If You Could Only Cook

Herbert Marshall is quite charming as an automobile tycoon who chances upon unemployed, nearly-homeless Jean Arthur in the park; he conceals his true identity and lands them both jobs at the home of a wealthy racketeer (he as the butler, she as the cook); however, his impending marriage to a society girl might put an end to the charade. Whimsical fluff, silly yet put over with so much professionalism that one isn't apt to complain too loudly. Arthur creates a likable character and has some very cute scenes (especially her cooking audition with the garlic). Her conversation with Marshall early on about "200 people for every one job" is still remarkably relevant in the 21st century, though this thin premise is nearly stretched to the breaking point. Worth-seeing for the performances, and fans of nutty '30s comedies will surely enjoy it. **1/2 from ****

Am being very serious about that. After seeing a lot of good but not great films, mixed bags and mediocrities or less recently in the comedy genre (and with melodramas), it was refreshing to have a comedy with a story that sounds silly on paper and not have the most appetising of titles (my opinion) that was actually very good. Even being very close to being a gem, if anybody getting into older films and screwball types of comedy and wants to know what the fuss is about, 'If You Could Only Cook' is a very good representation.

Saw it because of liking Jean Arthur and this type of comedy. Herbert Marshall is more hit and miss for me but it does depend on the role, he did have great meaty characters in his career but also dull ones that don't give him enough to work with. Have always tried, something that has been said frequently, to appreciate comedy of all kinds and decades, from the sophisticated and witty kind to the more daring kind to the broader kind (while tending to not care that much for the crude type, which tends for my liking to be distasteful). 'If You Could Only Talk' is a good example of one of my personal favourite types.

Is 'If You Could Only Cook's' story quite thin, even for the short running time, and tends to be quite silly? Sure, with a finale that is somewhat on the far-fetched side.

Len Carillo tends to overact a bit, but seems to be having fun.

Marshall though really lets himself go and is restrained and delectable but also amusing. Arthur is even better, cute as a button without being sickly sweet with sparkling comic timing. They have a very warm and affectionate chemistry together, actually think they work well as a romantic pairing, bouncing off each other very entertainingly. Lionel Stander provides a few of the film's best laughs with ease and is never less than very funny, really liked how he used his voice. The direction is assured and doesn't sleepwalk or lets things get strained.

Dialogue sparkles just as much as Arthur's comic timing, maybe even more so. It is some of the best and funniest writing for any comedy seen recently and always treats the viewer with respect. The story has a lively energy and also is respectful and is easy to follow, it is not a perfectly executed story by any stretch but there is enough spark and charm to it. The characters don't bore or irritate while the production values are suitably slick.

Overall, very good and refreshing. Very close to being a gem, let down a little only by some imperfect storytelling and one performance that doesn't completely work. 8/10

James Buchanan and Joan Hawthorne meet on a park bench one day. Buchanan is sulking away about his impending marriage which is sure to be a loveless one, while Hawthorne is perusing the job vacancy adverts in the paper completely baffled by her lack of suitability for all the positions. Once the pair strike up a conversation it becomes apparent that both of them could help each other if they are prepared to take a risk, the risk would mean posing as a husband and wife team and entering the service of Mike Rossini, but little do they know that Rossini is something of a local wise guy, love and gangsters.......interesting.

If You Could Only Cook slips firmly into the category of films that deserve to be called charming, simple in structure and honest in its intent, it's a most enjoyable piece that leaves a long and warm impression after the initial viewing. There are many different reasons why so many old black and white pictures get termed classics, with one of the main instances being the ability to have longevity of entertainment values. It only really becomes apparent with a film such as this when you compare it with the more modern day romantic comedies, where today's directors and writers are prepared to force the issue with star appeal and cloying scripts, here the makers are fresh with zippy dialogue and charm personified.

Jean Arthur is Joan, a wonderful bone structured face and a lovely fulsome figure, she's a smashing actress that carries off the required romantic humour with consummate ease. Playing off her with equally excellent results is Herbert Marshall as James, many other actors could do no worse than to watch Marshall when they want guidance in the art of line delivery, peachy and carrying a great presence, Marshall remains a sadly undervalued old time performer. Villain duties fall to Leo Carrillo {Rossini} and the wonderful Lionel Stander as henchman Flash, while all the supporting members come up to the requisite charming standards. But ultimately it's a team achievement across the board, from the writing to the wink at the end of the piece, If You Could Only Cook is a smashing film that makes one feel all the more richer for having sat thru it. 8/10

The Austin Film Society showed this entertaining old film last week on election night. The receptive audience found laughs in many lines that still seem current, especially about unemployment, the want ads and being broke.

Jean Arthur looked lovely in this movie, and Herbert Marshall was perfect. What a wonderful voice that man had! My husband thinks that his walk may have inspired C3PO's formal motions, although the robot had a metal leg, not a wooden one like Mr. Marshall's.

Lionel Stander was already in full bellow, many decades before 'Hart to Hart', and Leo Carillo was a treat as the gangster employer. It was a surprise to hear them use the term 'wise guy' for a prospective member - I didn't realize it was already being used back then.

Auto titan Jim Buchanan is in a league with Henry Ford but in the dumps over an impending marriage to a cold fiancé and Luke warm reception to his latest models. Disconsolate, he finds himself sharing a park bench with Joan Hawthorne (Jean Arthur) a Depression victim in need of work. Unaware of Buchanan's status she gets him to agree to be a butler to her cook in order to attain employment with a wealthy mobster (Leo Carrillo). Seems they only want married couples. With everyone being less than upfront comic confusion reigns.

If Only You Could Cook is a spry enough comedy with plenty of charm supplied by Herbert Marshall and Jean Arthur ably supported by the abrasive comic turns of mobsters Leo Carrillo and especially Lionel Stander who threatens to steal the picture. Director William Seiter assembles economically, as he sums up Buchanan's dual predicament in under ten minutes before encountering Hawthorne and focusing on the couple for the rest of the picture, the first hint of romance between them a brief harmless interlude with the ruse still playing itself out. By removing extraneous characters and situation he leaves it up to the four leads to carry the pace of this benign comedy in which they more than succeed.