Short Circuit

I'm sorry, I can't see why this film has been given such a low rating. This film is wonderfully life-affirming through the character of robot Jonny 5 (the scene where he realises what it means to be alive through crushing a grass hopper is beautifully portrayed), Ally Sheedy brings a bucket load of positive energy to the character of the naive but loving Stephanie, and to top it all there is a subtle but powerful comment on American militarism. There is a real emphasis on quality screen writing here which only comes through on a small ratio of films. The characters could easily have become 2 dimensional stereotypes, but instead given some interesting dialogue and motives (science, military etc). Yes it is cheesy, and I think many people label it as a cheap and tacky 80's movie, but having watched it again recently I think history may well judge it a minor classic.

Short Circuit is an off-the-wall comedy about a series of robots made of the military. They sort of resemble Conky from the old Pee Wee's Play House series. One of the robots, 'Number Five', escapes and finds sanctuary in the home of Stephanie Speck (Allly Sheedy), a nice lady with a soft spot for runaways.

Speck becomes good friends with 'Number Five' who begins to take on a lot of human characteristics, transcending the static life of a robot or the hostile life of a military weapon, which is what the robots were designed for.

Speck learns that Number Five's owners are looking for him, but she knows that the military would only destroy Number Five or terminate the emotional drive that he has developed. Number Five's designer, Newton Crosby (Guttenberg) and his silly assistant Ben Jabituya (Stevens), have yet to appreciate what Number Five has achieved, as a shell of wires and controls able to take on human qualities, but, soon, they too will join Speck in the quest to save 'Number Five.'

Some of it is kind of reminscint of other 80s sci-fi movies like 'Batteries Not Included' and 'E.T.'

There's two issues at work in this movie. The first, and obvious one being about the development of human emotion and would it be possible for anything to gain an understanding and appreciation for it? And the second being the ethics of military useage. Plus, it's your standard 80s love and friendship story. Because of the story and the sharp wit comedy and sarcasm, it's makes for good comedy. I haven't seen the sequel in a long time, but I do remember enjoying it almost as much as the first. I think that's because 'Number Five' is such a funny, loveable robot.

If you like the theme of this movie, I recommend seeing the hilarious comedy, 'Making Mr. Right,' which is about a robot designed for space exploration rather than military use. But, the robot begins to take on human emotions while the owner becomes increasingly more like a robot. (It's from Susan Siedleman, the director of 'Desperately Seeking Susan.')

A robot made self-aware after being struck by lightning runs away from the military weapons testing facility where it is set to be disassembled. The robot, called Number 5, meets a woman (Ally Sheedy), who befriends it and tries to help it. As the military hunt for the escaped robot, two scientists (Steve Guttenberg, Fisher Stevens) try to find it first.

A heartfelt sci-fi comedy that's funny, positive, and extremely entertaining. How cool was that robot? Old school effects are remarkable. People built these things by hand, you know? There's just something so much more effective and impressive about that than CGI effects. The cast is really good. Sheedy and Guttenberg are both likable leads. Fisher Steven is a lot of fun. Guttenberg's Police Academy co-star G.W. Bailey plays to type as he did so often in the '80s. Such a fun movie. I had a big goofy grin on my face the whole time I was watching this.

I recently read a review of this movie that trashed it. The reviewer's main reasons for doing so were based on how unrealistic it was. He went on and on about how robots aren't capable of this and that. It made me very sad for him because I know he must not have any friends. If you are reading this and you view Short Circuit the same way that reviewer does, please do yourself a favor -- go out, meet some people, have some adventures, enjoy life. Then come back and watch Short Circuit and see if the stick up your ass is gone yet.

I don't understand it. All the written reviews for Short Circuit I and II, on this message board are superlative. On the other hand, the ratings are pretty low.

Speaking for myself, I first saw the movie series when I was 12 years old. I thought at that time, that they were the greatest movies I had seen but that's just me. I recently saw the series again and still enjoyed them to the hilt. My ratings : 9/10.

There have been many films that claim they can entertain audiences of all ages. Indeed, this seems to be the most profitable kind of film to make, with the family-oriented often translating to the lowest common denominator. There is a rare kind of film in this oversaturated market, however. Namely, the film that claims it can entertain an audience in almost any age bracket, and really can deliver on this promise. I know how this sounds, so bear with me a moment.

Short Circuit is, at heart, a comedy about what happens when a robot designed to replace a special forces soldier is struck by lightning, and starts to believe he is a living entity. Much of the rest of the film revolves around either Number 5's attempts to evade capture by the people who made him, or his attempts to convince the people he meets of the truly wonderful thing that has happened to him. Ally Sheedy and Steve Guttenberg provide an excellent support cast that does a first rate job of interacting with the character. This was one of the first films to show human actors engaging in conversation with what was essentially a full-scale puppet, and it remains one of the best. With brilliant voice acting by Tim Blaney, Number 5 seems more human than some of the other actors in the film, especially G.W. Bailey. They must have had a special on Police Academy alumni that year.

Speaking of Police Academy, the "let's rip the front seats out and sit in the back" joke gets a couple of references here. In fact, a few old classics get a good reference in this effort. Interestingly enough, the Three Stooges short that is shown and imitated in a couple of sequences is called Woman Haters. Go figure. The one weakness of the film is that it seems primarily constructed around a few puppeteering or special effects sequences. The use of the laser beams here seems very dated by modern standards, and the computers would look unbelievable if I hadn't personally seen the computers that were available to the public and business around this year.

Sadly, they do not make films like this anymore. In this day and age, where every film has to be made as expensively as possible, and even films aimed at children seem segmented, nobody seems willing to consider that the adults in the audience might need to be entertained, too. Which is a real pity. Films like Short Circuit have the ability to appeal to this viewer even more now that he is twenty-something years old than was the case when he was eight years old. I doubt that anyone who turns twenty-six in 2020 is going to same the same about the Pokemon or other such mind-numbing single-digit-age-only crap that is being churned out.

I gave Short Circuit an eight out of ten. It is starting to show its age, but as a relic of the mid-1980s, it also shows that there were people asking questions about the advancement of technology. Indeed, on the basis of films like Short Circuit, I am almost willing to regard the 1980s as the last bastion of creativity in the mainstream film industry. Give it a look expecting a film about more than money, and you may be pleasantly surprised.