A woman of twenty-one opens her grandfather's will left to her thirteen years earlier, per his instructions. Murder soon follows.A woman of twenty-one opens her grandfather's will left to her thirteen years earlier, per his instructions. Murder soon follows.A woman of twenty-one opens her grandfather's will left to her thirteen years earlier, per his instructions. Murder soon follows.
Johnny Duncan
- Harold Morgan
- (as John Duncan)
John Dawson
- Tom Jackson
- (as Jon Dawson)
Robert J. Anderson
- Harold as a Child
- (uncredited)
Shirley Jean Anderson
- Marie as a Child
- (uncredited)
Mike Donovan
- Mike - Police Desk Sergeant
- (uncredited)
Lester Dorr
- Carter
- (uncredited)
Dick Gordon
- Uncle John
- (uncredited)
Herbert Heyes
- Dr. Sherwood - Plastic Surgeon
- (uncredited)
Donald Kerr
- Photographer
- (uncredited)
Featured reviews
A young woman's grandfather hosts a dinner party for thirteen guests, and he mysteriously dies. Thirteen years later, the woman believes that someone connected to the fatal party is trying to kill her.
I had never heard of this film before, and I doubt very many people have. Which is a shame. It has a good pace, a good story, and wraps up in around an hour. This is the kind of film anyone could enjoy.
In some ways, it has the feel of Agatha Christie's "And Then There Were None", but it is its own story and should not be written off as a derivative narrative. Well, unless you consider it derivative of the previous incarnation, "The Thirteenth Guest" (1932). As I have not seen that version, I cannot comment.
I had never heard of this film before, and I doubt very many people have. Which is a shame. It has a good pace, a good story, and wraps up in around an hour. This is the kind of film anyone could enjoy.
In some ways, it has the feel of Agatha Christie's "And Then There Were None", but it is its own story and should not be written off as a derivative narrative. Well, unless you consider it derivative of the previous incarnation, "The Thirteenth Guest" (1932). As I have not seen that version, I cannot comment.
The Morgan house at has been locked up for thirteen years, ever since the death of the family patriarch (played in flashback by Lloyd Ingraham). There was, of course, the usual rigmarole of mutually antagonistic heirs, a shady lawyer, and a will calculated to make things as difficult as possible for everybody. The dying Morgan had summoned Barksdale the lawyer and all ten of the heirs out to the house to discuss his impending death and its aftermath. Morgan's will was sealed, its contents secret even from Barksdale, and it was to remain so until the youngest of his grandchildren- eight-year-old Marie (played as an adult by Helen Parrish)- turned 21. When Marie turns 21 yesterday, she lets herself into her grandfather's house, she finds it exactly as it was thirteen years ago, except with a telephone installed, which doesn't make a lot of sense in a house where nobody lives. A shot rings out, and Marie rushes to the mysterious telephone to call the police. No sooner has she lifted the handset to her ear, though, than she goes into convulsions and sinks slowly to the floor, apparently dead. Soon more dead bodies follow...
Decent enough mystery with a idea typical of the era, some fine creepy house atmosphere and shadows and a creepy looking killer donned with mask a la michael Myers, however it doesn't really lifts itself above ordinary. Still it's watchable and there's some good humorous dialogue.
Decent enough mystery with a idea typical of the era, some fine creepy house atmosphere and shadows and a creepy looking killer donned with mask a la michael Myers, however it doesn't really lifts itself above ordinary. Still it's watchable and there's some good humorous dialogue.
10jhumlong
The Mystery of the 13th Guest is a not a typical example of the 40's Monogram pictures productions. This one outshines most of the typical "B" trappings they produced in the early 40's. 13th Guest made the most out of the typical wartime budget's and dimly lighted set versions that Monogram made famous. The female lead, Helen Parrish made it special because she was very uder-rated to say the least. She carries the film and adds some really good action to an otherwise typical haunted house movie. She reprises the Ginger Rogers role of 1932 and adds flare and style to the character. Dick Purcel is great as the wisecracking reporter. He died soon after the film was released and it was ashame as they really sparked together. I have not seen the film on tv since the late 40's and won't either. Most of the Monograms features were struck on celuloid so they aren't around anymore. My print is on Kodak safty film so it will never die!
Perhaps I am not as well-versed in movie history as others are. I don't know what a Monogram film is.
I like mysteries and it was recommended in Netflix. I was surprised to see it only lasted an hour. Of course, well before the hour was up I was grateful for that fact.
This is not a good movie. It's akin to a bad short story; you just have to finish even though you know it's not going to get any better.
The grandfather dies and the folks who were at dinner 13 years before begin dying off. Who is responsible? We eventually find out, but there doesn't seem to be any rhyme or reason as to why that person is responsible.
The dialogue is insipid. The acting is not good. The lighting doesn't seem too good either. There's the hard-edge detective and the campy one-liners. It just didn't work.
Spare yourself; there are better movies out there. There's nothing about this that I find worth sitting through.
I like mysteries and it was recommended in Netflix. I was surprised to see it only lasted an hour. Of course, well before the hour was up I was grateful for that fact.
This is not a good movie. It's akin to a bad short story; you just have to finish even though you know it's not going to get any better.
The grandfather dies and the folks who were at dinner 13 years before begin dying off. Who is responsible? We eventually find out, but there doesn't seem to be any rhyme or reason as to why that person is responsible.
The dialogue is insipid. The acting is not good. The lighting doesn't seem too good either. There's the hard-edge detective and the campy one-liners. It just didn't work.
Spare yourself; there are better movies out there. There's nothing about this that I find worth sitting through.
I had high hopes for this one after reading only the little blurb that comes up with the olde timey movies on Tubi but ... whoa .. is it ever a stinker.
II's like an expanded three stooges short directed by Ed Wood but without the charm of his ineptitude. The characters are not introduced or developed ... any of them. The running jokes are not even vaguely amusing.
It's a mess. Give it a miss !
II's like an expanded three stooges short directed by Ed Wood but without the charm of his ineptitude. The characters are not introduced or developed ... any of them. The running jokes are not even vaguely amusing.
It's a mess. Give it a miss !
Did you know
- TriviaFrank Faylen who played policeman "Speed Dugan" would go on to notoriety as Dobie Gillis's father in the early-1960s sitcom "The Many Loves of Dobie Gillis."
- GoofsIt's never said who raises young Marie. Surrounded by aunts, uncles, cousins, a grandfather, and the grandfather's lawyer, she and her brother are supposedly orphans, although this is never said. Why the grandfather favors his granddaughter over his grandson is also a mystery. In that he's soon to die, it's curious who becomes her guardian over the next 13 years (since it's a good guess her grandfather has been watching out for her and won't be around to protect her).
- Quotes
Johnny Smith: Burke, you ought to have that mind of yours dry-cleaned.
Police Lt. Burke: And while I'm at it, I'll have your conscience pressed.
- Alternate versionsAlternate titles include "Dangerous Men" and "The Last Racketeer."
- ConnectionsFeatured in Movies at Midnight: The Mystery of the 13th Guest (1954)
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Details
- Release date
- Country of origin
- Language
- Also known as
- El huésped número 13
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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