IMDb RATING
7.4/10
2.3K
YOUR RATING
Ollie can't find his hat, much to the amusement of his wife and maid. Then Ollie and Stan attempt to install a rooftop radio antenna.Ollie can't find his hat, much to the amusement of his wife and maid. Then Ollie and Stan attempt to install a rooftop radio antenna.Ollie can't find his hat, much to the amusement of his wife and maid. Then Ollie and Stan attempt to install a rooftop radio antenna.
Russell Custer
- Bus Passenger
- (uncredited)
Betty Danko
- Bus Passenger
- (uncredited)
Dorothy Granger
- Tillie - The Hardys' Maid
- (uncredited)
- …
Fay Holderness
- Mrs. Hardy
- (uncredited)
Charles McMurphy
- Streetcar Conductor
- (uncredited)
Cy Slocum
- Bus Passenger
- (uncredited)
Joy Winthrop
- Bystander
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Oliver is having memory problems and is losing stuff which causes a fight with his wife. In a strop she demands he put up the aerial so her radio can pick up stations from Japan. Stan comes round and is enticed by the chance to hear Japan that he offers to help put the aerial up on the roof. However with two men on the job the chances of accidents doubles!
After a seemingly pointless and confusing start this short settles down to be a very enjoyable film that has good routines that sound basic but are very well executed and are, more importantly, very funny. The opening title card talks about Hardy losing his memory and Laurel never having had one to lose. There is then a short scene where hardy can't find his hat and then the whole amnesia thing is forgotten as the film moves to the aerial plot. It gets much better at this point and is very funny.
Although really it is simply a list of ways for one of the characters to fall down - it is done well and some of the bits are clever. The final sequence of the film is the best and must have been the most difficult to film. As always it is the delivery of the lead duo who make the material work (and last over decades). They do sterling work here as always my favourite is Hardy. In this short more than others you can see him when he jumps up in frustration and points his fingers into the air it reminds me so much of modern characters (such as George from Seinfeld) and it shows what an influence they have had.
Although on paper this doesn't sound that inspired I assure you that, if you enjoy the comedy of Laurel and Hardy, that you'll find much to enjoy here. But even if you are yet to discover them this is a fine example of their talents before they progressed from shorts into features.
After a seemingly pointless and confusing start this short settles down to be a very enjoyable film that has good routines that sound basic but are very well executed and are, more importantly, very funny. The opening title card talks about Hardy losing his memory and Laurel never having had one to lose. There is then a short scene where hardy can't find his hat and then the whole amnesia thing is forgotten as the film moves to the aerial plot. It gets much better at this point and is very funny.
Although really it is simply a list of ways for one of the characters to fall down - it is done well and some of the bits are clever. The final sequence of the film is the best and must have been the most difficult to film. As always it is the delivery of the lead duo who make the material work (and last over decades). They do sterling work here as always my favourite is Hardy. In this short more than others you can see him when he jumps up in frustration and points his fingers into the air it reminds me so much of modern characters (such as George from Seinfeld) and it shows what an influence they have had.
Although on paper this doesn't sound that inspired I assure you that, if you enjoy the comedy of Laurel and Hardy, that you'll find much to enjoy here. But even if you are yet to discover them this is a fine example of their talents before they progressed from shorts into features.
This movie shows what Laurel & Hardy shorts are all about. Crazy situations, silly antics and some crazy stunts.
This short is truly one of the best from Stan Laurel and Oliver Hardy. The story is very simple and basically only serves as a lame excuse to make the boys do some crazy things and to get them into some (unlikely) silly situations. The movie becomes absolutely hilarious due to its simpleness. The comical slapstick situations are top-class and absolutely hilarious to watch. The movie is fast paced which makes this movie an almost non-stop constantly laugh filled one.
The situations and troubles the two boys get into this time are highly original. The movie and its story might be simple but its comical situations are not. They are well build up, executed and timed.
This is what Laurel & Hardy is all about! One of their best and most typical shorts. An absolute must-see!
9/10
http://bobafett1138.blogspot.com/
This short is truly one of the best from Stan Laurel and Oliver Hardy. The story is very simple and basically only serves as a lame excuse to make the boys do some crazy things and to get them into some (unlikely) silly situations. The movie becomes absolutely hilarious due to its simpleness. The comical slapstick situations are top-class and absolutely hilarious to watch. The movie is fast paced which makes this movie an almost non-stop constantly laugh filled one.
The situations and troubles the two boys get into this time are highly original. The movie and its story might be simple but its comical situations are not. They are well build up, executed and timed.
This is what Laurel & Hardy is all about! One of their best and most typical shorts. An absolute must-see!
9/10
http://bobafett1138.blogspot.com/
After having seen just about every short Laurel and Hardy made together, I have noticed that the most of the best films are the ones with very simple and mundane plots. Films such as DIRTY WORK, HELP MATES and HOG WILD simply have the pair cleaning house or fixing things, yet they sure milk it for all its worth. I think one of the reasons I love these films is that they aren't cluttered with co-stars or difficult plots and just allow the pair to be the lovable and klutzy characters we've come to love.
Here, Ollie's wife tells him to install a radio aerial on the roof so they can get better reception and THEN he can go have fun with Stan. For any halfway normal person, this would have been a rather quick job--and so naturally the boys nearly kill themselves as well as manage to destroy much of the house! The film ends with a tough to believe but well-filmed sequence where Ollie is stuck on a ladder and Stan accidentally starts the car. Unlike lousy driving sequences such as in COUNTY HOSPITAL where the studio used cheap and unrealistic rear projection to make the driving sequence, here it's filmed for real--though of course stunt doubles were used for the distant shots. This scene and the final shot were quite well done and worked well with the prior house demolition scenes--providing many laughs and no serious lulls. Funny and right to the point.
Here, Ollie's wife tells him to install a radio aerial on the roof so they can get better reception and THEN he can go have fun with Stan. For any halfway normal person, this would have been a rather quick job--and so naturally the boys nearly kill themselves as well as manage to destroy much of the house! The film ends with a tough to believe but well-filmed sequence where Ollie is stuck on a ladder and Stan accidentally starts the car. Unlike lousy driving sequences such as in COUNTY HOSPITAL where the studio used cheap and unrealistic rear projection to make the driving sequence, here it's filmed for real--though of course stunt doubles were used for the distant shots. This scene and the final shot were quite well done and worked well with the prior house demolition scenes--providing many laughs and no serious lulls. Funny and right to the point.
A lot of people consider "Way Out West" or "Sons of the Desert" or even "Flying Deuces" to be Laurel and Hardy's funniest film, but I consider this short to be the most amusing thing they ever did. From the simplest plot--Ollie and Stan try to hang a radio antenna--comes some of the funniest situations imaginable. Everything that could go wrong does, usually with Ollie blaming Stan, Stan getting emotional, and havoc ensuing. L&H had to turn out several shorts every year, so some are funny and others are indifferent at best. This time, all the elements came together wonderfully. Hopefully "Hog Wild" will wind up on DVD before they disappear. Someway, somehow, find this and watch it.
"Hog Wild" is not only one of Laurel & Hardy's best films, it's simply one of the greatest shorts ever made. Give the boys a simple situation, let 'em milk twenty minutes worth of inspired gags out of it and you have a damn near perfect comedy.
In this 1930s short, Laurel & Hardy are planning to put up an aerial, ("Mrs Hardy wants to get Japan!"). That is all there is to say about the story; what we get is Laurel & Hardy playing with tools, Ollie being pestered by his wife and a hilarious slapstick finale which manages to remain completely in character. With about 18 minutes of pantomime and 2 minutes of dialogue, "Hog Wild" represents Laurel & Hardy at their absolute best. And we know how good that is!
In this 1930s short, Laurel & Hardy are planning to put up an aerial, ("Mrs Hardy wants to get Japan!"). That is all there is to say about the story; what we get is Laurel & Hardy playing with tools, Ollie being pestered by his wife and a hilarious slapstick finale which manages to remain completely in character. With about 18 minutes of pantomime and 2 minutes of dialogue, "Hog Wild" represents Laurel & Hardy at their absolute best. And we know how good that is!
Did you know
- TriviaThe leggy girl lifting her skirt as she attempts to navigate a puddle of water as Stan approaches Ollie's house is Dorothy Granger, who also portrays the Hardys' maid.
- GoofsWhen Stan and Ollie are sitting in the lily pond after the chimney has fallen on them, you can see one of the fake bricks floating in the water.
- Quotes
Mrs. Hardy: [runs up to Ollie] Oh Oliver darling, this is terrible.
Ollie: Oh, don't cry over me, dear. I'm not hurt.
Mrs. Hardy: I'm not crying over you. The man came and took the radio away.
[sobs]
- Alternate versionsThere is also a colorized version.
- ConnectionsAlternate-language version of Pêle-Mêle (1930)
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Aerial Antics
- Filming locations
- 4175 Madison Avenue, Culver City, California, USA(Hardy's house)
- Production company
- See more company credits at IMDbPro
- Runtime
- 19m
- Color
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