Encounter at Farpoint
- Episode aired Sep 28, 1987
- TV-PG
- 1h 32m
On the maiden mission of the U.S.S. Enterprise (NCC-1701-D), an omnipotent being known as Q challenges the crew to discover the secret of a mysterious base in an advanced and civilized fashi... Read allOn the maiden mission of the U.S.S. Enterprise (NCC-1701-D), an omnipotent being known as Q challenges the crew to discover the secret of a mysterious base in an advanced and civilized fashion.On the maiden mission of the U.S.S. Enterprise (NCC-1701-D), an omnipotent being known as Q challenges the crew to discover the secret of a mysterious base in an advanced and civilized fashion.
- Mandarin Bailiff
- (as Cary-Hiroyuki)
- Main Bridge Security
- (as Timothy Dang)
Featured reviews
Star Trek: TNG was one of my favorite TV shows growing up. Space adventures always appealed to me, but it was the cast and the concepts the show explored that often won me over. After having seen the pilot episode, a two-parter entitled Encounter at Farpoint, I see many of the qualities I enjoyed about the series, but this is a fairly subpar episode that's only occasionally compelling.
Set some 80 years after the original Star Trek (thus placing it, if I'm not mistaken, in the 24th century), the new crew of the starship Enterprise is headed by Captain Jean-Luc Picard (Patrick Stewart). The crew's assignment: to investigate Farpoint station, but before they can reach their destination they're intercepted by a god-like entity who calls "himself" Q (John De Lancey). Q has deemed the human race savage beasts and puts the Enterprise crew on trial. Their test is Farpoint and if they fail to uncover the dark secret of the station, then well...they'll assumingly receive a dreadful fate.
The first part of Encounter at Farpoint is pretty good, the characters are nicely introduced and mostly well-played by the cast. Patrick Stewart immediately stands out as the stern but well-meaning Picard. Brent Spiner is fantastic as Data, and Jonathan Frakes makes a likeable first officer as Commander Riker. Noticeably different from the original Star Trek is a larger female cast. Marina Sirtis, Gates McFadden, and Denise Crosby are all fairly attractive (Sirtis would later be a full-blown hottie by season two, and McFadden is actually the best-looking of all the Star Trek ladies right now, talk about aging gracefully; sorry, Jeri Ryan and Jolene Blalock just don't do it for me).
Unfortunately, the plot, while initially intriguing, ultimately doesn't really go anywhere and there's the certain feeling that fitting the whole story into two parts is really stretching it out. A lot of the material, obviously played for introductory purposes, could still have been cut out. In fact, all the stuff focusing on the mystery behind Farpoint barely adds up to a half-hour, excluding the really lengthy climax, which is just plain boring. When the secret of Farpoint is revealed (which you'll probably figure out before the cast does), all the conjecture and facts are messily spouted in one of those silly coversations where each character continues the sentence after the previous speaker has finished.
But Encounter at Farpoint works adequately enough as an intro to one of the best sci-fi television series, right up there with Stargate: SG-1 and the first two seasons of Sliders. Watch for Cary-Hiroyuki Tagawa as Q's bailiff.
This first episode from first season is introduced the classic characters who entertain us in the overlong series . And other characters making brief appearance , such as De Forest Kelly from the original series , in an enjoyable intervention . As always , spectacular and atmospheric musical score by the great Jerry Godsmith and Alexander Courage . This TV movie is made in the typical professional manner of the franchise . This agreeable entry was compellingly directed by Corey Allen who will make other episodes . This is an amusing romp through space and time that will appeal to hardcore trekkers such as the neophyte .
This is long-winded but interesting introduction to The Next Generation with a strong theme and some decent character moments.
Even for a two-part episode spanning ninety minutes the story packs a lot in. The two main plot threads involving Q and Farpoint station are great but unfortunately there are many character introductions with background information that slow everything down destroying the flow developed in the early scenes. I felt a retread of themes from original series episodes like 'The Squire Of Gothos' and 'The Devil In The Dark', which work well. Some parts of the trial sequence are unintentionally funny as it mixes social commentary, absurdity and emotive performances.
Picard has a fairly aggressive introduction, thrown into immediate conflict with Q and these scenes are compelling due to the themes and characters. He is also pretty combative in his leadership style.
Riker makes a cinematic entrance with an immediate test of ability and a candid conversation with Picard. This is probably the best of all character intros for me and sets the scene for what is to come in the series.
Introductory exposition dialogue is pretty clunky and contributes to the pace being laboured. There is also a substantial amount of time spent introducing the technology and environment which clutters the episode up too much.
The scene involving a character from the Original Series is a nice bit of fan service but it adds to the unnecessary screen time as it is fairly irrelevant in the grand scheme of the series.
I find some of the dramatic camera movements and extreme angled shots on the bridge a bit distracting. The musical score is pretty dramatic and changes in tone on multiple occasions depending on the emotional theme of each sequence. The well crafted saucer-section sequence is reminiscent of the 'The Cage' episode where the show theme is used during the sequence where the warp drive is engaged. In one scene you can clearly see a stunt-player standing in for Tasha Yar.
Performances are mostly great with Patrick Stewart standing out significantly with a powerful presence and masterful delivery of dialogue. All supporting cast are solid with Marina Sirtis having just one or two ropey moments.
And like the last sentences Say " our next mission will be more interesting" i truly Hope so , ahah.
Did you know
- TriviaDeForest Kelley's cameo as an aged McCoy was a late addition to the script and was devised by Gene Roddenberry. "It came about as a result of, I think, a meeting between him and De," remembered producer Robert H. Justman. "I think it had been on Gene's mind and he invited De to lunch and he says, 'How would you feel about it?', expecting De to say, 'No. NO'-and De said, 'I'd be honored.' And not only that, not only did he say 'I'd be honored,' but he refused to take any more than SAG scale [salary]. He could have held us up for a lot of money, and he didn't. And it was just great; it really got to me, the way he did it [the scene]. It really got to me; it was a beautiful, beautiful scene."
- GoofsWesley is dripping wet when talking to Captain Picard outside the holodeck. As holographic matter cannot exist outside of the holodeck, the water should have disappeared once he stepped through the door. However, just moments before, Data explains to Riker that the holodeck uses a combination of holograms and actual material that is materialized (similar to the way the food replicators create food) so the water could very well be real.
- Quotes
Admiral Leonard H. "Bones" McCoy: How old do you think I am, anyway?
Lt. Commander Data: 137 years, Admiral, according to Starfleet records.
Admiral Leonard H. "Bones" McCoy: Explain how you remember that so exactly!
Lt. Commander Data: I remember every fact I am exposed to, sir.
Admiral Leonard H. "Bones" McCoy: [looking at both sides of Data's head] I don't see no points on your ears, boy, but you sound like a Vulcan.
Lt. Commander Data: No, sir. I am an android.
Admiral Leonard H. "Bones" McCoy: Hmph. Almost as bad.
- Alternate versionsThe original Columbia House video release had the episode cut into two parts, as it was re-aired, while later releases has the episode in its original two hour cut that was on the Paramount Home Video release.
- ConnectionsFeatured in Star Trek: The Next Generation: Hide and Q (1987)
Details
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- Runtime
- 1h 32m(92 min)
- Color
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- Aspect ratio
- 1.33 : 1