The Electric House

Graduation day at P.U. finds Buster Keaton's character graduating with a degree in botany. He is seated next to a girl graduating with a degree in cosmetology and a man with a degree in electrical engineering. The dean (Big Joe Roberts) asks for someone to take on the job of wiring his house for electricity while he is away on vacation. Just prior to this the diplomas get scrambled and Keaton winds up with the engineering one. Thus, the job winds up going to him. The dean drives away from his home with Keaton sitting at the curb diligently reading "Electricity Made Easy". When the dean returns Keaton has wired the house in only a way that Buster could devise making heavy use of automated trains - Keaton's favorite prop. The plot is complicated when the guy with the actual engineering degree shows up at the dean's house in search of revenge.

Buster always said that if he hadn't been a comedian he would have liked to have been an engineer, and shorts like this one show he had a real talent for both. Highly recommended.

A lot of Keaton's comedies feature a scene or two filled with creative and wacky gadgets that make you laugh and make you marvel at his inventiveness, all at the same time. This short comedy is entirely devoted to this kind of eccentric gadgetry, and while that means there isn't much of a plot, it's fun to watch. There's a subtle, funny mix-up at the beginning that results in Buster being entrusted with filling up a man's house with whatever electronic devices he can think of, and he really goes to it. "The Electric House" is a funny place to visit.

A wonderfully inventive companion piece to The Scarecrow, this mechanical comedy by Keaton often makes me wonder if it isn't possible to go back in time and hire Keaton to design a house for me.

Due to a mix-up of diplomas, the young hair-stylist character of Keaton is asked to wire a mansion with electricity. Spending a moment with a book on "Wiring Made Easy" and the mansion owner's vacation time, Keaton devises escalators, train-propelled dishwashers, and all the neat little gadgets and tricks that "surprise" them (whether or not any of these flourishes are needed, of course, adds its own amount of humor to the equation).

Of course it's not like we can have everything just go well like that, so the rejected and jealous actual electrical engineer decides one fateful day to wreak vengeance upon the circuitry. It's then a trip of mayhap and mayhem as the hosting family tries to entertain guests, Keaton tries to figure out what's wrong, and bodies, dishes, and pool balls go flying amiss.

The appealing result is a good chuckle. It's definitely not as amazingly inventive as The Scarecrow (which is absolutely mind-boggling in its mechanical genius), but it does the job and does it well. It also doesn't really end the way you come to expect of Keaton. All in all, however, it's a pretty good time.

--PolarisDiB

Buster Keaton stars as botany major who is mistaken as electrical engineer, and who is hired to wire up a house with the newest gadgets, while the owner of the house is on a vacation with his family. After returning home Buster starts to familiarize the house owners with new gadgets. But then Buster's big rival, the guy who got robbed of his job, arrives and starts to sabotage the house, and soon the chaos escalates.

Most of the gags feature some of the electrical gadgets, rather than neck breaking stunts, but still the film is funny as the jokes are as inventive as the electrical systems of the house.

What makes The Electric House such a must-see Keaton short is curiously not the showcasing of the great man himself but that of the technical prowess of his technical director Fred Gabourie. Gabourie had built The Boat and worked with Keaton since 1920's One Week, which was the one with the ingenious portable house, and he would progress with Keaton from the shorts to the features. But never were the technical gadgets Keaton used and Gabourie had to make work practically better displayed than in The Electric House. Keaton really lets Gabourie's gadgets take centre stage here and it is a chance to marvel at a master at work.

In a strange way it's almost too brilliant because the laughs don't really play as well. Whereas in One Week or The Boat the gadgets and physical comedy worked in perfect harmony in The Electric House Keaton lets the film get a bit bogged down in watching the gadgets at work.

Nevertheless in these days of CGI and visual cheats it is stunning to see these practical effects in full flow. Gabourie was clearly a genius, one whose name deserves to be held in the same light as practical effects masters like Willis O'Brien, Ray Harryhausen and Stan Winston.