While trying to impress a woman, a man stumbles upon an idea that would double the profits of gas stations. Being rebuffed by the woman's father, he takes his idea to a rival company, who hi... Read allWhile trying to impress a woman, a man stumbles upon an idea that would double the profits of gas stations. Being rebuffed by the woman's father, he takes his idea to a rival company, who hires him and runs his competition out of business.While trying to impress a woman, a man stumbles upon an idea that would double the profits of gas stations. Being rebuffed by the woman's father, he takes his idea to a rival company, who hires him and runs his competition out of business.
Barry Livesey
- George Hamlin
- (as Barrie Livesey)
Louie Emery
- Mrs.Tremlett
- (uncredited)
Alec Finter
- Man Refusing to Employ Peter
- (uncredited)
Janet Fitzpatrick
- Girl
- (uncredited)
Arthur Hambling
- First Duped Waiter
- (uncredited)
Anthony Holles
- Tony
- (uncredited)
Jack Lambert
- Card Player
- (uncredited)
Maire O'Neill
- Tenement Mother
- (uncredited)
Percy Walsh
- Brent - Hatch's Colleague
- (uncredited)
Naunton Wayne
- Man Refusing to Help Peter
- (uncredited)
Townsend Whitling
- Blue Point Executive
- (uncredited)
Millicent Wolf
- Glenda
- (uncredited)
George Zucco
- Proprietor of the Maison de Paris
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Wonderful writing is what makes this comedy something special. This is just great storytelling. The film is charming and it offers a slate of characters that are very likable.
Ian Hunter plays the part of Peter Middleton, an optimist who is suffering in the challenging economy, but always believes he will find a way to survive to the next day. He runs into a poor runaway named Billy (John Singer), and takes the kid under his wing. Now more motivated to find economic stability for the two of them, he sets off to ply his talents as a deal-maker. A misunderstanding results in an opportunity for Peter. And he meets Cynthia Hatch (Nancy O'Neil) with whom there is instant chemistry.
Watch for Muriel George who plays the part of Mrs. Badger; she is delightful as the landlady with a tender heart.
I would love for someone to remake this film and flesh it out a little, with modern references.
Ian Hunter plays the part of Peter Middleton, an optimist who is suffering in the challenging economy, but always believes he will find a way to survive to the next day. He runs into a poor runaway named Billy (John Singer), and takes the kid under his wing. Now more motivated to find economic stability for the two of them, he sets off to ply his talents as a deal-maker. A misunderstanding results in an opportunity for Peter. And he meets Cynthia Hatch (Nancy O'Neil) with whom there is instant chemistry.
Watch for Muriel George who plays the part of Mrs. Badger; she is delightful as the landlady with a tender heart.
I would love for someone to remake this film and flesh it out a little, with modern references.
I was just about floored with this wonderful movie! Utterly charming and engaging cast...starting with that little mudlark that really sparks the entire show, Johnny Singer. He reminds me of a combination of that wonderful English actor in "The Mudlark" and the Italian actor in Katherine Hepburn's "Summertime".
I must say that even though the plot is familiar, something that rings fresh and true really captivated me about this movie. Ian Hunter and Nancy O'Neil were just perfect, in my opinion. And the funny parts were simply delightful.
TCM must simply show more of these wonderful movies! Thank you, Robert Osborne and TCM!
I must say that even though the plot is familiar, something that rings fresh and true really captivated me about this movie. Ian Hunter and Nancy O'Neil were just perfect, in my opinion. And the funny parts were simply delightful.
TCM must simply show more of these wonderful movies! Thank you, Robert Osborne and TCM!
I call this a relic not because it is old. Oh no: Old movies are my thing. Nor because it has been essentially unknown in the United States until now, though that is interesting.
It's because the mores have changed distinctly in 73 years. This relates to the little boy we first see in the film. He is a street orphan and is touchingly written, acted -- and directed, though what else would one expect from the great Michael Powell? Ian Hunter, quite charming as a loafer from a higher class, finds him on the street. He is down on his luck too; so he takes the boy under his wing. The first thing that would not pass muster with censors and/or would upset some viewers today is that he rents a room and has this child share it with him. Oh my! What a scandal that would create! And in addition, he makes pajamas for the child from the softhearted landlady's rug.
Then, when things look up, he seems to have hired the child to work for the car company where he's wangled a job. (The film is primarily about his romance with the daughter of an auto magnate and his change in fortune.) The boy wears a uniform, no less! Child labor laws would make such employment for a little boy unacceptable.
The acting is excellent throughout. The young woman, the boy, the landlady -- all are good. And Hunter shows himself a much more interesting actor than his roles in Kay Francis vehicles a few years hence would have suggested.
It's because the mores have changed distinctly in 73 years. This relates to the little boy we first see in the film. He is a street orphan and is touchingly written, acted -- and directed, though what else would one expect from the great Michael Powell? Ian Hunter, quite charming as a loafer from a higher class, finds him on the street. He is down on his luck too; so he takes the boy under his wing. The first thing that would not pass muster with censors and/or would upset some viewers today is that he rents a room and has this child share it with him. Oh my! What a scandal that would create! And in addition, he makes pajamas for the child from the softhearted landlady's rug.
Then, when things look up, he seems to have hired the child to work for the car company where he's wangled a job. (The film is primarily about his romance with the daughter of an auto magnate and his change in fortune.) The boy wears a uniform, no less! Child labor laws would make such employment for a little boy unacceptable.
The acting is excellent throughout. The young woman, the boy, the landlady -- all are good. And Hunter shows himself a much more interesting actor than his roles in Kay Francis vehicles a few years hence would have suggested.
What an absolutely delightful find! According to Robert Osborne of TCM, these "quota quickies" were made by Warner Brothers at their Teddington Studios in England in order to comply with a British law requiring that a certain percentage of films shown there be domestic products. It's the story of an upper-class, but broke, ne'er-do-well (Ian Hunter) who hooks up with a street urchin (John Singer). The chemistry between the two is marvelous, and they are supported by a fine cast, including Nancy O'Neil as the love interest, Peter Gawthorne as her father and Muriel George as the landlady. The film is fast-paced and replete with snappy dialog. It's charming, funny and touching.
It's always interesting to experience the work of an artist before he really comes into his own, and so this little gem from director Michael Powell is a welcome addition to our knowledge of the man's genius. He has a boldness of vision, a sureness of hand, and an audacity far ahead of its time. Particularly telling are the way he cuts from one thread of the story to another. Not a single scene is one frame too long. Notice how, at the end, the scene of the butler closing the door as he just begins his knowing smile is suddenly interrupted by the final scene of the boy on the phone. A director with less moxie might be inclined to hold that butler scene a little longer so the audience can get all warm and sentimental, but not Powell. He knows he's got us where he wants us, and it's time to move on. A better story (hey, where'd that nice landlady go?) and a bit better acting (by which I mean, less American style acting) could possibly have garnered a few more stars, but it isn't important for a "quota quickie." I enjoyed it simply for what it was -- a lark.
Did you know
- TriviaDirected by Michael Powell, Something Always Happens (1934) is one of 23 "quota quickies" he was hired to helm for Teddington Studios, all of which were typically one-hour features needed to satisfy a legal requirement that cinemas in England exhibit a certain quota of British movies.
The film's producer Irving Asher was an American who oversaw film production at Warner Brothers' British Studios. According to Powell in his autobiography, "A Life in Movies," Irving "had to make about 20 films a year to fulfill his British quota ... He went back to California each year with the head of his scenario department, raided the story department at Burbank and came back to Teddington with perhaps 50 scripts that had already been turned into films by those satanic mills and were already playing at Palaces and flea-pits all around the world, many of them with big stars like Bette Davis, Edward G. Robinson and James Cagney. Everything was run like a machine at Burbank and the average length of a script was 80 pages ... All that Irving had to do was hand the script to his story department, who cut it down to 50 pages and handed it over to a director like me. This was how tight little dramas like my Crown v. Stevens (1936), or comedies like "Something Always Happens"... arrived on the British screen. I made six or seven of these for Irving, slotting them in between other assignments. Jerry [Jackson] and he, both young Americans both in the quota-quickie business, were good friends. They carved me up between them, dovetailing their schedules so that I could work for both of them."
- GoofsWhen Peter pushes over the fruit cart vendor and goes to duck through a doorway, a clear moving shadow of the boom microphone is visible to the left of the doorway.
- Quotes
Mrs. Badger: You'll get no food in this house until the rent's paid!
- SoundtracksSpin a Little Web of Dreams
(uncredited)
Music by Sammy Fain
Played at the restaurant when Peter pours champagne for Cynthia and himself
Details
- Release date
- Country of origin
- Language
- Also known as
- Succede sempre qualcosa
- Filming locations
- 12 St. Jame's Square, London, England, UK(Cynthia gets out of her Bently and enters here)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 9m(69 min)
- Color
- Aspect ratio
- 1.37 : 1
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