Another Paramount production that was sold to United Artists in the early 1940s, when the United States was having trouble complying with its exhibition contracts due to a lack of product.Another Paramount production that was sold to United Artists in the early 1940s, when the United States was having trouble complying with its exhibition contracts due to a lack of product.Another Paramount production that was sold to United Artists in the early 1940s, when the United States was having trouble complying with its exhibition contracts due to a lack of product.
- Director
- Writers
- Stars
Olin Howland
- Second Cop
- (as Olin Howlin)
William Cabanne
- Soda Jerk
- (uncredited)
Laurie Douglas
- Actress
- (uncredited)
Jimmie Dundee
- Wise Guy on Street
- (uncredited)
Betty Farrington
- Minor Role
- (uncredited)
Blanche Grady
- Actress
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I dearly love this movie -- it's been a favorite of mine for years. It's no Gone With the Wind, to be sure, but it's entertaining, witty, and sometimes laugh-out-loud funny. The cast not only contains a pre-stardom William Holden and Susan Hayward, which alone is enough of a recommendation, but it has some absolutely priceless performances from Mabel Paige, Robert Benchley, Eddie Bracken, Martha O'Driscoll, and Florence MacMichael. The whole film, from start to finish, offers an implausible, screwball-type plot and performances, and it is absolute fun. There is truly never a dull moment -- and the more you see it, the more you'll appreciate it.
Paramount made this film in 1941, but the movie-going public didn't see Young And Willing until 1943 when the film was sold to United Artists to help them fulfill booking commitments. That it was held up for two years is always a bad sign.
It's not a horribly bad film, but not all that good. It concerns six people who are aspiring thespians who share an apartment. Bills such as they are are paid by Martha O'Driscoll who has a rich dad. The others living there are William Holden, Eddie Bracken, Susan Hayward, James Brown and Barbara Britton. It was agreed no romance, but Brown and Britton have already broken that rule, they are secretly married.
The young folks do struggle and when O'Driscoll's father learns she's been living coed he threatens to take her back to their small Illinois home town where family values prevail. The six of them pull all kinds of schemes to both keep O'Driscoll around and get a big break from playwright Robert Benchley.
One thing that truly drove me up the wall as much as it did to the characters on screen was Florence MacMichael's baby talking voice. She's a high minded young woman who finks on the arrangement to O'Driscoll's dad. That woman was hard to take from the moment she opened her mouth until the rest of the film was over. She made me glad when it was over.
This had to be the ultimate of what Bill Holden called his 'Smiling Jim' roles before Sunset Boulevard which he ached to get out of. But at least Young And Willing being the last film the public saw Holden in before he joined the Army Air Corps kept him in the public eye. The public wouldn't see him again until 1946 in Blaze At Noon.
Beware of Florence MacMichael.
It's not a horribly bad film, but not all that good. It concerns six people who are aspiring thespians who share an apartment. Bills such as they are are paid by Martha O'Driscoll who has a rich dad. The others living there are William Holden, Eddie Bracken, Susan Hayward, James Brown and Barbara Britton. It was agreed no romance, but Brown and Britton have already broken that rule, they are secretly married.
The young folks do struggle and when O'Driscoll's father learns she's been living coed he threatens to take her back to their small Illinois home town where family values prevail. The six of them pull all kinds of schemes to both keep O'Driscoll around and get a big break from playwright Robert Benchley.
One thing that truly drove me up the wall as much as it did to the characters on screen was Florence MacMichael's baby talking voice. She's a high minded young woman who finks on the arrangement to O'Driscoll's dad. That woman was hard to take from the moment she opened her mouth until the rest of the film was over. She made me glad when it was over.
This had to be the ultimate of what Bill Holden called his 'Smiling Jim' roles before Sunset Boulevard which he ached to get out of. But at least Young And Willing being the last film the public saw Holden in before he joined the Army Air Corps kept him in the public eye. The public wouldn't see him again until 1946 in Blaze At Noon.
Beware of Florence MacMichael.
I found this on Youtube in multiple clips and downloaded it and put it together in one file. I'm very glad I did. It's one of the brightest, funniest, and original comedies I've seen in a long time. The cast is filled with young up and coming future stars and they shine wonderfully. The first half is well setup and the laughs in the second half come fast and often. The old hands give the movie a solid foundation for the newcomers to play on. I would love to find a good print because this film deserves to be seen as good as new. Track it down and forgive the print quality and enjoy the show.
This comedy from Paramount Pictures/United Artists and director Edward H. Griffith has six aspiring stage performers, Norman (William Holden), George (Eddie Bracken), Tony (James Brown), Kate (Susan Hayward), Dottie (Martha O'Driscoll), and Marge (Barbara Britton), all sharing an apartment to save on expenses. They have to keep their co-habitation a secret though, so as to not upset the morals of the day and risk immediate eviction. Their situation is upended by the arrival of cousin Muriel (Florence MacMichael) who wants to spill the beans on their arrangement, and playwright Arthur Kenny (Robert Benchley), a major Broadway figure who resided in the same apartment building in his younger years, and who has returned to recharge his creative batteries.
I found this more irritating than amusing. MacMichael uses an incredibly annoying cutesy baby voice that grates on the nerves. Neither the screenwriters nor the director succeeded in opening up the action much from its stage origins, and as such the majority of the film transpires in a single room. Future big-time movie stars Holden and Hayward are fine in their roles, but neither really displays much in the way of screen magnetism. Bracken gets to do most of the silliest shtick, naturally. This reminded me of a prototype version of Friends.
I found this more irritating than amusing. MacMichael uses an incredibly annoying cutesy baby voice that grates on the nerves. Neither the screenwriters nor the director succeeded in opening up the action much from its stage origins, and as such the majority of the film transpires in a single room. Future big-time movie stars Holden and Hayward are fine in their roles, but neither really displays much in the way of screen magnetism. Bracken gets to do most of the silliest shtick, naturally. This reminded me of a prototype version of Friends.
In the 1940s, it simply wasn't proper for a man and a woman to cohabitate without being married. Let alone three men and three women! Although they've all taken a pledge not to get romantically involved with each other until their acting careers have taken off, young love just can't be stopped. When one of the girls' father stops by for an impromptu visit, the boys are forced into a hasty exit to pretend they don't live in the apartment.
The entire film takes place in the one-room apartment, so it's easy to imagine Francis Swann's original play onstage. It feels like one lengthy Frasier episode, with gags, mistaken identities, and situational comedy, so if you like that sort of fast-paced hilarity, you'll probably like this one. I couldn't stop laughing. I love fast-paced wit, and it's always funny to laugh at fledging actors if you once were one yourself.
While William Holden and Susan Hayward play two of the roommates, it's Florence MacMichael who stays in my memory as the funniest one in the show. She's the thorn in everyone's side, and while she might annoy some audience members with her constant baby-talk, I found it adorable. Young and Willing isn't a classic most people remember, but it's certainly funny enough to rent during a fun girls' weekend.
The entire film takes place in the one-room apartment, so it's easy to imagine Francis Swann's original play onstage. It feels like one lengthy Frasier episode, with gags, mistaken identities, and situational comedy, so if you like that sort of fast-paced hilarity, you'll probably like this one. I couldn't stop laughing. I love fast-paced wit, and it's always funny to laugh at fledging actors if you once were one yourself.
While William Holden and Susan Hayward play two of the roommates, it's Florence MacMichael who stays in my memory as the funniest one in the show. She's the thorn in everyone's side, and while she might annoy some audience members with her constant baby-talk, I found it adorable. Young and Willing isn't a classic most people remember, but it's certainly funny enough to rent during a fun girls' weekend.
Did you know
- TriviaOne of several Paramount Pictures productions purchased by United Artists for theatrical release in 1942-1943 when U.A. was having trouble meeting their exhibitor contracts because of lack of product, mainly due to their loss of production in England.
Details
- Release date
- Country of origin
- Language
- Also known as
- Out of the Frying Pan
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.37 : 1
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