The Big Picture

After a film student from Ohio (Bacon) wins an award for his short movie at the film institute in Los Angeles, he has to carefully traverse the minefield of the system to get his artistic vision made. JT Walsh plays a manipulative producer and Martin Short a dubious agent.

"The Big Picture" (1989) is an amusing look at the moviemaking process in Hollywood. The humor is mostly droll or quirky and viewers not up on the business might not relate to some of it, which could explain why the flick flopped at the box office. I wouldn't want to blow time & money on seeing it at the theater, but it works well enough for home viewing on a quiet night or whatever.

Winsome Emily Longstreth stands out on the feminine front as the protagonist's girlfriend, Susan. She was a minor female sensation at the time who worked with the likes of Johnny Depp, Brad Pitt, Rob Morrow, Molly Ringwald and James Spader, but she left acting entirely by the early 90s, reportedly falling into substance abuse, mental illness, and living in homeless shelters. It's rumored she died in early 2015, but factual info is hard to find so I can't verify this.

Teri Hatcher is notable as wannabe starlet Gretchen; it was her movie debut. Meanwhile Jennifer Jason Leigh is on hand as hipster Lydia while Fran Drescher shows up as the producer's wife, Polo.

The film runs 1 hour, 40 minutes, and was shot in the Los Angeles area.

GRADE: B-

Thank God for Christopher Guest. Anyone who loved him as Nigel Tufnel in Spinal Tap and has since appreciated his mockumentaries "Waiting for Guffman" and "Best in Show" should take a look back at The Big Picture. As with his other films, the humor is subtle and a bit "inside," but the more you see it, the more you love it. Kevin Bacon and J.T. Walsh are perfect, and Martin Short steals every scene he's in. (Added bonus: the Pez People song at the end, obviously sung by Michael McKean, sounds like Spinal Tap with keyboards instead of guitars. Very funny.)

This is a good film that is totally stolen by Martin Short. The scenes including his agent character are some of the funniest I've ever seen in a movie. He's absolutely brilliant.

If you can see past the blinding light of Short's performance, there's a likable movie here. Kevin Bacon and his character's storyline are compelling and involving. There are loads of funny cameo-type roles. There's one scene in particular that stands out. It's not funny, it's heartbreaking. I'm talking about the scene where Kevin Bacon picks up Michael McKean in his Porsche, gets a cell phone call, and asks McKean to step out of the car to take the call. Man, that's harsh. It's testament to Bacon's acting charm that his character can be redeemed at all after a stunt like that.

The one thing that seemed consistently not to work here is the fantasy sequences. The movie would play better without them.

This film is a wonderful example of how to get a movie made in Hollywood.

Kevin Bacon stars as a hot new director, with a prestigious award to his credit who has one aim, to make his script his way.

What then ensues is a sequence of events that should serve as a warning to people wanting to make their own movie on what to be careful of.

Bacon's script starts as a simple movie of two couples on holiday together, while one half of them is having an affair, thanks to various obstacles it transforms into a trashy affair of beaches, cheerleaders and very little story, called Beachnuts.

While this happens Bacon's personal life is also falling apart thanks to the lures of Teri Hatcher's struggling young actress.

Finally, an extremely low-budget music video puts Bacon back on the map and this time he sticks to his guns.

The message for young movie-makers is, do not lose sight of what you want and be aware of the extreme fickleness of Hollywood, which this demonstrates exceedingly well.

Film school grad Nick Chapman (Kevin Bacon) thought his career was made after his award winning short film, but discovered Hollywood wasn't as easy as it seems.

Greenlit by David Puttnam of Columbia Pictures, the president was ousted two weeks after production began, and the subsequent regime at the studio, according to Guest, were unable to figure out what could be done with the film as many executives at the studio didn't like the film because they felt like they were being brutally satirized in it. Columbia quietly gave The Big Picture a limited theatrical release (despite opening to positive reviews) before sending it to video.

With all the names attached o this film, the clever writing and positive message, it is amazing this one slipped under the radar. It might satirize Hollywood, but by no means do I feel it insults it or calls out anyone in particular (though, who knows what the writer had in mind).

I especially enjoyed the role played by Jennifer Jason Leigh. She may be one of the best actresses of modern times, no one seems to recognize it. Between "Fast Times" (1982) and "Hateful Eight" (2015), no one seems to have noticed her. And why not? She was dynamite in so many things, and this film is the evidence.