Remember the Day

This is a very nice little movie that showed Claudette Colbert and John Payne to great advantage as two young teachers who, in 1916, meet in a small mid-western town, teaching at a high school. They fall in love, and we watch the romance blossom into a marriage - the entire effect helped by the nostalgia of a by-gone, simpler era. Parallelling the story we have the story of a young boy that goes to the school and is taught by both Colbert and Payne.

The film is set up with it's heart (the romance) surrounded by a more recent story set in 1940, at the Republican Presidential Convention (a fictional version of the convention). Colbert is there to see the young boy student, who has now grown up. It is not until the film ends that we understand who she is visiting with. And it is not until the conclusion of the film that we get the bittersweet portion of the romance.

The film is very simple, and it's final element for success is that Payne and Colbert had terrific chemistry together. Ironically enough it would be their only film together (one wishes they had done a second film but that was not in the cards for some reason). Also ironically, it's total success should be compared with the comparative failure of TOMORROW IS FOREVER, wherein Orson Welles and Colbert both perform their roles well (in characters very like Payne's and Colbert's here) but lack the spark to make that trickier story more believable.

In the vein of CHEERS FOR MISS BISHOP, GOODBYE, MR. CHIPS and GOOD MORNING, MISS DOVE, Fox gave CLAUDETTE COLBERT and JOHN PAYNE a chance to show what they could do in another sentimental tale about the passage of time in a schoolmarm's life and her effect on faculty and students, as well as her remembrance of a lost love.

The good thing about REMEMBER THE DAY is it doesn't wallow in cheap sentiment the way some of the sudsers mentioned above had a tendency to do. Nor is it quite as cheerless. Instead, the script is bright and pleasant for most of the time, giving Claudette and John Payne a chance to create likable characters.

Like so many '40s romances, it's told in flashback as Claudette recalls her romance with football coach Payne at a school where both of them are teachers who never met before. Both have a natural charm that really comes across here with Claudette being the sort of dream teacher everyone should have--warm and thoughtful. And little DOUGLAS CROFT is excellent as her most promising student.

Of course, true love never does run smooth in these sort of things and soon a hint of scandal puts a damper on the Colbert/Payne romance when their moral conduct leads the school president to believe they spent the summer together violating school rules. Colbert rejects Payne's proposal of marriage at first, but later they do wed and he goes off to war.

ANNE REVERE is excellent as a prim and proper spinsterish teacher who misunderstands gossip about Colbert's romance. The period flavor is nicely captured but Alfred Newman's overly busy background score is a bit too schmaltzy for comfort, with old time songs constantly playing away in the background

With Payne joining the service (the Royal Canadian engineers), you know something has to happen to make it an ill-fated romance. Fortunately, the lighter side of the romance keeps the picture from falling into the bathos of many a tear-jerker, saving it from the fate of a film like CHEERS FOR MISS BISHOP.

Summing up: Well wrought sentiment nicely directed by Henry Koster with Colbert at her charming best and Payne as a promising newcomer.

Henry King has directed a nostalgic piece of great artistry that accurately evokes the World War One era in America. Claudette Colbert's wit and charm effectively offsets the potential sentimentality of the story, and handsome John Payne gives one of his finest performances as her love interest.

Lovingly photographed, Remember the Day is a charmer from start to finish.

A marvelous film in the genre of Miss Dove, Mr. Chips and every wonderful teacher you ever had.

The role was just perfect for Claudette Colbert. She really worked magic with co-star John Payne.

This picture really offers Americana circa 1916 in Indiana. The embodiment of the school structure at that time is so well done. The obedient student, the prim and proper schoolteachers who dedicated their lives to teaching and nothing else.

Nora Trinell (Colbert) is a dedicated, wonderful teacher but she goes against what society thought of as a role for teachers when she finds love with Payne.

The "crisis" that leads to his dismissal and his ultimate redemption on the part of the principal is beautifully done here.

For me, the picture was so good because Trinell reminded me of my grade 5 teacher who inspired me in the field of social sciences.

Colbert, as the teacher who found love and tragically lost it, has one of her best film roles here. A caring person to her students, especially Dewey, she certainly tells the truth when she says that each year a teacher finds a student who she can really love as her own. Those words will forever stay with me.

As the typical spinster teacher, Anne Revere, was wonderful. Prone to be a gossip, she embodied what society thought was the role of a teacher in this period.

The ending will tug at your heart. Nostalgic and so wonderfully realized.

This movie may seem old-fashioned today.Two teachers having an affair (this was also the subject of "these three" by William Wyler )causing a scandal ! These three are here a man,a woman and a boy;the movie begins when Claudette Colbert is an old teacher and the rest is a very long flashback ;it is interesting to notice there's something similar in a more recent work such as "Mr Holland's opus" in which a clumsy girl ,Holland's former pupil,becomes a senator.

More than a propaganda movie (WW1 and when the movie was produced WW2),this is a tribute to the teachers:Mrs Prinell is the kind of mistress every boy and girl would like to have (or would have liked to have).Her word reaches far when she tells Dewey he "stands out" but ,like any human being,he is on his own .Perhaps the ending is too good to be true and in real life people who make their way of life often forget the people who helped them along the way,but this is a wonderful ending:I love the moment when Deway mumbles "Mrs Trinell...Nora Trinell..." The boy writing "I beg your pardon" on the blackboard,the white Xmas ,the "auld Lang Syne" on the last day of the year and the train leaving the little town :we'll remember these days.