She Was an Acrobat's Daughter

Watching "She Was an Acrobat's Daughter", I quickly figured out that it was going to spoof a famous movie of its era (in this case, "The Petrified Forest", which I've never seen). In a movie theater, the audience plays an over-the-top version of musical chairs, a fat hippo irks some people by getting out of and into his seat, and some other silly things abound before the newsreel replete with puns tells of events in the world. Maestro Stickoutski (they loved playing with people's names, didn't they?) has the audience sing the title song along with some slides, even when the wrong slide gets entered. But when a baby duck starts pissing some people off, that's when the action really gets going! True, we in the 21st century will probably have few if any clues what they're talking about. But if we can imagine ourselves watching the cartoon when it first debuted in 1937, getting every one of the jokes, it's very easy to enjoy the cartoon. Of course, it's a hoot even if you don't know what it spoofs. One can see how the guys behind these cartoons liked to come up with the most twisted things possible. Worth seeing.

"Bacall to Arms" portrayed a similar series of events.

The title, "She Was an Acrobat's Daughter", is an odd one as there's nothing in this Looney Tunes cartoon about acrobats. I think the song you hear during the short is of this same name...but no acrobats were harmed during the making of this film.

There really isn't much plot to this cartoon. Instead, it's set in a movie theater of the day and it pokes fun of the various short subjects patron saw during the day. You see a Lowell Thomas newsreel, a sing-a-long, a clip of the hit Warner Brothers film "The Petrified Forest" and more. And, you see a bratty duck and other funny patrons.

Since this cartoon is so unique, in vivid color and is pretty clever, I score this one a 7.

Friz Freleng's 'She Was an Acrobat's Daughter' is one of several cartoons set in a cinema, which would directly reflect the experience of those viewing the cartoon at the time of its release. Although the gags are hit and miss, mostly due to dated references that are now beyond the comprehension of most audiences, 'She Was an Acrobat's Daughter' beautifully captures the experience of a 1930s cinema goer and offers many great gags which ring true today. The hippo who keeps getting out of his seat and the guy who can't find a decent view of the screen hilariously reflect problems that continue to dog cinema goers to this day. The best skit of the whole cartoon is the titular musical number in which the audience sing along prompted by slides. At one point, the wrong slide is flashed up and the audience duly sing the instruction "Please do not spit on the floor"! The cartoon culminates in an inspired segment in which a baby duck bothers his father and then proceeds to destroy the film projector. In between these great bits, the cartoon is laboured a little by the action that occurs on the cinema screen which is by turns dated and unfunny but what remains in the viewer's head at the end of the short is the excellent action involving the cinema patrons and the great sense of actually being in a 30s cinema that Freleng expertly evokes. 'She Was an Acrobat's Daughter' comes highly recommended as both a fascinating historical representation of the old-time cinema experience and as a very funny cartoon.

Just ugly Betty Davies and elephant ears (so-caricatured) Leslie Howard. What a missed opportunity to omit the star of the film, Humphrey Bogart in one of his very best roles, Duke Mantee. Huge letdown. A generous 2 stars because I liked the very first image, with the wide eyes of the audience dogs.

This cartoon will provide a real nostalgia trip for middle-aged Baby Boomers. Back when old Looney Tunes were routinely shown on daytime television, this one was in heavy rotation. I must have seen it a dozen times as a kid and found the gags funny every time, but then it seemed to vanish into one of those mysterious cartoon vaults someplace for decades until just recently, when it re-emerged on DVD in the third volume of Warner Bros.' superb Looney Tunes Golden Collection. Seeing 'She Was an Acrobat's Daughter' again after all this time is kind of like having a happy reunion with an old friend from grade school who, oddly enough, looks exactly the same and can still make you laugh.

This cartoon doesn't feature a familiar star such as Porky Pig or Daffy Duck, but instead offers a mixed group of animal characters as they attend a matinée at the local movie theater. The humans seen on screen are all caricatures of then-famous personalities such as Lowell Thomas, Leopold Stokowski, and comic Lew Lehr. (As a kid I recognized Lowell Thomas from current news programs and Stokowski from Disney's Fantasia, but Lehr's fame didn't last long after his death in 1950. His caricature pops up in several vintage cartoons but I think he just bewilders most people now.) There are puns galore, and the gags fly thick and fast: theater patrons scramble to change seats to get a better view; a hippo annoys everyone around him by repeatedly getting up and moving back and forth down the aisle; and everyone joins in the singalong and dutifully follows the lyrics that flash on the screen, even when the operator accidentally inserts a slide instructing patrons not to spit on the floor. The highlight is a brief but devastating parody of the Warner Studio's recent hit release The Petrified Forest, featuring cartoon versions of stars Leslie Howard and Bette Davis which, I'll wager, did not amuse the subjects if they saw this short. (Humphrey Bogart was in the original too, but wasn't yet considered a big enough star to be spoofed.) In the end a young duck invades the projection booth, commandeers the projector and turns the cinematic experience into chaos.

The DVD includes a commentary track by animation historian Greg Ford who makes the case that this cartoon marked a turning point for the Termite Terrace guys, the first genuinely loony "Looney Tune" to break the mold of the staid mini-musicals they'd been compelled to produce up to this time. And it's true, this one feels like a full-fledged Warner Bros. cartoon classic, wild and anarchic, fast-paced and full of great gags. I'm glad this little gem finally busted out of the vault and is on the loose again!