This Is the Army

I first saw this film on cable in the late 1970's, and was mesmerized by the story and the music. Certainly, as many people comment, it is propagandistic, but it is also a masterpiece, showcasing an almost-forgotten time. Irving Berlin is one of this country's most prolific and best-loved songwriters, and this musical extravaganza is an homage to his talent and genius.

The cast is unique and wonderful. The main characters are played solidly by "name" stars, but the musical ensemble cast (real U.S. soldiers at the time) are what set this film apart.

A reviewer complaining that it isn't "realistic" overstates the point. So what if you think an "average" army base couldn't produce a cast for a show like this. Film is a medium that attempts to suspend reality and let you enter a place, situation, relationship, time period, etc. that you might not otherwise get to experience. It's sometimes the view of one person's "reality," a manifestation of their own "vision."

My copy of this film is on a very old (early 80's) VHS copy, a low-end bargain release which is of marginal quality, but I love every minute of it. I certainly hope someone reviews some of the specific DVD choices out there, I'd like to get the DVD before I wear out the VHS!

If you enjoy a good flag-waving, patriotic musical, this is a film you will enjoy. If you enjoy Irving Berlin's music, it's a soundtrack you will enjoy. Personally I'd put this on a par with the 1942 film, "Yankee Doodle Dandy," and both films share a few cast members!

This is the type of musical that Hollywood did best and it sure was popular with the public. However, 65 years later, the film has lost much of its appeal due to changes in movie styles as well as the fact that the film's value as a propaganda tool is now lost--after all, the war has been over since 1945. So what was rousing and exciting then to the folks at home now just seems rather dated and slow--though the film still does have very good production values.

The film is basically a bazillion patriotic songs rolled up into the thinnest of plots. Frankly, I think the film could have been a lot better had the story received greater emphasis and they'd dropped a few musical numbers. This would have given the film a much needed infusion of energy--though again, back during the war years, this wasn't as big a concern.

The story, such as it is, begins during WWI. A group of soldiers (George Murphy, Alan Hale, George Tobias and Charles Butterworth and others) are interested in performing a musical to raise morale and the when they are given permission, the show is a huge hit. Many years later, when WWII arrives, the children of these same men and others put on their new and timely stage show. It's a major success and the soldiers are sent on a tour of the USA to increase the public's patriotism and backing of the war. There's a little more to the plot than this--but not much.

As I said, it's really just an excuse to string together tons of musical and dance numbers--so many that you feel a bit overwhelmed. Some of the numbers are very good, the one with Irving Berlin was interesting (not good--just interesting from a historical sense) and a few were rather bad. The worst was the one that was a minstrel show--something that you'd hoped would have died out by 1943. It was just embarrassing and makes you cringe. Also, in a few separate parts of the film, Joe Lewis made some irrelevant appearances, as he couldn't sing and was as light on his dancing feet as a rhino! He just looked very lost but you can't blame him--he was ordered to appear in the film and since he was a sergeant, he had no choice!

If I could, I'd give the film a score for 1943 (8) and one for today (4 or 5). But, since I can't, I'll give it a 6. Interesting from a historical standpoint but pretty tough going at times, though some of the songs were catchy and the color cinematography was lovely.

As a history teacher, I was a bit concerned with a couple reviews that gave the film a 1. It wasn't nearly that bad and some of the reasons they gave it such a low score seemed petty. One was a diatribe about why they hated Ronald Reagan and really didn't review the film itself. Another was very critical about how the film was propaganda. My answer to that is YES it is propaganda and so what?! Given that it was a life and death struggle for survival in WWII only a knucklehead would see this sort of propaganda as an evil! Should Hollywood have either ignored the war or done pro-Hitler films instead?! Read your history books or talk to some vets before you make such silly assertions.

Just watched again this, the third of the "war musicals" I'm reviewing for these next few days of which Something for the Boys and Thank Your Lucky Stars were the first two, having seen This is the Army previously during the summer of 1987 on USA Network and again several years later on a Diamond Home Video VHS tape. With the Warner Bros. DVD providing a much better print than the last couple times I've seen this, I managed to have a much better time watching it. In fact, the only times I've cringed were during the blackface "Mandy" number (though the dances-led by Gene Kelly's brother Fred-were enjoyable) and during the "Stage Door Canteen" sketch where we get lame banter of one man dressed as Lynn Fontaine and another as her husband Alfred Lunt, not to mention having another man impersonating European thespians praising the hamburger. Otherwise, this movie had mostly enjoyable comedy especially whenever Alan Hale, Sr.-who is very much like his "Skipper" son in lovable blustery-is on screen, drama with Lt. Ronald Reagan and Joan Leslie debating the merits of marrying before leaving for battle, and musical highlights-like when Kate Smith sings her stirring and iconic rendition of "God Bless America" or even when composer Irving Berlin makes his entrance in his old uniform singing "Oh, How I Hate to Get Up in the Morning" (not to mention an additional song filmed exclusively for English audiences called "My British Buddy" which is an extra on the disc). And the number "That's What the Well-Dressed Man in Harlem Will Wear" isn't all that offensive concerning the African-American performers though I don't think it really was necessary to have boxer Sgt. Joe Louis in this as he just punches a bag during it. All in all, this was a rousingly patriotic show that really delivered. P.S. I have to note that co-screenwriter Capt. Claude Binyon came from my birthtown of Chicago, Ill. And when I first watched this, during the commercials, I switched to other channels and saw live coverage of President Reagan and his wife Nancy consoling various people on the death of loved ones. I'm guessing this was related to the event of May 17 of that year (two days before I graduated from Belaire High School) when 37 American sailors were killed on the U.S.S. Stark after it was set afire by two missiles from an Iraqi airplane. Talk about coincidence...

First of all, had you done your research, you would've known that all three branches of the military had (and still have) entertainment divisions whose sole job is to produce shows for the troops. If you looked at the "Crazy Credits" section you would've learned that famed composer Irving Berlin staged the two soldier shows as depicted in the movie.

Yes, many of the skits and songs are terribly dated and yes "This is the Army" is largely a propaganda film, but Berlin singing his "Oh How I Hate to Get Up in the Morning" was the lament of every draftee.

Virtually *every* film made during WWII was done either as propaganda or to bolster the spirits on the homefront.

I respectfully suggest watching it again, but instead of looking at it with 2004 cynicism, look at it in the context of the times.

This movie was produced as a fund-raiser and as a morale booster. At the time it was filmed we were on the verge of losing the war and the public needed a patriotic lift. The songs are not, perhaps, the best Irving Berlin ever wrote, but they speak of the era in which they were written. For those who are politically-correct, I agree that African-Americans are not shown in the best light, but, right or wrong, that was the attitude then. The minstrel show was still a popular entertainment and the idea of white actors in black-face was considered simply show business. This show was actually staffed by real, honest-to-goodness soldiers with a few actors tossed in for the starring roles. Even if you dislike the movie, appreciate it for the look it gives into American life during the 40s. I, for one, enjoy it a lot and have watched it a half-dozen times. By the way, the sound on the VHS tape is better than on several of the DVD versions that are available.