Cop

If you are a big fan of James Wood's work than please go to your video store right now and rent this gem. You see I'm more into the performance side of a film, not the writing or story (even though it does help). Trust me, you've seen it all before. An over-the-top detective (Woods) gets caught up in a murder case which takes over his professional and private life. With the clues stacking up, Woods begins to believe that he is not only dealing with a murderer but a serial killer as well, who preys on females. This opinion on the matter doesn't sit well with his captain or coworkers, except one, a long time friend named Dutch. As the film moves along you begin to notice that Woods is a womanizer who usually ends up in bed with the witnesses. Everything Woods did made me laugh. I know this probably isn't "right" of me but he is just so FUNNY!! Even in a serious murder mystery such as this, I still can't help it. This film also contains one of the quickest endings I've seen in a long time. It's great!! Trust me though, I won't give it away. Thanks for reading.

I thought the story line for cop was excellent, which isn't surprising given that it's based on James Elroy's Blood on the Moon. I haven't read this but I really enjoyed the actual story line itself. I feel like the execution of the movie lets the story line down in many ways. There are parts where it is brooding and tense, and then there are parts that are plain ridiculous (such as Llyod picking up a girl straight out of a murder him and his partner committed!). The moments that are a bit ridiculous detract from the overall tone and quality of what could have been an excellent movie. What keeps the movie alive and gives it credibility is James Woods. He is spectacular overall and saves this from becoming substandard. He is unpredictable and at times mesmerizing. The opening scene and closing scene are both really memorable moments of him and it's a pity the rest of the film doesn't match up to his quality. I do have to mention that some of the support acting was also strong enough to hold up and make the film more credible. Lesley Ann Warren and Charles Durning were both solid as the slightly creepy Kathleen and the stereotypical cop partner Dutch. I was going to rate this a 6 out of 10 in my mind as it approached the last few minutes. However the final scene itself was so unexpectedly clinical and enjoyable, that it merited another notch up the rating ladder. If you watch you will see for yourself.It just enhances the performance of James Woods and makes you regrettably realize that this movie could have been so much more.

Extremely entertaining film about a cop (Woods) who tries to hunt down a criminal who is murdering women downtown in an apparently random order. I saw this on AMC one Friday night, very late, and I was blown away. Great acting, particularly by James Woods, and just a very fine film with a good fade-to-black ending.

It's sort of dumb and predictable sometimes, but it's one of the best endings I can remember in recent years.

4/5 stars.

• John Ulmer

Sometime ago a sadistically violent novel written by James Ellroy was published under the title 'Blood on The Moon.' Having read the book, I was most surprised to see the story up on the silver screen under the marquee of " Cop." The tragic tale was so woefully violent, I wondered how it's stark terror and black suspense would transferred to the Big Screen. However, I was pleased when I saw that James Wood would be the hero and it would be directed by James B. Harris. Woods plays detective Sgt. Lloyd Hopkins a hard-as-nails police officer seemly obsessed with solving an unsolved series of murders dating back years. Seemingly at a dead-end, he is frustrated and on the verge of giving it up, when a ray of hope inspires him to continue. As he does, he enlist the aid of Kathleen McCarthy (Lesley Ann Warren) a Feminist poet and his police mentor Dutch Peltz (Charles Durning) who is in line to become a police Captain. Despite his unorthodox methods, Hopkins gets results even if it means stepping on toes and challenging his superiors. The movie is powerfully dark, suspenseful and dotted with terrifying scenes which are not for the faint of heart. Still any Woods' fan is sure to enjoy the power and skill with the main actor and I for one look forward to this film becoming a milestone for Woods. Excellent rendition of the book and if one wants to peek under the ambulance sheet, I suggest you read the novel. ****

Based on the James Ellroy novel "Blood on the Moon", James Woods is LAPD detective Lloyd Hopkins who discovers the terribly mutilated corpse of a young woman and immediately starts comparing the scene with previously unsolved murders. He becomes convinced a serial killer is at work here, preying on women for the last fifteen years. Soon, more gruesome murders occur and detective Hopkins becomes a target himself. Detective Hopkins is the kind of amoral sleazeball that makes Dirty Harry seem like a little angel in comparison. He's the kind of cop that blows your date away, leaves his partner to clear the mess and then asks the woman if she needs a ride home and have some fun.

James Woods also co-produced with director James B. Harris, long time buddy of Stanley Kubrick and producer of THE KILLING (1957), PATHS OF GLORY 1958) and LOLITA (1962), who also wrote the script for this hard-edged cop thriller. I made the mistake expecting a really good film, mostly based on Woods' presence, the writings of James Ellroy, and Kubrick sidekick James B. Harris taking the directorial helm, but Harris hardly shines in that department. His direction is adequate, but not much more. Best to watch this as a gritty cop flick, trashy, cynical and sometimes a bit silly with plenty of misguided attempts at humor on account of leading man James Woods, always a plus, in any film. It's a reasonably well-executed cop thriller, but no classic. Expect an enjoyable slice of B-movie nonsense and you probably won't be disappointed.

Camera Obscura --- 7/10