The Saint Takes Over

George Sanders is my favorite saint. But some of the movies are a bit weak, usually the plot.

In this movie, the plot is about as good as you can expect from the RKO saint movies. It mostly makes sense, unlike some of them.

Paul Guifoyle (sp?) is back in this one, and that's a good thing. I really enjoy his comedic style at times. It's hard not to smile at his funny expressions and mispronunciations (does anyone else wonder where the gangster henchman habit of butchering pronunciations came from?)

Wendy Barrie is not too bad. I wish she had better lines or something, but it's not bad.

The usual Fernack(sp?) is present, and again, that's a good thing. I feel he should be a bit brighter given that he's a police detective, but I guess the dumb cop/detective is an old stereotype. Anyway, the saint is a bit like Bugs Bunny where his superiority is contrasted to idiots - so again, a tried and true stereotype.

As I say, this is one of my favorites. It's light, it moves right along, has the comic elements and the entertaining Sanders as saint.

George Sanders playing the Saint for the penultimate time does a good job out of a good script - with the usual good RKO cast around. It's a non-Charteris story too, bristling with murders and good clean fun.

Thread 1: In New York, Police Inspector Fernack, Templar's friend is framed in a corruption scandal and disgraced - ST comes over from London to try to put things right. Nice and simple so far - but is there really more than $90,000 in the world? Thread 2: Another tale of a woman taking revenge on the people who murdered her brother, Wendy Barrie does well in bumping off some nasty men and having the Saint fall in love with her to boot. Including a baddie who was under their direct protection and in Fernack's cellar - there's a creepy shot of him (dead and staring) and them in a car when they're taking him back to where they'd got him. Paul Guilfoyle as Pearly Gates must have supposed to have been homosexual in this - witness the dressing gown at the beginning, and the later beguiling comment by ST that he was thinking of keeping him as a pet - and did too for "Palm Springs"! Fernack was played by Jonathan Hale as usual but this time with such a beaten deflated attitude that what he really needed was a good slapping from Templar to liven him up.

The Hays Office also made sure you got the picture right, all threads are tied up with no straggly bits. Well worth watching for all of us who like this kind of thing, but if Val Kilmer's version is your yardstick then don't bother.

Simon Templar (aka The Saint) decides to go and help when he reads that acquaintance Inspector Henry Fernack has been dropped from the police force for not being able to explain the thousands and thousands of dollars that had been found in his safe. He starts to investigate the suspicion that Fernack was actually set-up by a group of mobsters, eager to get him off their backs in regards a race fixing ring they have going. The more Templar pushes to help his friend though, the more the bodies start to pile up – ironically mostly pointing to Fernack as the murderer.

After getting a couple of episodes out under Sanders' control, the Saint series started to make me forget that I had enjoyed the original portrayal by Hayward a lot more than the later films. As a result I enjoyed this Saint film more than I had the last couple I'd watched. It may have also helped that the plot was an original tale (as opposed to an adaptation from Charteris' novels) and that it involved a lot more murders and mystery than other films. This isn't to say that it is brilliant because it is still very much fitting with the b-movie serial feel that the series generally had although it had enough movement to it to keep me watching.

Sanders is quite enjoyable and the tone of the series seems to have mellowed to better suit his cool, smooth delivery and style – which is a shame in my opinion but I'll try not to bang on about it. He leads the film nicely although he does tend to suck the urgency and tension out of the story by being so laid back all the time. Support from regulars Hale and Barrie is good along with some nice touches from Guilfoyle and a few others.

Overall this is an enjoyable and quite lively entry in the series that will please fans of The Saint and The Falcon. Nothing special and it never aspires to be more than the next episode in a b-movie serial but it is still OK if you meet it at that level.

This is a better-than-average entry in the Saint series - It holds your interest and, as mysteries should, keeps you guessing until the end and has several suspects to choose from.

Many films from the Golden Age are not for all tastes, especially younger viewers. They date themselves by clothing, cars, settings, etc. Who nowadays asks for a highball? Or wears a suit and tie everywhere? And the legal process was so much simpler - must have been a dearth of lawyers back then. Frankly, much of value is missing from those days.

In any case, go with it and enjoy. It's good - in an old-fashioned sense.

Saint Takes Over, The (1940)

** 1/2 (out of 4)

Fifth film in RKO's series has George Sanders once again returning as The Saint. This time out his buddy is accused of a crime he didn't commit and disgraced so The Saint comes back to America to clear his name. While all of this is going on, we have a female going around seeking vengeance for the death of her brother but that's not all because mobsters are tied into a robbery. I must admit upfront that I haven't been overly impressed with any of the films from the series that Sanders has appeared in. I think the original film in the series was good but the three sequels were all fair at best. I'd call this one of the best of the Sanders films but it really starts off quite boring as the film spends way too much time trying to set up its story instead of delivering the goods. The second half of the film really picks up and leads to a nice ending and I really wish the first half had moved as well as the second. The highlight of the film is a scene where The Saint and a couple other men are trying to scare a confession out of a man but of course things don't go as planned. Sanders also delivers the best performance I've seen from him in the series and it's backed by a good music score.