Elaine Bradford is a young singer and dancer, looking for her big break. Peter Carlton is a gossip columnist facing a deadline and a blank page. So, Peter invents "Mrs. Smythe-Smythe", a mys... Read allElaine Bradford is a young singer and dancer, looking for her big break. Peter Carlton is a gossip columnist facing a deadline and a blank page. So, Peter invents "Mrs. Smythe-Smythe", a mysterious Englishwoman who spends her days hunting tigers in India, jumping out of airplanes... Read allElaine Bradford is a young singer and dancer, looking for her big break. Peter Carlton is a gossip columnist facing a deadline and a blank page. So, Peter invents "Mrs. Smythe-Smythe", a mysterious Englishwoman who spends her days hunting tigers in India, jumping out of airplanes, and generally driving men mad with her beauty. Since no one in London has ever seen Mrs.... Read all
- Headwaiter
- (uncredited)
- Orchestra Conductor
- (uncredited)
- Call boy
- (uncredited)
- Dancer (Extra)
- (uncredited)
- Ticket Collector
- (uncredited)
- Matthews' dance partner
- (uncredited)
Featured reviews
"It's Love Again" is my personal favourite as the songs in it are mostly very appealing. It also gains from having a youthful Robert Young as a leading man & the settings for the musical numbers are impressive. This is much better than a typical time-filler of a late-night movie!
This is one of those movies in which the plot is just a framework to hang musical numbers and jokes on. Jack will have his Jill, and so forth. The jokes are minimal, the dancing ranges from good to excellent, and Young, unlike other co-stars of Miss Matthews, does not seem to be afraid of her. Miss Matthews wears her unlikely costumes with an air of amused disbelief. The sets seem to have been designed by Alfred Junge by looking at MGM fantasia sets and saying "Let's make that bigger. And more spangles."
As a result I found myself distracted by the theater design in the final scenes. I found myself wondering about the people who paid for seats hard up against that runway, would have to turn around, look up, and still see nothing.
Miss Matthews had real talent, but the British film industry seemed to have no idea what to do with her, and loaded her down with ever more unlikely plots, leading men, set designers, costumes, and choreographers, thinking that was how to top the last one. This one works, although the engine sputters occasionally.
Did you know
- TriviaGaumont British, capitalising on the success of Evergreen (1934), issued double-sided lobby cards advertising further Jessie Matthews vehicles - First a Girl (1935) and "Modern Masquerade" - on the same card, with the latter eventually released as It's Love Again.
- ConnectionsEdited into Heroes of Comedy: Terry-Thomas (1995)
Details
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.37 : 1