A cocky young jockey who gets mixed up with some crooked gamblers befriends an English lad with a fast horse and the niece of a woman who runs a boarding house for jockeys.A cocky young jockey who gets mixed up with some crooked gamblers befriends an English lad with a fast horse and the niece of a woman who runs a boarding house for jockeys.A cocky young jockey who gets mixed up with some crooked gamblers befriends an English lad with a fast horse and the niece of a woman who runs a boarding house for jockeys.
Ernie Alexander
- Racetrack Usher
- (uncredited)
Reginald Barlow
- Man Seated Behind Mr. Sloan
- (uncredited)
Lionel Belmore
- Calverton's Butler
- (uncredited)
Marie Blake
- Hospital Telephone Operator
- (uncredited)
Don Brodie
- Racetrack Teller
- (uncredited)
Francis X. Bushman
- Racing Steward
- (uncredited)
George Chandler
- Jim - Racetrack Usher
- (uncredited)
Chester Clute
- Man with Toupee
- (uncredited)
Featured reviews
The casting in this film is rather unusual. While Freddie Bartholomew was apparently supposed to be in the movie, he was either in a contract dispute or in seclusion until his voice changed (according to Judy Garland)...and the studio tried to find a Bartholomew-like actor to take his place. That is why Ronald Sinclair (a New Zealander) was chosen to appear in this film...one of only a small number of films in which he acted. Interestingly, Sinclair has quite a few Hollywood credits--most of them as an Editor!
"Thoroughbreds Don't Cry" is monumental because it is the first pairing of Judy Garland and Mickey Rooney. They'd go on to make many more films together...and this being the first might explain why Rooney does NOT play a typical sort of part for a Garland-Rooney film. Instead of the usual likable guy, he's a fat-head jockey--one that definitely needs to be taken down a peg or two. As for Garland, she 's a nice girl who likes to find excuses to sing...and so her role is very typical of their later films.
When the movie begins, Sir Peter Calverton is preparing to take his prize horse, the Pookah, to America for some big race. No, this IS a horse and it's NOT invisible...despite the name for the creature being the same as Harvey in the famous Jimmy Stewart film! His grandson, Roger (Sinclair) accompanies him and eventually makes friends with Timmie (Rooney) and Cricket (Garland). But alas, things do NOT go swimmingly--and I won't say more because I don't want to spoil the plot. Suffice to say that Timmie and Cricket need to work together to help poor Roger and his horse.
Overall, this is a very entertaining film--one that would probably appeal more to kids but still have appeal to all ages. It has all the typical MGM polish and the story well worth seeing. I particularly liked that there wasn't that much singing and no dancing...unlike many of the other Garland- Rooney films. I know some folks like the singing and dancing, but to me it often got in the way of the story...and that's why the story here is stronger than I expected.
By the way, there is a hospital scene where Timmie talks to the receptionist. This lady is none other than Marie Blake ('Blossom Rock' from "The Addams Family")....who also played the hospital receptionist in the Dr. Kildaire films (also from MGM).
"Thoroughbreds Don't Cry" is monumental because it is the first pairing of Judy Garland and Mickey Rooney. They'd go on to make many more films together...and this being the first might explain why Rooney does NOT play a typical sort of part for a Garland-Rooney film. Instead of the usual likable guy, he's a fat-head jockey--one that definitely needs to be taken down a peg or two. As for Garland, she 's a nice girl who likes to find excuses to sing...and so her role is very typical of their later films.
When the movie begins, Sir Peter Calverton is preparing to take his prize horse, the Pookah, to America for some big race. No, this IS a horse and it's NOT invisible...despite the name for the creature being the same as Harvey in the famous Jimmy Stewart film! His grandson, Roger (Sinclair) accompanies him and eventually makes friends with Timmie (Rooney) and Cricket (Garland). But alas, things do NOT go swimmingly--and I won't say more because I don't want to spoil the plot. Suffice to say that Timmie and Cricket need to work together to help poor Roger and his horse.
Overall, this is a very entertaining film--one that would probably appeal more to kids but still have appeal to all ages. It has all the typical MGM polish and the story well worth seeing. I particularly liked that there wasn't that much singing and no dancing...unlike many of the other Garland- Rooney films. I know some folks like the singing and dancing, but to me it often got in the way of the story...and that's why the story here is stronger than I expected.
By the way, there is a hospital scene where Timmie talks to the receptionist. This lady is none other than Marie Blake ('Blossom Rock' from "The Addams Family")....who also played the hospital receptionist in the Dr. Kildaire films (also from MGM).
Left insolvent in America by the death of his grandfather, a young English lad learns that THOROUGHBREDS DON'T CRY. Now it's time for his new buddies, an irrepressible girl & an excitable jockey, to help him make his race horse a winner.
This little film, with a horse race plot both contrived & convoluted, is mere entertainment fluff. Its real significance is that it was the first movie to co-star Mickey Rooney & Judy Garland. Rooney is hyper-energetic & Garland exhibits her wide-eyed exuberance; together they hint at much better films to come in the future. Ronald Sinclair receives equal billing with them, and he does a good job with his role, but up against the Dynamic Duo he never really stood a chance. His celebrity would prove to be rather transitory.
Forrester Harvey does fine in a small performance as a jolly horse trainer. Wonderful old Sir C. Aubrey Smith lends a touch of class to his role as an English gentleman. But it is the inimitable Sophie Tucker who steals the film as Garland's mother, a big sharp-tongued woman you wouldn't want to trifle with. For some unfathomable reason, the script gives her no chance to sing. Unbelievable! At the very least, a Tucker/Garland duet could have made the film truly memorable.
Movie mavens will recognize Lionel Belmore as a butler & Elisha Cook, Jr. as a jockey, both unbilled.
A `pookah', by the way, is an Irish ghost horse.
This little film, with a horse race plot both contrived & convoluted, is mere entertainment fluff. Its real significance is that it was the first movie to co-star Mickey Rooney & Judy Garland. Rooney is hyper-energetic & Garland exhibits her wide-eyed exuberance; together they hint at much better films to come in the future. Ronald Sinclair receives equal billing with them, and he does a good job with his role, but up against the Dynamic Duo he never really stood a chance. His celebrity would prove to be rather transitory.
Forrester Harvey does fine in a small performance as a jolly horse trainer. Wonderful old Sir C. Aubrey Smith lends a touch of class to his role as an English gentleman. But it is the inimitable Sophie Tucker who steals the film as Garland's mother, a big sharp-tongued woman you wouldn't want to trifle with. For some unfathomable reason, the script gives her no chance to sing. Unbelievable! At the very least, a Tucker/Garland duet could have made the film truly memorable.
Movie mavens will recognize Lionel Belmore as a butler & Elisha Cook, Jr. as a jockey, both unbilled.
A `pookah', by the way, is an Irish ghost horse.
... who didn't even appear in it.
Sir Peter Calverton (C. Aubrey Smith) and his young grandson Roger (Ronald Sinclair) come to the United States from England with their racehorse Pooka. They seek out the best jockey around, Timmie Donovan (Mickey Rooney), who has a swelled head to match his reputation. Using some reverse psychology, the Calvertons get Timmie to agree to ride their horse in the upcoming big race, and the Calvertons really need that success because they are castle rich and bank poor.
Timmie and Roger come to be friends after a rocky start that includes both guys giving each other black eyes. But then Timmie gets word that his long-estranged father needs an expensive operation, and he's considering throwing the race to get the money he needs. Complications ensue.
This is hardly a prototype film for Mickey and Judy. In fact, Judy Garland and her fabulous voice take a backseat to the relationship between Mickey and Ronald Sinclair. There is some romance inserted, but it's an insinuation of an adolescent crush between Judy and Ronald versus Judy and Mickey.
Ronald Sinclair was a more than adequate placeholder for Freddie Bartholomew, who was supposed to have the part of young Roger Calverton. But he was in a contract dispute with MGM and on top of that , his voice started to change and crack just as filming began. Bartholomew missed a vital year of film work and would never really recapture the star power he had before 1937. As for Mickey and Judy, this film was like what "Manhattan Melodrama" was for Powell and Loy - maybe not great shakes in and of itself, but it did show the studio how much chemistry they had together.
Look out for Blossom Rock (Mama in the Addams Family) as a hospital switchboard operator. She played the same role in the Dr. Kildare/Dr. Gillespie movies. Also look fast for Elisha Cook Jr. Of the noirs in a bit part as a jockey.
Sir Peter Calverton (C. Aubrey Smith) and his young grandson Roger (Ronald Sinclair) come to the United States from England with their racehorse Pooka. They seek out the best jockey around, Timmie Donovan (Mickey Rooney), who has a swelled head to match his reputation. Using some reverse psychology, the Calvertons get Timmie to agree to ride their horse in the upcoming big race, and the Calvertons really need that success because they are castle rich and bank poor.
Timmie and Roger come to be friends after a rocky start that includes both guys giving each other black eyes. But then Timmie gets word that his long-estranged father needs an expensive operation, and he's considering throwing the race to get the money he needs. Complications ensue.
This is hardly a prototype film for Mickey and Judy. In fact, Judy Garland and her fabulous voice take a backseat to the relationship between Mickey and Ronald Sinclair. There is some romance inserted, but it's an insinuation of an adolescent crush between Judy and Ronald versus Judy and Mickey.
Ronald Sinclair was a more than adequate placeholder for Freddie Bartholomew, who was supposed to have the part of young Roger Calverton. But he was in a contract dispute with MGM and on top of that , his voice started to change and crack just as filming began. Bartholomew missed a vital year of film work and would never really recapture the star power he had before 1937. As for Mickey and Judy, this film was like what "Manhattan Melodrama" was for Powell and Loy - maybe not great shakes in and of itself, but it did show the studio how much chemistry they had together.
Look out for Blossom Rock (Mama in the Addams Family) as a hospital switchboard operator. She played the same role in the Dr. Kildare/Dr. Gillespie movies. Also look fast for Elisha Cook Jr. Of the noirs in a bit part as a jockey.
7tavm
When Mickey Rooney died last month, I got a jones to watch some of his movies so when I went to the library, and this was among the films there, I had to get it especially since I knew this was the first one he made with Judy Garland. He plays a jockey and Ms. Garland plays the niece of the owner of the boardinghouse for jockeys. But the main character is played by Ronald Sinclair, another teen who's from England (actually Sinclair was from New Zealand), who has a horse he wants to enter into the America's Cup race. I'll stop there and just say it was quite fascinating watching Rooney and Garland bicker and also helping Sinclair in his troubles. Ms. Garland had one song she performed a few times in the movie. Her character dreams of stardom which, of course, is what happened to Judy in real life. Legendary singer Sophie Tucker plays her aunt but she doesn't have a number for some reason. All in all, Thoroughbreds Don't Cry was quite an entertaining programmer.
Young English boy (Ronald Sinclair) wants a jockey (Mickey Rooney) to ride his horse in an upcoming race. But the jockey's an arrogant jerk who doesn't want anything to do with the kid. Enter cutie Judy Garland, the niece of Rooney's landlady. She befriends Sinclair and gets Rooney to agree to ride his horse. Things are complicated when Mickey's crooked dad asks him to throw the race.
A rather pedestrian plot sparked some by the delightful Judy and energetic Mickey. This was the very first movie Mickey and Judy Garland did together. Nice support from C. Aubrey Smith and Sophie Tucker, who sadly does not sing. A watchable flick but nothing special.
A rather pedestrian plot sparked some by the delightful Judy and energetic Mickey. This was the very first movie Mickey and Judy Garland did together. Nice support from C. Aubrey Smith and Sophie Tucker, who sadly does not sing. A watchable flick but nothing special.
Did you know
- TriviaThis film, the first of 10 to feature both Judy Garland and Mickey Rooney, is also the only one in which she is billed ahead of him. It was also the first film in which she received top billing.
- GoofsIn the final race Frankie Darro is wearing no. 4 in the starting gate. Later in a close up he is wearing no. 7. Then at the finish he is again wearing no. 4.
- Quotes
Jim - Racetrack Usher: Listen here, lady, I'm the usher!
Mother Ralph: Well go on and ush!
- ConnectionsFeatured in Sports on the Silver Screen (1997)
- SoundtracksGot a Pair of New Shoes
(1937) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played as background music and sung by Judy Garland during the opening credits
Played on piano and reprised by Judy Garland again
Played on guitar and reprised by Judy Garland once more
Played as background music at the end and sung again by Judy Garland
- How long is Thoroughbreds Don't Cry?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Född till gentleman
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1
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