Going Highbrow

I was really full of anticipation before i viewed this film.What a great cast,full of great comedy actors from the 30s.I was about to uncover a forgotten masterpiece.How wrong i was.This was an extremely lame comedy,of the sort spawned by production requirements that one film a week be shipped out to the theatres.It just goes to show that you can have great talents but if you do not have a good script there is no likelihood that you will have a good film.Guy Kibee as usual plays a business man flirting with a younger woman,Zasu Pitts as so often plays the fretful wife and Edward Everett Horton plays Edward Everett Horton.Ross Alexander sings,if that is his own voice,a rather pleasant song.So the best that you can say about this film is that at 66 minutes it doesn't linger around too long.

Guy Kibbee made a lot of money in the stock market in 1929 when his broker sold when Kibbee told him to buy. Now he spends some of that money granting his wife's wishes. Her latest is to break into New York society. Matron Nella Walker is down to her residences and the furnishings, but she still has prestige. So Edward Everett Horton suggests they can enter society by marrying Miss Walker's son, Ross Alexander, to their daughter.

They don't have a daughter, but Kibbee has taken a shine to June Martell, the waitress in the diner he likes to eat at. They fit her up as their daughter and throw a party to introduce her to Alexander, not knowing they've already met, and Alexander is smitten.

It's a Cinderella story, with Kibbee's checkbook serving as a magic wand. Although it occasionally gets a bit tiresome by its reliance on Horton's nitwittery, there's enough of the old-style Warner Brothers' rapid-fire editing to keep this moving along amusingly.

If you like the silly comedies of the 30s then check this movie out.

Everybody is good in this movie but Edward Everett Horton steals the show. He is excellent.

ZaSu Pitts is also top notch. But as I say all the actors show their stuff in this funny uptown romp.

From Warner Brothers B picture unit Going Highbrow finds the newly rich Guy Kibbee and Zasu Pitts trying to break into that beautiful high society Louis Armstrong sang about. In fact they've just bought a Tintoretto and then a castle for it to hang in.

For reasons historians of the 30s can't really explain people went to the movies to see rich people portrayed on the screen. In this case Kibbee is a down to earth sort and Pitts is nice, but with a few airs. I do love the way Kibbee describes how he made his money. He accidentally sold short before the Crash of 1929 something many in the movie theater audience wish they had.

Edward Everett Horton is manager of society denizen Nella Walker's fortune and he hasn't been doing so good lately for her or her son Ross Alexander. But he resolves to make the acquaintance of Kibbee and Pitts because if they like paintings she has plenty.

She also has a bachelor son and if Guy and Zasu only could get a daughter on short notice. That could be solved with the appearance of June Martel a waitress from the cafe across the street.

I think you can tell where this will end up. All the players fill out roles in which they are nicely typecast. You could also add Judy Canova playing Martel's fellow hashslinger.

Two tragedies emerged from this film. Gordon Westcott who is Martel's 'husband' and former vaudeville partner died in a polo match accident. And Ross Alexander's career was cut short by suicide.

Going Highbrow is pleasant viewing for an hour plus especially if you are a fan of one or more of these players.

ZaSu Pitts and Guy Kibee are Kansans with money. We meet them as they've gotten off a ship in New York. Pitts wants publicity for their wealth. She wants a place in New York society, too.

Enter Edward Everett Horton. He has a plan to get them recognized. He will have a female acquaintance sponsor them -- for a price.

This is a comedy with few surprises, but I won't give any of them away.

Suffice it to say you haven't heard anything till you've heard Horton sing a love duet from "rigoletto" with Ross Alexander! Alexander plays the rich woman's freewheeling son.

The script is filled with gay double-entendres. These are both spoken (or sung!) and visual: At one point, Alexander is lifted in the air and appears in a very position position -- legs in the air. (Watch it and see for yourself.) The great Judy Canova is in it too. And can you believe it? She doesn't sing a note!