why they figure out a dynamite for instance or a bazooka, certainly not it will destroy the whole concept). Well it should be asking too much.

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First watch: 1987 / How many: 2 / Source: TV-Youtube / Rating: 5.

A lame TV movie version of Terminator - sorta. We have a robot that looks human that goes around killing people he's programmed to kill. And it's a very boring film. Mainly a bunch of talk with some action scenes thrown in for some so called excitement.

I have no clue as to the type of film they used to film this movie with but it looks dark and dirty, just dingy looking. A drab film quality to go with a drab story - I guess it works well together.

This is not a film that Terminator fans should seek out - it's not nearly as exciting nor is it a quality film like Terminator. Instead it's just a lame, boring made for TV movie. If you miss this one, you aren't missing anything at all but some ugly 1980s hairstyles and clothing.

1/10

Ex-government agent, Henry Stanton (Robert Conrad) is brought out of retirement to track down a rogue agent named Golem (Richard Young). Golem is on a murderous rampage, killing with his bare hands and collecting secret data.

Stanton soon discovers that he's not up against a mere man.

Sort of a made-for-TV version of THE TERMINATOR, Conrad is really good in his intrepid role. Young's Golem is fantastic in all of his / its bulletproof, fireproof, virtually-unstoppable glory!

Highly entertaining...

An ex-CIA operative is convinced by his old boss to return to action one last time to help track down a rogue agent who is going around killing people connected with the Agency. The only trouble is that the said agent is seemingly a lethally designed cyborg.

This is a mid-80's TV movie, so it's probably fair to say that expectations should be lowered accordingly. Seeing as it was released in 1986, it's only fair to surmise that it derives much of its influence from the recent smash hit film The Terminator. Obviously, it's a very poor man's Terminator though. But its combination of sci-fi with paranoid political intrigue was not such a bad concoction to be fair. It's delivered with just enough effort to ensure it's watchable. But it's best to accept in advance that the thrills on offer in this one are of the bargain basement variety.

This mid-80s made-for-TV sci-fi thriller takes its cues from The Terminator, with a human-like robot assassin, created by a top secret government agency, programmed to kill those on a hit list compiled by its deluded, deceased designer. Ex-agency operative Henry Stanton (Robert Conrad) reluctantly comes out of retirement to try and stop the renegade mechanical menace, aided by attractive robotics expert Mary Casallas (Karen Austin).

Writer/director Sandor Stern is no James Cameron, but he still manages to deliver a fair bit of tension and some hokey fun from the premise, with his murderous machine (effectively played by Richard Young) interfacing with an ATM to extract cash, taking a couple of high dives from several stories up, leaping over moving cars, opening up compartments in his body to modify himself, and even bedding a desperate bar floozy when his mission calls for it (he's anatomically correct and can go for hours on a full charge!).

The plot does get unnecessarily convoluted and clichéd at times, with Henry haunted by his past, developing a relationship with Mary, and discovering that his superior has been hiding a terrible secret, but Stern just about keeps the pace going right up to the hilariously explosive ending.

5.5 out of 10, rounded up to 6 for IMDb.