The Major and the Minor

This classic screwball comedy marked Billy Wilder's directorial debut and in the Wilder canon it's largely been neglected but it remains a joy from start to finish with a great comic performance from that greatest of comediennes Ginger Rogers. She's a hard-boiled Hannah who has to pass for a 12 year old in order to get a half fare rail ticket, (you see, she doesn't have the money to buy an adult ticket). It's utterly ridiculous which is why it's so funny; that and the fact that it's graced with a great Wilder and Brackett script. Ray Milland is also superb as the Major of the title that she latches onto and naturally falls for and there's a terrific supporting cast that includes Robert Benchley, Diana Lynn and the underrated Rita Johnson. Of course, it lacks the cynicsm of Wilder's later work which in this case is all for the best.

Ginger Rogers plays Susan Applegate who wants to leave New York behind and go back home to Iowa.But she doesn't have the railway fare so she disguises herself as a 12 year old girl to ride half fare.At the train she meets Major Philip Kirby (Ray Milland) who takes "the little girl" with him to military school.There little Susu is surrounded by all the boys because she is a knock out for a 12 year old. The Major and the Minor from 1942 is a Billy Wilder comedy with some funny moments.It's not his best work but it is much better than many comedies nowadays.Ginger Rogers is brilliant in the lead.She makes a great kid even though she doesn't seem like a kid.In 1955 they made a remake for this called You're Never Too Young with Dean Martin and Jerry Lewis, which was also funny.This movie is a must see for every Billy Wilder fan because this was his American debut.

I wish I understood how reviews are selected to be displayed as the IMDb-approved review. The current one for "The Major and the Minor" is a major disgrace. The movie article the little girl picks up at Penn Station is NOT "Why I Hit Women," by Charles Boyer, it is "Why I Hate Women." It's a joke-- obviously too subtle for some-- because Charles Boyer is of course one of the great lovers of the screen, one everyone would have known when this film was released in 1941. It's similar too when Ginger Rogers' character as a girl on the train is asked to speak Swedish for the conductors, who question her veracity. She answers, "I want to be alone." Again, this joke is something every movie viewer then would have known as an allusion to Swedish film star Greta Garbo. "The Major and the Minor" is a marvelous film and deserves better treatment on IMDb.

In Billy Wilder's first American comedy he secured the stage and his basis for the rest of his days in America. His films were always good, and the remarkable thing is that he never repeated himself - every film he made is thoroughly original, and already in his first hit he ventured on some very bold challenges to spice his audience with which proved more than successful. The script is ingenious, and although you know from the start that they will win each other in the end there are many troublesome question marks on the way, and the great issue is how on earth they will manage themselves out of this mess of masquerade and intrigue. Ginger Rogers was always a superb comedienne, and Ray Milland was never better than in the beginning - he later turned to more and more doubtful characters, from "The Lost Weekend" and on, but here he is still sparkling.

The triumph though is the script, so eloquent, intelligent and ingenious, and every detail, although the intrigue many times turns into precarious and dangerous ground, is perfect. There is even some trying suspense, as Ginger at the telephone while the whole army is after her.

Great entertainment on level with the best screwball comedies, and yet this one is rather overlooked and unknown.

Ray Milland plays the army Major (Philip Kirby) who meets Ginger Rogers (Susan Applegate) on a train as she is pretending to be a 12-year-old. That's quite a stretch for an actress who is age thirty, but director Billy Wilder found that audiences will accept such credibility testers in a comedy. And Ginger shows some versatility in the role.

"Little" Susan is on her way back home to Iowa after rejecting the values of the big city. Along the way, her trip is sidetracked as are her intentions. Diana Lynn (Lucy Hill)is a teen who sees through Susan's ruse and sets her on another path. This is Miss Lynn's second credited role and her talent is readily apparent. (Six years prior, at age 10, she was a child prodigy as a pianist; she was also a recording artist.)

Miss Rogers earned her Academy Award for "Kitty Foyle" only two years earlier. Ray Milland's famous portrayal in "The Lost Weekend", which will win him the Oscar, will follow in only three years. Both of them were well cast in "The Major and The Minor". The script, written in part by Billy Wilder, is full of humor and heart. About the filming, Ginger Rogers wrote, "I believe I had more fun playing this role than any other, with one exception...'Kitty Foyle'." She reported that Billy made things easy and respected her as an actress. The joy the actors experienced making the film may have contributed to the final product's enjoyability. Ginger also enjoyed her mother being on set, playing the mother of her character in a small role.

This American directorial debut by Billy Wilder shows the promise that his later films would deliver on.