The Unholy

A demon preys on priests caught in the act of sinning. This horror film has one of the best cast ever put together in a horror film, scary special effects, a well plotted and interesting script, and solid direction. However, even though the film seems to have all the right ingredients for success, it simply never gels together. Nicole Fortier is absolutely flawless as the demon. Rated R; Nudity, Graphic Violence, and Profanity.

*This film has one of the best trailers ever in cinema history.

A religiously themed late 80's horror outing about a priest who finds out that an ancient demon (disguised as a gorgeous & sensual woman) has been killing his predecessors. Now he's next on the list. Occasional flashes of mild bloody gore and some nudity couldn't save the otherwise slow and boring development of events. The most fun parts where the scene where a guy pukes gallons of blood and the final confrontation with a nifty-looking demon (guy-in-a-rubbersuit-style) with his two demonoid dwarfs in the church. That's why I gave the movie an extra point. And well, there's far worse 80's horror nonsense out there, anyway.

Some unutterable evil is happening on the dark streets of New Orleans and it is up to Catholic priest Ben Cross to stop the spirits that are killing people when they are in the act of committing sins. The film benefits from established actors like Ned Beatty and Hal Holbrook, but it is the unknown William Russ that gives the stunning performance in the film. But the film goes more for shock value than anything else and a truly interesting idea becomes somewhat trivial with typical cliches that dominated films like this in the 1980s. All in all "The Unholy" is good for a scare, but overall it is a film that misses the mark and could have been so much more. 2 stars out of 5.

"The Unholy" is a typical two-star horror effort: serious-minded and with many positive points, but still somewhat disappointing. It has a good basic concept, good (if rather sparse) special effects and a surprisingly distinguished cast (even Trevor Howard, who died the same year, has a small but pretty important role). BUT... it moves kind of slowly, the direction is too often choppy in the wrong places, and when the demon appears at the end, he (or "it") seems childishly conceived (although it's technically well-executed) and doesn't fit in an otherwise very serious movie. Anyway, most horror fans WILL probably find this worth a (single) viewing.

Despite having an interesting concept (co-scripted by Philip Yordan no less), THE UNHOLY is an uneven mess that tries too hard to emulate titles such as THE OMEN or THE EXORCIST. There is a usually high class cast for a low budget horror film. Ben Cross is very good as the put upon priest. He plays it all serious despite being given embarrassing moments like raising his fists and screaming "Dear Godddddd, what will you have me do?" The only weak performance is by Jill Carroll as the young virgin/temptation who shacks up with the priest after deciding she didn't like being a waitress at a satanic club (uh huh). William Russ is interesting as a club owner who may or may not be evil and there are also fine supporting turns by Holbrook and Beatty. And screen vet Trevor Howard made his final screen appearance as a blind priest.

But all these performances are betrayed by perhaps the flattest directing ever. Camilo Vila is a terrible director who films the scenes with barely a pulse. The dialogue scenes are all shot in close ups so at times it is hard to even tell the proximity of the characters. Vila has no desire to build up to bizarre dream sequences or set pieces, they just happen right out of the blue. And speaking of blue, Vila should never be allowed near blue gels ever again. Apparently he feels this creates mood and constitutes style as he uses them in every other scene to numbing effect. The film actually underwent an extensive re-shoot to up the monster factor for the film's final act. Regardless, these inserts offer little salvation as whoever shot them imitates Vila's dreary style and shoots the titular beast with no mystery at all. The effects work from Bob (HELLRAISER) Keen, no matter how poorly shot, is impressive though. Perhaps under a better director the film would have been more effective.

THE UNHOLY opened in April of 1988 and fared rather poorly. However, it did become Vestron Pictures second highest grosser ($6.3 million) of their short lived theatrical career. Of course a difference of $57 million separates this from their number one rental DIRTY DANCING (1987).