Targeted by the mob and its political supporters, hired assassins leave LAPD Detective Mason Storm for dead. Seven years later, he recovers from a deep coma, demanding justice and the opport... Read allTargeted by the mob and its political supporters, hired assassins leave LAPD Detective Mason Storm for dead. Seven years later, he recovers from a deep coma, demanding justice and the opportunity to get even.Targeted by the mob and its political supporters, hired assassins leave LAPD Detective Mason Storm for dead. Seven years later, he recovers from a deep coma, demanding justice and the opportunity to get even.
Kelly LeBrock
- Andy Stewart
- (as Kelly Le Brock)
William Sadler
- Senator Vernon Trent
- (as Bill Sadler)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The picture talks on the police agent called Storm(Seagal)whose family is wiped out by a corrupt politician, he is severely wounded and spends several years in coma.He awakes and executes a terrible vendetta, the happenings go out of control ,causing an incredible body-count against numerous evil-doers(William Sadler,Branscombe Richmond).He is only helped by a gorgeous nurse(his wife Kelly Le Brock,now days is divorced)and a good cop(Frederick Coffin). The film is combined of unstopped action,shoot out,violence,fighting, romance between both protagonists and a minimum characterization.Beside abundant fist fights in which body parts are slice off and limbs are slit or blasted apart.Savage and brutal killings make only recommended for those adults no squeamish and with strong stomach enough to take it.The movie gets a certain similarity with Charles Bronson films from ¨Death wish¨series for the matter,the avenger,thus the main personage ,the Vigilante, makes of judge,jury and executioner.It's a run a mill action movie because from the start until the end the action packed is continued ,in fact ,the final confrontation is breathtaking and extremely violent.The film is from Steven Seagal first period when the movies were of middling or high budget(Above the law,Marked for death,Out of justice,On deadly ground,The patriot),nowdays are of bow budget(Out of kill,Submerged,Foreigner,Black Dawn). The picture has an atmospheric synthesizer music fitting to action by David Michael Frank,nicely cinematography by Matthew F. Leonetti and is well realized by Bruce Malmuth.The motion picture provides fast and furious amusing and action nonstop with no sense developed with fast pace and movement.It's a must for the Seagal fans.
"Hard to Kill" is bar-none the best Steven Seagal film by a cosmic mile. That is not saying that this is a masterpiece, but it works pretty well due to some really evil bad guys (led by William Sadler) and the fact that Seagal's character is legitimately out for revenge. Seagal is a cop who has just learned that Sadler, an ambitious lawyer with political aspirations, is involved with shady cops and high-class crime syndicates. This information will lead to an attempt on Seagal's life which will kill his wife, cause their young son to just barely escape death and cause Seagal to go into a coma himself. Of course he awakes some eight years later and his only motivation is to bring all those involved to justice. Works well due to Seagal's performance more than anything else. 3.5 out of 5 stars.
An American action thriller; A story about a police detective who uncovers high-level corruption and is attacked and his family are left for dead. In time he decides to pay them a visit. This is a lively and ambitious revenge flick and does a little more than simply string fight scenes together. It has some similarity to "Commando" (1985) in the way the action flows - villains are disposed of with great efficiency because there are so many to get through and there isn't much depth. Seagal and Le Brock strike up a friendship which is appealing but when this transforms to love interest it feels false because it is rushed and convenient to the plot progression and no more. The film wastes no time in satisfying the audience's bloodlust but uppermost in its appeal is the charisma of Seagal and his aikido movements to disarm his foes.
Steven Seagal, whether you love him or loathe him, he's the martial arts action hero that just won't go away. That's partially the premise of "Hard to Kill," the 1990 vehicle obviously meant to throw the pony-tailed, then-sixth-degree Aikido black belt into the action foray with Schwarzenegger, Stallone and Norris, but missed a few steps along the way and it would be another two years after when Seagal would find success in 1992's "Under Siege."
It's true that Seagal has yet to make a perfect film in his thoroughly uneven and distinguished career, but "Hard to Kill" certainly ranks as one of his best and one of my personal favorite pictures of the actor. Two years after breaking and busting the heads of corrupt CIA agents as Nico Toscani in his electrifying 1988 debut "Above the Law," Seagal returns not as the pony-tailed Toscani but as Mason Storm, the most unstoppable cop SOB that ever lived.
After getting home movie footage of an aspiring political candidate (Bill Sadler) conspiring with shadowy underworld types on tape, Storm is tracked down by corrupt cops and nameless and faceless goons and they shotgun the unstoppable SOB into a seven-year coma while also wiping out his wife and young son. O'Malley (Frederick Coffin), Storm's dedicated Internal Affairs friend, whisks him away into a coma-care unit under the assumed name of "John Doe."
Seven years later, Storm awakens and with the help of gorgeous nurse Andy Stewart (Seagal's then real-life, lovestruck wife Kelly Le Brock, who manages to catch peaks at our hero's anatomy), he trains intensely to regain his strength using the Oriental healing arts, renews his Aikido skills, and sharpens his eyes with that good ol' police-issue. All this culminating in some very nasty, neck-breaking, arm-twisting action.
As somewhat mis-directed by Bruce Malmuth and written by Steven McKay, "Hard to Kill" is undoubtedly one of the actor's most competently skilled performances because he's able to rise above the average material and make it his own. The problem may be with Seagal though. He snaps a few wrists and what's this? - he throws out one-liners - most of which are quite corny and fall flat on their face and simply put aren't Seagal's strong points. His strengths are in the arm-snapping and finger-breaking.
But still, Seagal's fists of fury are at their best (because that's what he does best) because this time around, he's mad and it's wise to not get characters played by Steven Seagal mad. Pretty soon after Storm has regained his skills and strength, the corrupt cops and goons that put him into his coma come back to finish the job. And this time, he's ready.
The action begins to pick up about half-way through and from there on in it's non-stop, which is true Seagal fashion, if you get my drift. But with "Hard to Kill," it's the seven-year Storm, and there's no letting up.
6/10
It's true that Seagal has yet to make a perfect film in his thoroughly uneven and distinguished career, but "Hard to Kill" certainly ranks as one of his best and one of my personal favorite pictures of the actor. Two years after breaking and busting the heads of corrupt CIA agents as Nico Toscani in his electrifying 1988 debut "Above the Law," Seagal returns not as the pony-tailed Toscani but as Mason Storm, the most unstoppable cop SOB that ever lived.
After getting home movie footage of an aspiring political candidate (Bill Sadler) conspiring with shadowy underworld types on tape, Storm is tracked down by corrupt cops and nameless and faceless goons and they shotgun the unstoppable SOB into a seven-year coma while also wiping out his wife and young son. O'Malley (Frederick Coffin), Storm's dedicated Internal Affairs friend, whisks him away into a coma-care unit under the assumed name of "John Doe."
Seven years later, Storm awakens and with the help of gorgeous nurse Andy Stewart (Seagal's then real-life, lovestruck wife Kelly Le Brock, who manages to catch peaks at our hero's anatomy), he trains intensely to regain his strength using the Oriental healing arts, renews his Aikido skills, and sharpens his eyes with that good ol' police-issue. All this culminating in some very nasty, neck-breaking, arm-twisting action.
As somewhat mis-directed by Bruce Malmuth and written by Steven McKay, "Hard to Kill" is undoubtedly one of the actor's most competently skilled performances because he's able to rise above the average material and make it his own. The problem may be with Seagal though. He snaps a few wrists and what's this? - he throws out one-liners - most of which are quite corny and fall flat on their face and simply put aren't Seagal's strong points. His strengths are in the arm-snapping and finger-breaking.
But still, Seagal's fists of fury are at their best (because that's what he does best) because this time around, he's mad and it's wise to not get characters played by Steven Seagal mad. Pretty soon after Storm has regained his skills and strength, the corrupt cops and goons that put him into his coma come back to finish the job. And this time, he's ready.
The action begins to pick up about half-way through and from there on in it's non-stop, which is true Seagal fashion, if you get my drift. But with "Hard to Kill," it's the seven-year Storm, and there's no letting up.
6/10
A police officer staking out drug-lords, videotapes an ambitious senator to be's dirty dealings with the mob and suffice to say gunmen come a gunning for him and his family a few hours later, this puts our cop in a coma and when he awakens seven years later, it's time for revenge. Hard To Kill is one of Seagal's better action flicks, it contains all the akidio and mean spirited breaking of arms but also the story is stronger and Seagal is in excellent form. The one liners are somewhat cheesy but Hard To Kill works on a visceral level and one doesn't go in expecting more.
* *1/2 out of 4-(Pretty good)
* *1/2 out of 4-(Pretty good)
Did you know
- TriviaSteven Seagal and Kelly LeBrock were married at the time this movie was made.
- GoofsMason isn't filming at all when Senator Trent steps into the light. He is instead trying to adjust the camera. The Senator shouldn't be on tape, therefore.
- Quotes
Senator Vernon Trent: You can take that to the bank!
Mason Storm: I'm gonna take you to the bank, Senator Trent. To the blood bank!
- Alternate versionsThe Australian free to air version was edited for television with some violent scenes and f words edited to meet the standards for a M classification to be screen at 8:30am. Later broadcasts relaxed their standards with some screenings later classified AV or AV15+.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Difícil de matar
- Filming locations
- Saddlerock Ranch - 32111 Mulholland Highway, Malibu, California, USA(country estate where Storm recuperates, and where he escapes from later in the film)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $11,500,000 (estimated)
- Gross US & Canada
- $47,410,827
- Opening weekend US & Canada
- $9,213,631
- Feb 11, 1990
- Gross worldwide
- $47,410,827
- Runtime
- 1h 36m(96 min)
- Aspect ratio
- 1.85 : 1
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