Wake Island

Whatever its flaws--stereotypes among soldiers, wartime propaganda using the Wake Island battle as symbolic of America's fight for freedom, weak comic relief--WAKE ISLAND is the kind of story Americans needed to hear during the height of WWII. It begins just before the Pearl Harbor attack when the men were losing their morale to fight against the Japs, then changes once American ships and servicemen are attacked in sneaky fashion at Pearl, to become a story of fighting men who want to avenge what F.D.R. called "a day of infamy".

Forcefully directed by John Farrow, it's a gritty, realistic war drama given occasional relief by ROBERT PRESTON and WILLIAM BENDIX as a pair of squabbling soldiers arguing over re-enlistment. BRIAN DONLEVY plays Maj. Caton with steely-eyed determination and a large male cast of upcoming actors and future stars fills the supporting cast: ALBERT DEKKER, MADONALD CAREY, ROD CAMERON, WALTER ABEL, DANE CLARK, PHILIP TERRY and FRANK FAYLEN.

Similar in content to BATAAN, which also told of American losses against overwhelming odds and had a downbeat ending, the true story of Wake Island is even more downbeat than the film hints. Brutal stories of torture at the hands of Japanese military awaited many who survived the assault on the small island in the Pacific. But that's something you can learn about at The History Channel.

Summing up: A reminder of what sort of films Americans were looking at during the height of WWII--you have to view it in that context.

Calling this movie a propaganda film is no insult--it was released very shortly after the actual fall of Wake Islan and was an effective way to put a face on these doomed defenders and energize the people at home in the war effort. Since it was completed so quickly, the exact details of the final doomed days of the soldiers was a bit murky so the studio filled in the gaps with fictionalized accounts of this struggle.

The film begins just before December 7, 1941 and the island is in the process of being turned into a military base. Civilian engineers and soldiers cover the barren island and they are unaware that they were directly in harm's way. Soon, the troops on the island would face invasion and annihilation.

As I said, the individual accounts of heroism were fictionalized through the creation of some characters such as those played by William Bendix and Robert Preston (who seem like an old married couple with their banter) as well Albert Dekker (who, as usual, plays a loudmouth patriot), Brian Donlevy and Macdonald Carey. The acting was very effective even though by today's standards some of the stories seem a bit clichéd--they were perfect for the time.

While far from one of the very best war films made during WWII, it was better than average and is well worth a look. Excellent quality and a rousing script make for a very good film.

A final note because I am an aviation nut. I hated one part of the film--the aerial scenes were often bad, as monoplanes (with a single wing) often magically became biplanes in mid-air (with two wings). While I could forgive them making Japanese planes that looked nothing like the real thing, having them change so radically in mid-flight was unforgivable. Did they think the audiences wouldn't notice?

The battle for Wake Island concluded just before Christmas of 1941 and news from the place was pretty sketchy. It would not be known until after the war ended exactly what happened on the place.

In many ways it was worse than what's shown here. With no help coming at all from the mainland USA or from Pearl Harbor which was licking its own wounds, there was an unconditional surrender declared. The construction workers who were building a base on the island when war broke out were all summarily executed as spies. The few Marines who did survive, survived in horrible captivity, probably made worse by the fact that America never tried to take the island back. When they had the overwhelming naval superiority, the Japanese were starved out, but so were the prisoners they had.

So with an incomplete story at best, the writers at Paramount had free reign to do an Alamo like story and proceeded to do just that. Brian Donlevy is a stalwart Marine Colonel who clashes repeatedly with Albert Dekker the head of the construction workers. Comic relief is provided by Robert Preston and William Bendix as a pair of tough marines who joke about Bendix's impending discharge which occurs right on the day of Pearl Harbor.

Bendix was nominated for Best Supporting Actor and while he's pretty funny in the part, when you consider he did a highly effective dramatic role in The Glass Key that same year, I'm wondering if the Academy put him up for the wrong film. He lost that year to Van Heflin for Johnny Eager.

Wake Island is a dated story, dated but entertaining. Maybe someone will do a film of the real story there, the horrible captivity of our prisoners, just like what they endured in the Phillipines.

"Wake Island" is one of those movies that cannot be dismissed as mere World War Two propaganda. The fact is that the battle for Wake Island actually happened, which is what this movie is about. Okay, some of the characterizations are pure Hollywood and the conflict between the military and civilian personnel is contrived, yet what is NOT contrived is the event itself. A small detachment of Marines and civilian contractors did hold the Japanese at bay for about two weeks and did this knowing that they were on their own and that there would be no reinforcements. So let's give credit where credit is due, and take the time to watch this movie. The men on Wake Island were heroes and this movie does them credit.

It's 1942 and the war in the Pacific is still in doubt. Japan has taken the Philippines and is moving on the rocky atolls of the central Pacific. Wake is smack in the middle and of no real value except militarily as a stepping-stone to bigger prizes.

This Paramount production adds up to an expertly mounted flag waver. Sure, maybe the Japanese have taken the island, but viewers are treated to heroic resistance from the Marine defenders that's bound to rally a grim American home front. The battle scenes--air, water, and ground--are realistic as heck, location shots blending almost seamlessly with occasional sets. Then too, the set-up footage of what purports to be an island Marine base is convincing as heck. Clearly Paramount understood the significance of its production.

For old time movie buffs, it's a treat catching the likes of Bill Bendix, Preston Foster, and Brian Donlevy, the former two providing the flick's macho humor. But don't look for skirts, it's an all male cast, understandably. And except for the tricky Japanese diplomat in the first part, the enemy is not parodied, rather surprising given the circumstances. All in all, the 80+ minutes amounts to a first-rate tribute to American fighting spirit even under impossible odds. However, if you don't like movie bullets or explosions, steer clear.