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The Affairs of Anatol

  • 1921
  • Unrated
  • 1h 57m
IMDb RATING
6.6/10
1.4K
YOUR RATING
Wallace Reid and Gloria Swanson in The Affairs of Anatol (1921)
ComedyDrama

Socialite Anatol Spencer seeks a better relation than he has with his wife. He sets up the friend of his youth Emilie in an apartment and she two-times him; he comforts near-suicidal Annie a... Read allSocialite Anatol Spencer seeks a better relation than he has with his wife. He sets up the friend of his youth Emilie in an apartment and she two-times him; he comforts near-suicidal Annie and she robs him.Socialite Anatol Spencer seeks a better relation than he has with his wife. He sets up the friend of his youth Emilie in an apartment and she two-times him; he comforts near-suicidal Annie and she robs him.

  • Director
    • Cecil B. DeMille
  • Writers
    • Arthur Schnitzler
    • Jeanie Macpherson
  • Stars
    • Wallace Reid
    • Gloria Swanson
    • Elliott Dexter
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    1.4K
    YOUR RATING
    • Director
      • Cecil B. DeMille
    • Writers
      • Arthur Schnitzler
      • Jeanie Macpherson
    • Stars
      • Wallace Reid
      • Gloria Swanson
      • Elliott Dexter
    • 21User reviews
    • 2Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos36

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    Top cast26

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    Wallace Reid
    Wallace Reid
    • Anatol Spencer
    Gloria Swanson
    Gloria Swanson
    • Vivian Spencer - Anatol's Wife
    Elliott Dexter
    Elliott Dexter
    • Max Runyon
    Bebe Daniels
    Bebe Daniels
    • Satan Synne
    Monte Blue
    Monte Blue
    • Abner Elliott
    Wanda Hawley
    Wanda Hawley
    • Emilie Dixon
    Theodore Roberts
    Theodore Roberts
    • Gordon Bronson
    Agnes Ayres
    Agnes Ayres
    • Annie Elliott
    Theodore Kosloff
    Theodore Kosloff
    • Mr. Nazzer Singh - Hindu Hypnotist
    Laura Anson
    • Vivian's Maid
    • (uncredited)
    Alma Bennett
    Alma Bennett
    • Chorus Girl
    • (uncredited)
    William Boyd
    William Boyd
    • Guest
    • (uncredited)
    Shannon Day
    Shannon Day
    • Chorus Girl
    • (uncredited)
    Julia Faye
    Julia Faye
    • Tibra
    • (uncredited)
    Elinor Glyn
    Elinor Glyn
    • Bridge Player
    • (uncredited)
    Winter Hall
    Winter Hall
    • Dr. Johnston
    • (uncredited)
    Raymond Hatton
    Raymond Hatton
    • Great Blatsky - Violin Teacher
    • (uncredited)
    Fred Huntley
    Fred Huntley
    • Stage Manager
    • (uncredited)
    • Director
      • Cecil B. DeMille
    • Writers
      • Arthur Schnitzler
      • Jeanie Macpherson
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews21

    6.61.4K
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    10

    Featured reviews

    8Igenlode Wordsmith

    Well worth seeing

    This film is great fun, and often -- and I think intentionally, as in the 'Satan Synne' segment -- very funny: "an extravagant story that never by any chance could be taken seriously," as one contemporary reviewer approves. It's hard to sympathise with spoiled wife Vivian at first (a hard-edged performance by Gloria Swanson), but as the film goes on we start to realise that she does have a point.

    This being a de Mille film, the costumes are of course fantastic; although it's actually not Swanson, the famous 'clothes-horse', who gets the best dresses here. Production values are elsewhere very high, as well, extending into beautifully-drawn title cards (in one case, with a live-action car actually driving across it!) and a lot of sacrificed furniture, while frankly, those jewelled flowers look almost worth losing a lover over...

    But it's not all gloss and enjoyable silliness. There's some fine acting on display as well, not least from Wallace Reid as the well-meaning 'Tony' whose halo begins progressively to slip -- and, in a couple of telling little scenes, from Elliott Dexter as the overlooked best friend. (The little scene over the chessboard is a perfect illustration of the power of the silent screen: everything made explicit without a word.)

    The picture's stage heritage shows up mainly in a few over-long title cards, where plot points are conveyed in one long 'speech'; at almost two hours in duration, it's also unbalanced in the direction of the first half, which could almost stand as a film on its own without its briefer 'sequels'. If Emilie is not to have a film of her own, there is perhaps a little too much time devoted to her.

    But "The Affairs of Anatol" is well worth seeing -- not least, as an eye-opener for those like myself who associate C.B. de Mille with vast Biblical epics. This piece of froth and frivolity has more of the charm of a Harold Lloyd movie minus the slapstick; one can really see why 'handsome Wallace Reid' was a star; and there are just enough well-judged moments of genuine feeling among the spectacle and satire to make us care about the various minor players.
    10strsfgold

    One of my favorites...

    I know some may find me an oddball for this but I consider The Affairs of Anatol a masterpiece of silent cinema.

    Gloria Swanson is one of my favorite actresses and she's remarkable as always in this one. But I wouldn't see Affairs for just her alone, her part is rather small compared to the ones she had in Don't Change Your Husband and Why Change Your Wife? However, even though she doesn't get as much screen time, she's still amazing and in my honest opinion, she steals every scene she's in. Her elegant wardrobe and sophisticated aura makes her the star. Wallace Reid is great too and watching him, you never would have guessed he was towards the end of his life. He seemed very strong and handsome to me, although I haven't seen him in much (sadly).

    Anatol (Reid) and his wife, Vivian (Swanson) are a pretty happy married couple until Anatol starts developing the habit of wanting to rescue women with no morals from their fate. This film is long but it HAS to be to fit it all in! We travel with Anatol and Vivian through many adventures that continuously test their marriage and happiness.

    The cast is absolutely fabulous! Many, many good actors and actresses here. Obviously, Gloria Swanson and Wallace Reid. Then we have delightful Bebe Daniels as Satan Synne, a vampish woman with a heart of gold deep down. Also, there's the wonderful, unique and sadly underrated Raymond Hatton who has a short appearance as a violin teacher. Pretty and talented Agnes Ayres plays a country "good girl" and the great character actor Theodore Roberts plays a mean ol' millionaire. Others in the cast worth mentioning are Monte Blue, Wanda Hawley, Elliott Dexter and Theodore Kosloff.

    This movie is stunning visually and is gorgeous to look at. Beautiful tints and a score that works with the film like butter works with bread. The costumes and sets are to die for and the whole thing just screams DeMille. TCM shows this film every now and then but I wouldn't wait that long. For Gloria and DeMille fans this is a MUST.
    5arneblaze

    Entertaining though overlong social comedy

    The plot and an analysis is elsewhere here well done with Ron Oliver's review. Suffice to say that the hand-tinted titles and the sepia-toned film itself, hinting at reds along with its browns are a real joy to behold. Seeing so many luminaries in one film is also a treat - Reid, Swanson, Moran, Daniels, Ayres.

    However, the film could easily have been a half hour shorter with less wear and tear on the viewer and with virtually little loss in the morality tale or sense of the work. It's all enjoyable but it does drag a bit.

    Grapevine and Kino both have excellent prints. Important for its director and his non-epic style as well as for the presence of Reid and Swanson, but far from a great or important film.
    6wes-connors

    Tempted by the Fruit of Another

    Wallace Reid (as Anatol Spencer) is a wealthy newlywed who is oddly attracted to various women other than his wife - specifically: Wanda Hawley (as Emilie), Agnes Ayres (as Annie), and Bebe Daniels (as Satan Synne!). Gloria Swanson (as Vivian) is the wife who seems to develop a roving eye of her own as the running time progresses. BUT, are "The Affairs of Anatol" really affairs, or just a series of titillating temptations?

    DeMille's work with mirrors is on display, with the director inserting a skeleton image of Mr. Reid in one scene. Reid was a very big star when this film was released (one of the most popular actors in the world); and, though this isn't really representative, it's nice to see him. Of the leading ladies, I enjoyed Ms. Ayres over the others, because her simple scenes with Monte Blue seem so ORDINARY when contrasted with the rest of the goings-on.

    DeMille's unlikely mix of titillation, religiosity, and heavy-handed message is obviously in full flower. While there are no performances for the ages, the scenes with Swanson being hypnotized by Theodore Kosloff are fun. Elliott Dexter (as Max Runyon) is the film's best supporting actor; keep a sharp eye on his closing scenes as he'll reveal, through his performance, the affair you might not have been expecting…

    ****** The Affairs of Anatol (9/25/21) Cecil B. DeMille ~ Wallace Reid, Gloria Swanson, Bebe Daniels, Elliott Dexter
    7secondtake

    A man, blinded by his need to be good, he can't help but get in trouble

    The Affairs of Anatol (1921)

    A long, involved, romantic and slightly moralizing movie about a really good hearted man caught between two women. That's the reason to watch it, that and Gloria Swanson in the lead as the wife. The other woman (Wanda Hawley) is a bit of a siren, and our good fellow is trying to be a charitable fellow with her, and only gets himself in trouble. She plays him like a child.

    The year, 1921, is just at the point where the silent film is solidifying and getting sophisticated in a modern sense. There is still a lot of static (fixed) camera in this one (even though one of the photographers was the legendary Karl Struss). This puts the emphasis on the acting, which rises to the occasion. The copy I saw had some great hand colored title cards and some scenes that were toned in rich yellows or other colors, which made it all quite fun. The conflict between the two women, and the intrusion of another man or two, make this a classic soap opera kind of drama, well done and clear enough to follow once you get the basic flow. There are sort of two halves, and the second part out in the country is a nice shift even though the theme remains similar.

    Of interest? The director, Cecil B. De Mille, had a hugely influential and long career, and this is toward the beginning, and it shows his tendency to find the popular themes that audiences would connect with, rather than push technical or aesthetic boundaries. Some might call him a populist, interest above all in success, but he was an expert director who knew how to make a movie really coherent, handling the story and actors with precision and a sympathetic feel. And the subject matter here is actually a bit edgy--a married man hanging out with a woman in her most intimate spaces. The play of the "bad" woman against the "good" one is a little expected, of course, but it's such a heartwrenching problem for this nice guy who just wants to help (or so he says), it's painfully enjoyable to watch.

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    Related interests

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    Drama

    Storyline

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    Did you know

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    • Trivia
      Gloria Swanson admitted in an interview decades later that Wallace Reid's drug addiction scared her while they were making this film, and she avoided socializing with him because of it.
    • Goofs
      In the flashback sequence where Emilie is on a swing and two mirrors are set up to give repeated reflections of the action, the cameraman bending over his camera is visible a few times when the swing moves out of the way.
    • Quotes

      Anatol Spencer: Let's not kiss any more, dear, until after breakfast.

    • Alternate versions
      Film Preservation Associates copyrighted a version in 1999 with a music score compiled and performed by Brian Benison. It was produced for video by David Shepard and ran 117 minutes.
    • Connections
      Edited into Don't Tell Everything (1921)

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    Details

    Edit
    • Release date
      • September 25, 1921 (United States)
    • Country of origin
      • United States
    • Language
      • None
    • Also known as
      • Anatol: Five Kisses
    • Production company
      • Paramount Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 57m(117 min)
    • Sound mix
      • Silent
    • Aspect ratio
      • 1.33 : 1

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