IMDb RATING
7.0/10
1.6K
YOUR RATING
An executive lets an attractive cook talk him into taking a job as butler.An executive lets an attractive cook talk him into taking a job as butler.An executive lets an attractive cook talk him into taking a job as butler.
- Director
- Writers
- Stars
Frieda Inescort
- Evelyn Fletcher
- (as Frieda Inescourt)
Mariska Aldrich
- Swedish Cook
- (uncredited)
William Anderson
- Newsboy
- (uncredited)
John Ardell
- Member of Board of Directors
- (uncredited)
William Arnold
- Second Inspector
- (uncredited)
William Begg
- Wedding Guest
- (uncredited)
Wyrley Birch
- Minister
- (uncredited)
Joan Blair
- Kate
- (uncredited)
Ralph Brooks
- Wedding Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
7.01.5K
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Featured reviews
Charming B&W comedy with WiseGuys
The Austin Film Society showed this entertaining old film last week on election night. The receptive audience found laughs in many lines that still seem current, especially about unemployment, the want ads and being broke.
Jean Arthur looked lovely in this movie, and Herbert Marshall was perfect. What a wonderful voice that man had! My husband thinks that his walk may have inspired C3PO's formal motions, although the robot had a metal leg, not a wooden one like Mr. Marshall's.
Lionel Stander was already in full bellow, many decades before 'Hart to Hart', and Leo Carillo was a treat as the gangster employer. It was a surprise to hear them use the term 'wise guy' for a prospective member - I didn't realize it was already being used back then.
Jean Arthur looked lovely in this movie, and Herbert Marshall was perfect. What a wonderful voice that man had! My husband thinks that his walk may have inspired C3PO's formal motions, although the robot had a metal leg, not a wooden one like Mr. Marshall's.
Lionel Stander was already in full bellow, many decades before 'Hart to Hart', and Leo Carillo was a treat as the gangster employer. It was a surprise to hear them use the term 'wise guy' for a prospective member - I didn't realize it was already being used back then.
Utterly charming--they certainly don't make them like this any more!
This is a rather simple plot for a film, but due to exceptional writing, deft direction and the winning acting of Herbert Marshall and Jean Arthur, it's a wonderful movie. This is a great old romantic film that would be great to see with someone you love.
Marshall plays the CEO of a huge car manufacturing company. When his ideas are rejected by the board, he gets annoyed with the business. At about the same time, he meets Arthur, who has no idea he's a rich big-shot. She actually thinks he's an out of work schnook and convinces him to apply to a job with her--she as a cook and he as a butler in the same household. Since Ms. Arthur is so charming and sweet, he agrees and neither she nor the employer know his true calling. Later, this misunderstanding REALLY gets out of hand, but I don't want to spoil the film by explaining further.
The bottom line is that the freshness and delightful nature of the film make up for the fact that the plot line is pretty hard to believe. Unless you are an old grouch or hate old films (people like this need to be shot), you will like this film.
Interestingly, the film was so good that Columbia Pictures' president, Harry Cohn, tried a "fast one". Since Frank Capra worked at the studio and was now famous for IT HAPPENED ONE NIGHT (having practically swept the Oscars) and since IF YOU ONLY COULD COOK was such a sweet film, it was marketed as a Capra Film--even though Capra had NOTHING to do with it!! As a result, Capra sued and Cohn nearly lost his job until it was all smoothed over and tempers subsided.
Marshall plays the CEO of a huge car manufacturing company. When his ideas are rejected by the board, he gets annoyed with the business. At about the same time, he meets Arthur, who has no idea he's a rich big-shot. She actually thinks he's an out of work schnook and convinces him to apply to a job with her--she as a cook and he as a butler in the same household. Since Ms. Arthur is so charming and sweet, he agrees and neither she nor the employer know his true calling. Later, this misunderstanding REALLY gets out of hand, but I don't want to spoil the film by explaining further.
The bottom line is that the freshness and delightful nature of the film make up for the fact that the plot line is pretty hard to believe. Unless you are an old grouch or hate old films (people like this need to be shot), you will like this film.
Interestingly, the film was so good that Columbia Pictures' president, Harry Cohn, tried a "fast one". Since Frank Capra worked at the studio and was now famous for IT HAPPENED ONE NIGHT (having practically swept the Oscars) and since IF YOU ONLY COULD COOK was such a sweet film, it was marketed as a Capra Film--even though Capra had NOTHING to do with it!! As a result, Capra sued and Cohn nearly lost his job until it was all smoothed over and tempers subsided.
If only this film was better known
Am being very serious about that. After seeing a lot of good but not great films, mixed bags and mediocrities or less recently in the comedy genre (and with melodramas), it was refreshing to have a comedy with a story that sounds silly on paper and not have the most appetising of titles (my opinion) that was actually very good. Even being very close to being a gem, if anybody getting into older films and screwball types of comedy and wants to know what the fuss is about, 'If You Could Only Cook' is a very good representation.
Saw it because of liking Jean Arthur and this type of comedy. Herbert Marshall is more hit and miss for me but it does depend on the role, he did have great meaty characters in his career but also dull ones that don't give him enough to work with. Have always tried, something that has been said frequently, to appreciate comedy of all kinds and decades, from the sophisticated and witty kind to the more daring kind to the broader kind (while tending to not care that much for the crude type, which tends for my liking to be distasteful). 'If You Could Only Talk' is a good example of one of my personal favourite types.
Is 'If You Could Only Cook's' story quite thin, even for the short running time, and tends to be quite silly? Sure, with a finale that is somewhat on the far-fetched side.
Len Carillo tends to overact a bit, but seems to be having fun.
Marshall though really lets himself go and is restrained and delectable but also amusing. Arthur is even better, cute as a button without being sickly sweet with sparkling comic timing. They have a very warm and affectionate chemistry together, actually think they work well as a romantic pairing, bouncing off each other very entertainingly. Lionel Stander provides a few of the film's best laughs with ease and is never less than very funny, really liked how he used his voice. The direction is assured and doesn't sleepwalk or lets things get strained.
Dialogue sparkles just as much as Arthur's comic timing, maybe even more so. It is some of the best and funniest writing for any comedy seen recently and always treats the viewer with respect. The story has a lively energy and also is respectful and is easy to follow, it is not a perfectly executed story by any stretch but there is enough spark and charm to it. The characters don't bore or irritate while the production values are suitably slick.
Overall, very good and refreshing. Very close to being a gem, let down a little only by some imperfect storytelling and one performance that doesn't completely work. 8/10
Saw it because of liking Jean Arthur and this type of comedy. Herbert Marshall is more hit and miss for me but it does depend on the role, he did have great meaty characters in his career but also dull ones that don't give him enough to work with. Have always tried, something that has been said frequently, to appreciate comedy of all kinds and decades, from the sophisticated and witty kind to the more daring kind to the broader kind (while tending to not care that much for the crude type, which tends for my liking to be distasteful). 'If You Could Only Talk' is a good example of one of my personal favourite types.
Is 'If You Could Only Cook's' story quite thin, even for the short running time, and tends to be quite silly? Sure, with a finale that is somewhat on the far-fetched side.
Len Carillo tends to overact a bit, but seems to be having fun.
Marshall though really lets himself go and is restrained and delectable but also amusing. Arthur is even better, cute as a button without being sickly sweet with sparkling comic timing. They have a very warm and affectionate chemistry together, actually think they work well as a romantic pairing, bouncing off each other very entertainingly. Lionel Stander provides a few of the film's best laughs with ease and is never less than very funny, really liked how he used his voice. The direction is assured and doesn't sleepwalk or lets things get strained.
Dialogue sparkles just as much as Arthur's comic timing, maybe even more so. It is some of the best and funniest writing for any comedy seen recently and always treats the viewer with respect. The story has a lively energy and also is respectful and is easy to follow, it is not a perfectly executed story by any stretch but there is enough spark and charm to it. The characters don't bore or irritate while the production values are suitably slick.
Overall, very good and refreshing. Very close to being a gem, let down a little only by some imperfect storytelling and one performance that doesn't completely work. 8/10
The cook, the butler and the gangster.
Auto titan Jim Buchanan is in a league with Henry Ford but in the dumps over an impending marriage to a cold fiancé and Luke warm reception to his latest models. Disconsolate, he finds himself sharing a park bench with Joan Hawthorne (Jean Arthur) a Depression victim in need of work. Unaware of Buchanan's status she gets him to agree to be a butler to her cook in order to attain employment with a wealthy mobster (Leo Carrillo). Seems they only want married couples. With everyone being less than upfront comic confusion reigns.
If Only You Could Cook is a spry enough comedy with plenty of charm supplied by Herbert Marshall and Jean Arthur ably supported by the abrasive comic turns of mobsters Leo Carrillo and especially Lionel Stander who threatens to steal the picture. Director William Seiter assembles economically, as he sums up Buchanan's dual predicament in under ten minutes before encountering Hawthorne and focusing on the couple for the rest of the picture, the first hint of romance between them a brief harmless interlude with the ruse still playing itself out. By removing extraneous characters and situation he leaves it up to the four leads to carry the pace of this benign comedy in which they more than succeed.
If Only You Could Cook is a spry enough comedy with plenty of charm supplied by Herbert Marshall and Jean Arthur ably supported by the abrasive comic turns of mobsters Leo Carrillo and especially Lionel Stander who threatens to steal the picture. Director William Seiter assembles economically, as he sums up Buchanan's dual predicament in under ten minutes before encountering Hawthorne and focusing on the couple for the rest of the picture, the first hint of romance between them a brief harmless interlude with the ruse still playing itself out. By removing extraneous characters and situation he leaves it up to the four leads to carry the pace of this benign comedy in which they more than succeed.
The rub out is off!.
James Buchanan and Joan Hawthorne meet on a park bench one day. Buchanan is sulking away about his impending marriage which is sure to be a loveless one, while Hawthorne is perusing the job vacancy adverts in the paper completely baffled by her lack of suitability for all the positions. Once the pair strike up a conversation it becomes apparent that both of them could help each other if they are prepared to take a risk, the risk would mean posing as a husband and wife team and entering the service of Mike Rossini, but little do they know that Rossini is something of a local wise guy, love and gangsters.......interesting.
If You Could Only Cook slips firmly into the category of films that deserve to be called charming, simple in structure and honest in its intent, it's a most enjoyable piece that leaves a long and warm impression after the initial viewing. There are many different reasons why so many old black and white pictures get termed classics, with one of the main instances being the ability to have longevity of entertainment values. It only really becomes apparent with a film such as this when you compare it with the more modern day romantic comedies, where today's directors and writers are prepared to force the issue with star appeal and cloying scripts, here the makers are fresh with zippy dialogue and charm personified.
Jean Arthur is Joan, a wonderful bone structured face and a lovely fulsome figure, she's a smashing actress that carries off the required romantic humour with consummate ease. Playing off her with equally excellent results is Herbert Marshall as James, many other actors could do no worse than to watch Marshall when they want guidance in the art of line delivery, peachy and carrying a great presence, Marshall remains a sadly undervalued old time performer. Villain duties fall to Leo Carrillo {Rossini} and the wonderful Lionel Stander as henchman Flash, while all the supporting members come up to the requisite charming standards. But ultimately it's a team achievement across the board, from the writing to the wink at the end of the piece, If You Could Only Cook is a smashing film that makes one feel all the more richer for having sat thru it. 8/10
If You Could Only Cook slips firmly into the category of films that deserve to be called charming, simple in structure and honest in its intent, it's a most enjoyable piece that leaves a long and warm impression after the initial viewing. There are many different reasons why so many old black and white pictures get termed classics, with one of the main instances being the ability to have longevity of entertainment values. It only really becomes apparent with a film such as this when you compare it with the more modern day romantic comedies, where today's directors and writers are prepared to force the issue with star appeal and cloying scripts, here the makers are fresh with zippy dialogue and charm personified.
Jean Arthur is Joan, a wonderful bone structured face and a lovely fulsome figure, she's a smashing actress that carries off the required romantic humour with consummate ease. Playing off her with equally excellent results is Herbert Marshall as James, many other actors could do no worse than to watch Marshall when they want guidance in the art of line delivery, peachy and carrying a great presence, Marshall remains a sadly undervalued old time performer. Villain duties fall to Leo Carrillo {Rossini} and the wonderful Lionel Stander as henchman Flash, while all the supporting members come up to the requisite charming standards. But ultimately it's a team achievement across the board, from the writing to the wink at the end of the piece, If You Could Only Cook is a smashing film that makes one feel all the more richer for having sat thru it. 8/10
Did you know
- TriviaIn order to cash in on Frank Capra's popularity in England, Columbia Pictures released this film in London as "A Frank Capra Production, produced by Frank Capra." Capra, who had never even seen the film, was furious. This led to a bitter year-long dispute between head of Columbia Harry Cohn and Capra, who sued the studio for libel. It almost cost Cohn his job and almost resulted in Capra leaving the studio. It was resolved when Cohn relented and promised to buy for Capra the rights to the play "You Can't Take It with You" for $200,000, and pay him some back salary if he would drop the suit. Capra did.
- GoofsWhen Rossini pulls up to tell his gang the hit is off, a reflection of the boom microphone is visible on the trunk of his car, lower right of the frame.
- Quotes
Mike Rossini: Well, how a nice girl like you happened to get hooked up with a mug like that?
Joan Hawthorne: He isn't a mug.
Mike Rossini: Well, how he happen to sell you that bill of goods? How you happen to fall for him?
Joan Hawthorne: The Depression.
- ConnectionsFeatured in The Lady with the Torch (1999)
- SoundtracksBridal Chorus (Here Comes the Bride)
(uncredited)
from "Lohengrin"
Written by Richard Wagner
[Played on piano by Walter Byron at the wedding rehearsal, reprised by the band at the wedding]
- How long is If You Could Only Cook?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Wenn sie nur kochen könnte
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 12m(72 min)
- Color
- Aspect ratio
- 1.37 : 1
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