Four's a Crowd

Because I found watching 'Four's a Crowd' great entertainment (there were quite a number of scenes where I was laughing out loud) I was wondering why the film never reached the status of a classic screwball comedy - something if not as brilliant as 'My Man Godfrey' (1936) then at least like 'You Can't Take it With You' (1938) or 'Hands Across the Table' (1935). After all, 'Four's a Crowd' has some big stars, with Errrol Flynn demonstrating considerable talent as a comic actor and Olivia de Havilland and Rosalind Russell playing along with verve. Also, there are stalwarts such as Franklin Pangborn and Walter Connolly who normally as good as guarantee success. I have come up with one potential explanation for why the film is more or less forgotten today (30 user reviews as of late April 2022 is not a lot): The greatest screwball comedies all start out from fairly simple situations that lead to logical consequences, and they all focus on relatively few main characters. By contrast, the plot of 'Four's a Crowd' is overly convoluted. There is simply too much going on, with all those intrigues and attempts at double crossing. Also, it is almost an ensemble cast film, with Flynn, Havilland and Russell having practically equal screen time and Patric Knowles not much less. For all that, this is by no means a bad film. If you can spare one and a half hours, there are much worse ways to spend them than watching 'Four's a Crowd'.

Four's a Crowd (Michael Curtiz, 1938) is a really fun screwball comedy that pits a newspaper reporter against millionaire Walter Connolly and his daughter, a la It Happened One Night and Libeled Lady. The first 15 minutes are blisteringly funny. Journo Rosalind Russell schemes to get editor-turned-PR-man Errol Flynn to return to his ailing paper, which the managing director (Patric Knowles) is trying to close down. Flynn agrees, and wages war against Connolly, hoping to turn him into the most-hated man in America, so he can repair his reputation via a publicity campaign. After that, the plotting goes a bit awry, spending quite a bit of time in Connolly's country mansion, where Flynn ends up trying to steal butter whilst mollifying heiress De Havilland and being chased by dogs. Well, I said it went a bit awry. Still, while the screenplay hops from one situation to the next without stopping to consider its internal logic, it moves so fast and so funnily you'll probably be swept along. Flynn and Russell are both near peak form, and they make a delightful team.

What a fun cast ! Bob Lansford (Errol Flynn) and reporter Jean Christy (Rosalind Russell) are scheming writers, about to lose their jobs. They decide to write stories about rich man Mr. Dillingwill (Walter Connelly -- played the father of the bride in It Happened One Night) that will affect his standing, as well as theirs. Errol Flynn, about 30 at this time, is known mostly as swashbuckling pirate and Robin Hood, and has a most interesting family history in real life; check it out on the Bio page of IMDb. And of course, they do manage to take Flynn's shirt off in Four's a Crowd. Olivia DeHavilland (Gone With the Wind) plays Lorri, the daughter of Dillingwell. Also look for Margaret Hamilton (wicked witch from Wizard of Oz) as Amy, the housekeeper with long pigtails no less, and Frank Pangborn plays the butler. He always had perfect timing as the prim & proper butler, the hotel clerk, or the bank examiner in Bank Dick. The sale of the newspaper was a common theme in the 30s and 40s, (think Citizen Kane) but here it's a fun caper as everyone tries to decide which side they are on. Check out the giant train set Mr. Connelly and his butler play with. This story kind of goes around the mulberry bush, but it's fun to be along for the ride. As others have noted, this WOULD be a good DVD, but doesn't seem to have been released yet. Directed by Michael Curtiz.

OK! This is not the great hidden screwball masterpiece. The screwy cleverness is pretty obvious, but it's still funny. The story is adequate enough to keep the laughs coming with the right cast. I won't bother too much with the details because you'll get the idea pretty quickly. This is the right cast however and they keep the laughs coming.

For me the highlights are the scenes with Errol Flynn and Rosalind Russell. Russell has always been great as a comedienne and she delivers here as well, but Flynn is a revelation. Like Frank Morgan and Walter Pidgeon before him, he is the guy who not only can, but will, sell refrigerators to the Eskimos. When he turns the charm on Russell it's like being with that cousin who got you into network marketing.

The final act gets the ensemble (de Havilland,Flynn, Knowles and Russell) colliding together like bumper cars with Justice of the Peace, Hugh Herbert misdirecting traffic. He may have delivered the ultimate screwball line ever with "Children, please don't fight! There'll be time for that after you're married."

Realistically, it's obvious why the suits would not let Flynn take this direction, he was the king of swashbucklers and this would have weakened the brand. However, this movie shows what he could have been. As a screwball lead he had charm, athleticism, comic timing, sexy looks and a great voice, but so did Grant, Barrymore and Cooper and others and they were kind enough to leave the pirate market to him. A loss but I'll console myself with another hundred views of Captain Blood.

Someone posted that this film was 'a silly screwball comedy'. Of course it is: if a comedy isn't silly, it's not screwball. This one may not be a classic, but all the elements are there: pompous rich people, scheming reporters and a love triangle, er...square. It also has the comic supporting actors to make sure it all works. The rich weren't very popular in the depression so they were easy targets. The public's obsession with celebrities was already in full force and another easy target. And love mix-ups have been the basis for comedy since that original screwball - Willie Shakespeare.

Errol Flynn and Olivia De Havilland may not be Cary Grant and Carole Lombard but they do perfectly well and Ros Russell is a screwball icon. Patrick Knowles does a fine job and Flynn's foil. Walter Connolly, as the grumpy oligarch repeats his performance from "It Happened One Night". Melville Cooper, (the fourth member of the cast from 'The Adventures of Robin Hood': he was the comically villainous Sheriff of Nottingham) is his butler. Franklin Pangborn shows up as Knowles' manservant. Hugh Herbert is a justice of the peace and Margaret Hamilton is Connolly's housekeeper.

This one is way in the background of Flynn's career and not the kind of movie he's famous for but it's a solid piece of entertainment anyway. The great stars of the Golden Age made many such films and it's fun to look back and discover them and get a complete picture of their careers.