County Hospital

As we all know Stan Laurel does not do well in a crisis, especially those of his own making. Just a simple act of kindness visiting his good buddy Oliver Hardy in the hospital causes mayhem in the hospital and also out on the road.

By the way do any of you doubt the reason that Ollie is in the hospital in that contraption with a broken leg is because Stan did something to cause it?

Anyway the highlight of this is poor Ollie hung up with his leg still in the cast while Dr. Billy Gilbert is hanging out the high window at the same time. Poor befuddled Laurel can't figure out what to do.

William Austin playing his usual silly twit Englishman is Ollie's roommate and I have to say that the boys and Hal Roach were most generous giving Gilbert and Austin their share of laughs.

In the end a tranquilizer kicks in as Stan is driving Ollie home. What havoc is wrought.

One of their funniest short subjects.

This is a very funny and watchable Laurel and Hardy short. Ollie has been injured and Stan, like a pal, comes to visit and cheer him up. However, from the minute he arrives, Stan creates havoc--driving the staff mad and torturing Ollie in the process. I particularly liked how his playing with the counterweight to Ollie's broken leg resulted in Ollie's doctor being launched out the window! As a result, Stan AND Ollie are ejected from the hospital. The final driving sequence is the low-point, as at times it looked VERY fake, but the final scene makes this screwup forgivable. This film is good fun and only a crusty old curmudgeon would dislike it.

By the way, I am rather shocked to say that there is a better hospital comedy starring Billy Gilbert (who was also in COUNTY HOSPITAL). NIFTY NURSES is a mostly forgotten musical comedy that frankly is head and shoulders above this Laurel & Hardy film. While I adore Stan and Ollie, this other film is the funniest hospital short I've seen--better than COUNTY HOSPITAL and the Three Stooges' MEN IN BLACK.

With Hardy laid up in hospital with a broken leg, Laurel decides to pay him a visit, brining with him a gift of nuts and hard boiled eggs. He finds a relaxed and worry free Hardy, however the chaos the unwitting Laurel unleashes unto an unprepared hospital threatens to change all that.

The feeling of being a bit forced prevents this short from being considered Laurel and Hardy at their best. An example of what I mean is evident in the first few moments, Laurel finding Hardy's room gives rise to a little confusion but Laurel overplays his normal/confused/normal expression switches and for no real reason. Likewise many of the jokes are things they know work, but have to force to fit. There are some funny bits that are both subtle (Laurel eating the egg) or physical (hanging out the window) or climactic (the drive home) and most of them are good but it doesn't feel as fresh and lively as it often has.

Laurel overplays but Hardy is as good as ever. He is given less to do than he should have been and the film is allowed to rest too heavily on Laurel, but both still do pretty well. Overall this is an enjoyable short but feels like they are were lacking ideas and were treading water a tad for this one. That said, Laurel and Hardy treading water is often still better than many modern comedians who struggle to have an output of 1 or 2 films a year, never mind L&H's output!

There is a scene in James Parrot's short County Hospital, which stars Stan Laurel and Oliver Hardy, where, upon visiting his best friend Hardy in the hospital, Laurel sits idly, salting a hard-boiled egg and eating it. There's no joke, there's no real punchline, and there's no real purpose; it's about as literal as a scene could get. If only there was a way to tell the late writer H.M. Walker along with Parrot and Laurel that they may have fundamentally erected the popular idea/concept of anti-humor all the way back in 1932.

Although it does feature crisp sound and dialog, County Hospital is still so much a Laurel and Hardy short because of the fact it is more about situational humor than dialog-driven humor. Some readers of mine may mistake the idea that I have a disdain for situational humor, although, when I see the humor done smoothly and humorously, that couldn't be further from the truth. Laurel and Hardy knew what they wanted to accomplish and that was the concept of slapstick, silly humor. The wise-cracking, satirical humor that could make you laugh and ponder was left to Charlie Chaplin and the Marx brothers, which could arguably be why their films come to mind quicker than most Laurel and Hardy films do, on the topic of classic comedy films.

The short concerns Laurel arriving to the hospital to comfort Hardy after he received a broken leg, which already feels like the sequel to another one of their shorts gone awry. He brings hard-boiled eggs and nuts - to which Hardy replies with the sole line that essentially sums up the characters in each of their shorts - but Hardy realizes that while Laurel means well, he consistently causes trouble for the both of them. Hardy cannot remember the last time he endured such a restful experience, with two more months in a hospital bed to go, but Laurel ruins all of that with his well-meaning but trouble-causing actions.

County Hospital's only burden is its atrociously fake scene involving a sleepy Laurel trying to drive a vehicle with Hardy in the backseat, a scene that is understandable given the thought of the technological limitations of the early 1930's along with the short's budgetary issues. It's little bother; the film that was made instead was a fun piece of work, with self-referential gags and questionably pioneering ones as well.

Starring: Stan Laurel and Oliver Hardy. Directed by: James Parrot.

This is one of the Laurel & Hardy comedies that show how resourceful they could be in getting the most out of the limited resources within a confined setting. Most of the gags work well, and only a somewhat uneven finale keeps it from being among the better of their two-reel comedies.

The simple story setup has Oliver in the "County Hospital" as a patient in traction, with Stanley stopping by to visit. You would hardly expect that anyone could get into so much trouble in a confined space, but they come up with a lot of comedy ideas, from hard-boiled eggs to the traction equipment, and more, with a couple of particularly good ones.

The climactic sequence is a bit hard to figure, because the back projection so obviously does not match the main footage. It's so much out of sync that you almost wonder whether it was done deliberately for the sake of comic effect, or whether it had to be left that way due to limits on time or money. In any case, this is a funny comedy with a few bits that are quite good.