Crawlspace

Hey I love this one. I've always been a Klaus Kinski fan and he's so particularly demented and soft-spoken from the get-go in this one, that he can't possibly be the good guy. No one with a German accent is.

He plays the Dr. Karl Gunther, son of a Nazi war criminal, who's escaped to America from Argentina and becomes an apartment manager. It also turns out that many of his tenants mysteriously disappear while the building is under his supervision.

It seems the 'good' Doctor can't stop killing them and he sets up his murders by crawling around in the building's heater ducts and observing his victims before making his move. There's also a woman he holds captive in an animal cage up in the attic, who he keeps as company after he's cut out her tongue.

Then innocent Lori Bancroft (Talia Balsam) moves in and Kinski takes a lot of interest in her before going on one final murder spree towards the end.

Also notable for being filmed on the same apartment building set as TROLL (1986), with all the action taking place indoors and in the heater ducts. Don't look for a wide variety of locations here. It's a small film.

Like I said, I enjoyed it and would recommend it mainly for Kinski's performance, but don't expect any extras on the MGM DVD because they're aren't any.

7 out of 10

Crawlspace (1986)

** (out of 4)

Klaus Kinski plays the son of a Nazi who rents out his apartment rooms to pretty women so that he can spy on them and then kill them. This could have been a rather interesting film but absolutely nothing happens here. I mean zero, zilch, absolutely nothing. I'm really not sure what the point of the film was, although it's clear the director was trying to get into the mind of a killer yet we never know what the hell Kinski is thinking or why he's doing what he is. Kinski is quite amusing in this role but it's a wasted opportunity.

I saw this one back to back with "Cobra Verde" and, surprisingly, actually liked it better. It's an inexpensive little serial killer film, rather low on violence on the contemporary "Saw" scale, but with excellent camera-work and music (composer Pino Donaggio worked with Brian de Palma and Dario Argento, and cinematographer Sergio Salvati shot some of Lucio Fulci's best movies). Kinski gives a very beautiful performance here: He's in almost every scene, and his characterization of the evil nazi/doctor/landlord is restrained, faceted and balanced, meandering between the light-hearted and ugly. I didn't know that his acting in the mid-eighties still had such quality. If you get a chance, watch director David Schmoeller's (he wrote all the Puppet Master movies and directed the first one) hilarious short movie about his collaboration with Kinski, aptly titled "Please kill Mr. Kinski" (1999). Making the movie must have been hell for the poor guy, but the result is quite rewarding.

Crawlspace is one of the creepiest films you'll ever see; largely thanks to Kinski's portrayal of Gunther, the son of a Nazi war criminal- and seasoned serial killer- who runs a boarding house for women. Rarely do films give you an idea what lays in store, so quickly. And few actors possess the natural creep factor that Kinski exudes.

After fleeing from Argentina- where he was a doctor, practicing his trade by, killing off all his patients- Gunther would settle in America; where he would build a mansion that would make Holmes proud: complete with a crawlspace for voyeurism; and all manner of booby traps- to prevent anyone who might discover his secrets from escaping.

Gunther keeps one of his former tenants, hostage in a cage, as a pet. He cut out her tongue, so that she may never speak of what she's seen, but he keeps her around for someone to talk to.

He also knocked off his last tenant, and, considering such, is looking for someone to fill the vacancy. Enter our protagonist, Lori.

Whereas he first began killing (the terminally ill) for reasons of compassion, he now suffers from an insatiable bloodlust, and has become addicted to killing. It makes him feel closer to his father.

Though, after each murder, he leaves it up to fate to decide whether he will continue on...to kill again. He draws blood, smears it on a bullet and uses it to play a round of Russian roulette. If he does not blow his head off, he considers that divine sanction to continue on.

However, he didn't count on his newest tenants tenacity, and will to live. Perhaps she is just lucky, or perhaps this is what fate ultimately had in store.

Worth watching to see the master-of-creepiness in action...and for all those awesome booby trap kills.

6 out of 10.

Karl Gunther is the superintendent f an apartment complex. His discerning tastes lead him to rent to only the choicest of tenants….female and beautiful. Does his leaning to the fairer sex have a more sinister reasoning or is he just a supreme pimp-daddy. Klaus Kinski is by far what makes this movie fun. There are a lot of good things happening in this movie but it would only be half the film without him. This film is producer by Empire Pictures, a now defunct Charles Band headed studio that was responsible for a lot of cool mid-80's genre films (Troll, Ghoulies and Eliminators come to mind). The direction has flare and the script is decent. The music by Pino Donaggio is excellent. It's fun but the script should have had more. I wanted to know more about the character, in particular the Gunther characters past.

The Lesson Learned: That said it wouldn't make a high brow top ten list for that year but it would make a genre fan happy. I enjoyed it and you might too. So be it.