A rich and famous singer disguises himself as a waiter in order to be near the woman he loves, a European princess.A rich and famous singer disguises himself as a waiter in order to be near the woman he loves, a European princess.A rich and famous singer disguises himself as a waiter in order to be near the woman he loves, a European princess.
Charles Arnt
- Higgins - Paul's Valet
- (as Charles E. Arnt)
Louise Carter
- Charity Lady
- (uncredited)
Lorinne Crawford
- Dancer
- (uncredited)
Mary Flynn
- Young Yacht Guest
- (uncredited)
Donald Gray
- Young Yacht Guest
- (uncredited)
Robert Klein
- Cloche
- (uncredited)
Cromwell McKechnie
- Paul's Secretary
- (uncredited)
Albert Petit
- Paul's Waiter
- (uncredited)
Featured reviews
Successful singer Bing Crosby is in Monte Carlo on his yacht. He's trying to purchase one of the pistols given by Catherine the Great to John Paul Jones so he can donate it to the US Naval Academy. Russian princess Kitty Carlisle isn't interested in selling. Crosby winds up serving her and her entourage -- Roland Young, Reginald Owen, and Alison Skipworth -- dinner, so they insist on his being their regular waiter. Crosby falls in love with her immediately, and they're broke. The usual complications ensue. Crosby is is very comfortable in his playing, Young is fine, Owen is adequate, Miss Skipworth is wasted, and Miss Carlisle.... well, she's pretty.
There's a pretty good bunch of songs, including the premiere of "Love Is Just Around The Corner" for Crosby to perform. Miss Carlisle sings a Russian song. Supporting performers include William Frawley, Cecilia Parker, Akim Tamiroff and Arthur Housman. It's a pleasant vehicle for Crosby.
There's a pretty good bunch of songs, including the premiere of "Love Is Just Around The Corner" for Crosby to perform. Miss Carlisle sings a Russian song. Supporting performers include William Frawley, Cecilia Parker, Akim Tamiroff and Arthur Housman. It's a pleasant vehicle for Crosby.
Playing J. Paul Jones certainly was no stretch for Bing Crosby. After all, Jones is supposed to be a world famous crooner and radio star...just like he was. Hopefully, otherwise Crosby wasn't too much like this sap!
So why did I call Jones a sap? Well, while at a hotel, he sees and instantly falls in love with a Russian princess (Kitty Carlisle)...even thought she'd never give such a 'commoner' the time of day. So, he pretends to be a waiter and even buys the hotel to be near her and her band of moochers...a bunch of dirt poor ex-royals. Considering she's a bit haughty and these Russians don't pay their bills, you wonder why Jones is so smitten...which is THE big problem with the movie. If you love royalty and think they are somehow better than the rest of us, the film works much better. I just thought these folks were jerks and could never exactly understand why Jones cared about any of them...which is a problem with a romantic comedy. Crosby is fine in the role...but I just think the writing was fair at best.
So why did I call Jones a sap? Well, while at a hotel, he sees and instantly falls in love with a Russian princess (Kitty Carlisle)...even thought she'd never give such a 'commoner' the time of day. So, he pretends to be a waiter and even buys the hotel to be near her and her band of moochers...a bunch of dirt poor ex-royals. Considering she's a bit haughty and these Russians don't pay their bills, you wonder why Jones is so smitten...which is THE big problem with the movie. If you love royalty and think they are somehow better than the rest of us, the film works much better. I just thought these folks were jerks and could never exactly understand why Jones cared about any of them...which is a problem with a romantic comedy. Crosby is fine in the role...but I just think the writing was fair at best.
Ever hear the phrase "They don't make 'em like that anymore"? Unfortunately, this delightful bit of charming musical whimsey is so far removed from our brutal, jaded, modern world that the recipe for making such films is probably lost forever. But then, that's part of what makes Here Is My Heart so appealing. It's a slice of movie past that to 21st century sensibilities may appear to come from some lovely, secluded, lost place in time.
Bing Crosby somehow deftly owns the film, despite sharing the screen with such veteran scene stealers as Roland Young and Reginald Owen, who are at their best here. The fact that Bing was arguably at his vocal peak as a singer certainly helps, as he proves why he was the number one male vocalist for two decades, flawlessly crooning "June In January" and "With Every Breath I Take". But it's the way he commands the screen with little visual bits of business that is a revelation. This type of love story was Der Bingle's stock in trade prior to his Father O'Malley days, and it's evident why he rose quickly to the list of top ten box office stars during the 1930s. Sadly, most of his films from this period are sitting in vaults somewhere, gathering dust.
Be sure to catch this charmer of a movie if and when the opportunity arises.
Bing Crosby somehow deftly owns the film, despite sharing the screen with such veteran scene stealers as Roland Young and Reginald Owen, who are at their best here. The fact that Bing was arguably at his vocal peak as a singer certainly helps, as he proves why he was the number one male vocalist for two decades, flawlessly crooning "June In January" and "With Every Breath I Take". But it's the way he commands the screen with little visual bits of business that is a revelation. This type of love story was Der Bingle's stock in trade prior to his Father O'Malley days, and it's evident why he rose quickly to the list of top ten box office stars during the 1930s. Sadly, most of his films from this period are sitting in vaults somewhere, gathering dust.
Be sure to catch this charmer of a movie if and when the opportunity arises.
Here Is My Heart is another escapism romantic flick during the Great Depression intended to show poor audiences that rich people are frivolous and silly. So is the rest of this film.
Bing Crosby is a bored millionaire who falls in love with a princess, Kitty Carlisle, but due to being in the wrong place at the wrong time, she thinks he's a waiter. To have a little fun, Bing plays along and pretends he's a penniless servant; Kitty wants nothing to do with him. My question is, why does he want anything to do with her? Can't he recognize she's snobby and make a play for someone else? Apparently not, and if you don't like Kitty, you're not going to like this movie.
In a hilarious scene, Bing listens to a record of his own recording of "It's June in January", sings harmony with himself, and after listening to a high note, comments to the recording, "Ah, you made it!" When Bing is by himself or coming up with funny schemes with his buddy, Roland Young, the movie isn't that bad, but Kitty is just too much of a one-dimensional villainess and tends to ruin the scenes she's in. If you do end up liking this one, though, check out We're Not Dressing, which is very similar.
Bing Crosby is a bored millionaire who falls in love with a princess, Kitty Carlisle, but due to being in the wrong place at the wrong time, she thinks he's a waiter. To have a little fun, Bing plays along and pretends he's a penniless servant; Kitty wants nothing to do with him. My question is, why does he want anything to do with her? Can't he recognize she's snobby and make a play for someone else? Apparently not, and if you don't like Kitty, you're not going to like this movie.
In a hilarious scene, Bing listens to a record of his own recording of "It's June in January", sings harmony with himself, and after listening to a high note, comments to the recording, "Ah, you made it!" When Bing is by himself or coming up with funny schemes with his buddy, Roland Young, the movie isn't that bad, but Kitty is just too much of a one-dimensional villainess and tends to ruin the scenes she's in. If you do end up liking this one, though, check out We're Not Dressing, which is very similar.
This film had been thought of as lost for about half a century when apparently Kathryn Crosby must have been rummaging through some closets and announced that Bing had a copy of this formerly lost film of his.
It was restored and back in the early 1990s I saw the newly restored version with my friend Scott Barton and hosting the film was its co-star, Kitty Carlisle. It was a great afternoon.
And the film was well worth saving. Songwriters Leo Robin and Ralph Rainger gave Crosby, It's June In January and With Every Breath I Take to sing and Robin teamed up with Lewis Gensler for Love Is Just Around the Corner. All three songs were good selling records for Bing and a particular favorite of mine has always been With Every Breath I Take. He sang these a few times during the film both solo and as duets with Carlisle.
The records incidentally were the first movie songs and almost the first songs Crosby recorded for the brand new Decca record label. Although Decca signed many artists, Crosby was their number one artist for 20 years. Decca and Crosby were virtually synonymous.
No acting stretch here in terms of character. Crosby plays a rich crooner. Jokes about his wealth were a staple in Bob Hope's repertoire, although Hope did pretty good in that department as well. In 1934 Crosby was accumulating his fortune, but he wasn't near the point where as Hope once said, "he doesn't pay taxes, he just calls up the Treasury and asks how much they need."
Like many rich people and some not so rich Bing was collecting his toys in this film and he had one pistol in a matched set of dueling pistols that once belonged to John Paul Jones. Bing wants to get the set and donate them to the Naval Academy. Problem is that the other one belongs to Kitty Carlisle who is an exiled Russian princess living in Monte Carlo with her retinue which consists of Roland Young, Alison Skipworth and Reginald Owen. Essentially these people live off her selling her possessions and they're getting fewer and fewer.
So Bing goes off to Monte Carlo meets Carlisle and the fun begins. A standard criticism I have of Crosby's films is that Paramount shot them on the cheap, especially his musical numbers. It would have been great if Paramount had actually shot the thing in Monte Carlo, but to be fair, no studio in Hollywood would have gone those lengths in 1934. Twenty years later Paramount did go to Monte Carlo for a movie and the result was To Catch A Thief. Here Is My Hear would have been as special as that film had they done that and with color to boot.
This was also the first film Crosby did with William Frawley who appeared in several of his films. Frawley was one of film land's great misanthropic alcoholics and by all accounts not a nice man to know. Crosby and a lot of Hollywood gave up on him, until Desi Arnaz saved him from oblivion and gave him a fresh career as Fred Mertz.
Kitty Carlisle said that Crosby was a difficult man to know for her. He came to the studio, did his business and left. If he had his druthers, Bing would have been out on the golf course. But she enjoyed the two films she did with him. When I saw Here Is My Heart it was playing with Murder At the Vanities and she had not much good to say about her leading man Carl Brisson in that one.
One ironic tragedy. The film centered around Crosby trying to acquire antique dueling pistols. Crosby's crooning rival Russ Columbo was killed by an antique dueling pistol that summer around the time Here Is My Heart would have been in the theaters. A year before Columbo had visited Bing on the set of We're Not Dressing where Crosby's co- star was Carole Lombard who was linked to Columbo at the time.
Here Is My Heart was well worth saving. I guess we should all be grateful to Kathryn Crosby for doing her spring cleaning.
It was restored and back in the early 1990s I saw the newly restored version with my friend Scott Barton and hosting the film was its co-star, Kitty Carlisle. It was a great afternoon.
And the film was well worth saving. Songwriters Leo Robin and Ralph Rainger gave Crosby, It's June In January and With Every Breath I Take to sing and Robin teamed up with Lewis Gensler for Love Is Just Around the Corner. All three songs were good selling records for Bing and a particular favorite of mine has always been With Every Breath I Take. He sang these a few times during the film both solo and as duets with Carlisle.
The records incidentally were the first movie songs and almost the first songs Crosby recorded for the brand new Decca record label. Although Decca signed many artists, Crosby was their number one artist for 20 years. Decca and Crosby were virtually synonymous.
No acting stretch here in terms of character. Crosby plays a rich crooner. Jokes about his wealth were a staple in Bob Hope's repertoire, although Hope did pretty good in that department as well. In 1934 Crosby was accumulating his fortune, but he wasn't near the point where as Hope once said, "he doesn't pay taxes, he just calls up the Treasury and asks how much they need."
Like many rich people and some not so rich Bing was collecting his toys in this film and he had one pistol in a matched set of dueling pistols that once belonged to John Paul Jones. Bing wants to get the set and donate them to the Naval Academy. Problem is that the other one belongs to Kitty Carlisle who is an exiled Russian princess living in Monte Carlo with her retinue which consists of Roland Young, Alison Skipworth and Reginald Owen. Essentially these people live off her selling her possessions and they're getting fewer and fewer.
So Bing goes off to Monte Carlo meets Carlisle and the fun begins. A standard criticism I have of Crosby's films is that Paramount shot them on the cheap, especially his musical numbers. It would have been great if Paramount had actually shot the thing in Monte Carlo, but to be fair, no studio in Hollywood would have gone those lengths in 1934. Twenty years later Paramount did go to Monte Carlo for a movie and the result was To Catch A Thief. Here Is My Hear would have been as special as that film had they done that and with color to boot.
This was also the first film Crosby did with William Frawley who appeared in several of his films. Frawley was one of film land's great misanthropic alcoholics and by all accounts not a nice man to know. Crosby and a lot of Hollywood gave up on him, until Desi Arnaz saved him from oblivion and gave him a fresh career as Fred Mertz.
Kitty Carlisle said that Crosby was a difficult man to know for her. He came to the studio, did his business and left. If he had his druthers, Bing would have been out on the golf course. But she enjoyed the two films she did with him. When I saw Here Is My Heart it was playing with Murder At the Vanities and she had not much good to say about her leading man Carl Brisson in that one.
One ironic tragedy. The film centered around Crosby trying to acquire antique dueling pistols. Crosby's crooning rival Russ Columbo was killed by an antique dueling pistol that summer around the time Here Is My Heart would have been in the theaters. A year before Columbo had visited Bing on the set of We're Not Dressing where Crosby's co- star was Carole Lombard who was linked to Columbo at the time.
Here Is My Heart was well worth saving. I guess we should all be grateful to Kathryn Crosby for doing her spring cleaning.
Did you know
- TriviaOriginally developed as a vehicle for Gary Cooper and Elissa Landi, but Cooper changed his mind after deciding that a love story about a duchess and a waiter wasn't for him and turned down the role. The parts were eventually given to Bing Crosby and Kitty Carlisle.
- Quotes
Countess Rostova: Who do you think was in my bedroom?
Nicki, aka Prince Nickolas: I can't imagine.
- ConnectionsReferenced in Movie Melodies on Parade (1936)
Details
- Release date
- Country of origin
- Language
- Also known as
- The Duchess and the Waiter
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 17m(77 min)
- Color
- Aspect ratio
- 1.37 : 1
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