Party Wire

If you didn't grow up in a town like this, you might think the plot was exaggerated, and that people didn't really act like this. But they did. From the old man with his jug to all the members of the First Self Righteous church, these are all characters from my home town. Even the party line was familiar, but these old gossips didn't need the party line to spread gossip about every one in town. And it didn't need to be anything specific, just a whiff of anything different, and they were all off baying like hounds.

I was very unhappy that there was no real chemistry between the leads in this movie. I have seen Victor Jory as Indians and as every sort of criminal, but as a romantic lead he is a total dud. A handsome profile, a great voice, but as snake eyed as they come, and I kept waiting for him to hiss. A shame Jean Arthur didn't have someone more attractive to play opposite her.

Most 1930's and 1940's films portray small town America as some kind of Heaven on earth where your neighbor will give you their last dime and everybody loves everybody and are all model citizens. PARTY WIRE, an overlooked gem from 1935, blows that illusion to smitterheens and may be closer to the truth. Small towns can breed small minds and the horrors of gossips who tell tales they don't really care if they are true or not is vividly brought to life is this amazing comedy drama.

Victor Jory stars as the scion of the small town's wealthiest family who returns to town for an extended stay. His return is big news for the locals, many of whom have daughters they would like to see Jory marry. When Jory begins to squire local farm girl Jean Arthur, the inner green-eyed monster flares in the local old prudes and when via habit of listening in on phone calls on the town's party line they overhear Arthur's father make an angry phone call to a local boy they are all abuzz, concluding the guy has knocked up Jean.

This starts a tidal wave of gossip and venom as poor Jean gets fired from her job and is completely snubbed by the town folk, who stick a baby carriage with a nasty note on her doorstep and disqualify her from winning a local event for no reason. When Jory learns of their maliciousness, he vows to make the town pay for their viciousness and financially ruin them all.

The cast of this film is outstanding. Jean Arthur at the very beginning of the major era of her career is wonderful as the unpretentious sweetie who has what it takes to charm the most wanted man in town. Victor Jory has one of his rare leading man roles - he was most often cast as a villain, notably in GONE WITH THE WIND - but he is excellent and thoroughly credible both as the man everyone admires and the hero out for vengeance. The supporting cast is superb - Charley Grapewin as Jean's slightly absent-minded father, Maude Eburne as one of the biggest gossips in town but most especially Clara Blandick as the queen bee of this hick town who conjures all the trouble. Miss Blandick is best remembered for her loving Auntie Em in THE WIZARD OF OZ but she had no peers when it came to portraying the small town bitch matron - she plowed similar territory as Janet Gaynor's sneering aunt in A STAR IS BORN.

This is a fine looking Columbia film that belies it's modest budget. PARTY WIRE is possibly the best of Jean Arthur's early starring films and is highly recommended.

Many alleged Christians ignore or don't know the existence of the biblical injunction that to bear false witness is the same as committing murder.

"Party Wire" is a prime example of what can happen to an innocent person when gossipy people gleefully latch on to and help spread an inaccurate story.

"Party Wire" begins with a communications staple that is long out of date, the "party line" telephone. For younger people, this no-longer-extant situation consisted of several parties -- usually homes but possibly businesses -- being on the same line, usually connected through a patch-cord switchboard, and in the earliest days manually connected by a live operator.

When a father slightly in his cups makes a demand on a man who has been courting his daughter, the gossips overhearing are more than happy to spread a distorted report of what the conversation was about.

The misunderstanding sounds as if it could be funny, and in today's very different moral climate wouldn't even matter.

However, several lives are impacted, and the ripple effect almost devastates the entire town.

As someone else here commented, this story is dated, both by technology and by moral standards, but there actually is a good lesson here.

The acting is great, absolutely first class. Walter Brennan, for example, about ten years into his career, has an uncredited role, as do Lafe McKee and Si Jenks.

Victor Jory had a chance to play a hero, and his strength was put to good use.

The effervescent Jean Arthur, of whom Frank Capra said her voice was like a thousand tinkling bells, had an unusual role, not a bubbly, happy one, but she carried it beautifully.

Suspend your disbelief; ignore the script flaws. It's a good story despite some narrative glitches. "Party Wire" is definitely worth watching.

In the late 30's and 40's many people did not have telephones and when they became available, most middle income people purchased a phone with usually three or more people using the same telephone line with an operator to make the calls on certain lines. This film deals mostly about this situation in a small town where people could listen in to your conversation with other people. Jean Arthur,(Margie Oliver) plays the role of a sweet young gal living with her father, Charley Grapewine (Will Oliver) who is drinking morning noon and night and never seems to finish painting his garage. Victor Jory,(Matthew Putman) is an owner of a large Dairy Farm business in town where most of the local people are employed and has recently returned to his home town and visited with his boyhood sweetheart, Margie Oliver. The use of a Party Wire in this town has caused a great deal of trouble for quite a few people and creates a very comical situation and also some drama. Some of the actors in this film appeared in the Wizard of Oz as well as many other great film classics. Victor Jory played a good guy in this film, but most of his film career was playing the evil one even in Westerns. Enjoy a great Classic film.

This 1935 classic has got to be the most pleasant entertainment surprise of my experience in quite sometime. The two lead characters are people you could like. Jean Arthur portrays a small town bank clerk. Victor Jory is the hometown success story who returns to his little 'burg' and falls in love with the 'girl he left behind. Thing is that when he left neither he nor her knew he left her behind till he returned home. This is actually the side story. The main story is about nosy, gossiping Americans back in the day when phone communication had a party line. More than one person could use them at the same time to listen in on conversations of others. The other point of the story is how small minds can function in small towns ( it even takes place in big towns too )and ruin people that the small minds take their aim at. A great story line written well / acted well. Definitely worth your time.