Untamed

From her first scenes looking bronzed as a Tahitian as she sings and dances on the beach at night, to the porcelain aristocratic beauty she presents later in the film, Joan Crawford shines in a role that she seems born to play. The film combines melodrama and comedy to bizarre contrast, and features a number of choice supporting performances (and accents!) Young and handsome Robert Montgomery plays the object of Crawford's affection, and such is the level of her love that when she is told that "the woods are full of men like him", she replies, "take me to the woods." This film also might show her earliest use of a Crawford trademark prop, the revolver.

Both leads were perfectly cast in the silly romance Untamed. Joan Crawford played a wild gypsy, who, after being exposed to civilization for the first time, still acts like a savage beast. Robert Montgomery plays a refined society playboy who falls for Joan's beauty and tries to kindly educate her with better manners. She tries to scare off female competition, and Bob tells her she just can't go around threatening to punch people in the nose. "Why not?" she asks.

In her early, very pretty days, Joan eats up her scenes with energy and hilarious melodrama. The film itself is very dated, so I can't imagine anyone wanting to watch it unless they're a fan of the cast. Nowadays, it's looked at as misogynistic to try and tame a woman's wild impulses and get her to act like a "lady". But in 1929, it was very funny to watch the glamorous Joan Crawford embarrass herself in polite society. Give this movie a watch if you like her early days, and you'll be rewarded with a couple of dance numbers, as well as a song from Robert Montgomery!

Yet another one of those late 1920s - early 1930s "a poor man cannot possibly marry a rich woman because everyone will think he's doing it for her money only" movies. It's a bit of inconsequential trivia, and overlong to boot (85 minutes), but it's fun to watch a young, beautiful Joan Crawford as a fiery Latin America wildcat - cum - New York society girl, and Robert Montgomery already shows in this early role why he was one of the best leading men of his era. The film does feature one sequence that I've never seen before: an impromptu boxing match (complete with ring and bell) in the middle of a high-society party! And although the ending is predictable, the means by which we get there are not. ** out of 4.

"Bingo" is exactly the word! This film hits all the right spots and its not all about Joan Crawford, who simply sparkles. I fell totally in love with her character!

It is not by accident that IMDb lists 107 films by Director Jack Conway between 1912 and 1948. This was his 72nd film according to that chronology and his expertise shows. I found it thoroughly engrossing and continuously entertaining. I laughed aloud often -- some really great gags and a fine early sit-com.

I don't know much about the writer Charles E. Scoggins, but co-writer Sivia Thalberg is credited with 15 films and is the sister of Irving Thalberg. That ought to tell you this film deserves close attention. Don't allow yourself to think of it as "cornball" and just engross yourself in it. You won't be disappointed.

One of the first MGM soundies full of music, dance, drama and Joan Crawford! The early Crawford personality emerges as a feisty, likable, love-of-life character and she is wonderful! She is so different from her later 50's and 60's roles. If you have not viewed any of Crawford's silent movies or the early soundies, you should consider it. You can see the emergence of her acting abilities and even peg some of her acting characteristics that she carried with her throughout her entire 50 year career. Ernest Torrence is an engaging father figure, a marvelous character actor. Robert Montgomery (who appeared with JC six times) is the love interest torn between culture and animal. Lloyd Ingraham appears as the Crawford character's father early on. A must-see for film lovers interested in viewing early sound films.