IMDb RATING
5.3/10
1.4K
YOUR RATING
A young woman raised by gypsies hides a deadly secret which she will do anything to protect.A young woman raised by gypsies hides a deadly secret which she will do anything to protect.A young woman raised by gypsies hides a deadly secret which she will do anything to protect.
John Abbott
- Peter Althius
- (uncredited)
Al Bridge
- Coroner at Inquest
- (uncredited)
George Eldredge
- George LaTour
- (uncredited)
Fred Graff
- Pinkie
- (uncredited)
Tiny Jones
- Gypsy Woman
- (uncredited)
Fritz Leiber
- Dr. Charles Morris
- (uncredited)
George Magrill
- Front Door Police Guard
- (uncredited)
Frank O'Connor
- Policeman
- (uncredited)
Milton Parsons
- Adamson
- (uncredited)
Hector V. Sarno
- Gypsy
- (uncredited)
Harry Semels
- Gypsy
- (uncredited)
Ray Teal
- Policeman Ed
- (uncredited)
Featured reviews
Apparently werewolf genes are inheritable as a young woman becomes one because of her mom; then, in a hairy mood, she goes after nice young couple who know about her problem.
This Columbia studio production shows why Universal had the franchise on the half-human half-wolf. Instead of going the Universal route by using big-time make-up and blended dissolves, Columbia employs an actual German Shepherd dog, (not even a real wolf, mind you), as the fanged menace. And the nice doggie all but wags his tail while "menacing" the humans. Needless to say, this turns a potential horror movie into a version of Lassie Goes Bad, despite the best efforts of a strong supporting cast— e.g. Abbott, Leiber, Yurka.
Then too, the war thinned out the ranks of Hollywood leading men, leaving lightweights such as Stephen Crane to haul the goods. Good thing he went into the restaurant business instead of staying on the stage. And what a waste of the talented Nina Foch who doesn't get nearly the screen time her character deserves. Instead, that goes to Osa Massen, a decent enough actress, but without Foch's special brand of haughty disdain.
No need to waste time on this B-movie disappointment. Columbia simply cut too many budgetary corners with not enough imagination to produce anything more than a sometimes amusing misfire and a general waste of acting talent.
This Columbia studio production shows why Universal had the franchise on the half-human half-wolf. Instead of going the Universal route by using big-time make-up and blended dissolves, Columbia employs an actual German Shepherd dog, (not even a real wolf, mind you), as the fanged menace. And the nice doggie all but wags his tail while "menacing" the humans. Needless to say, this turns a potential horror movie into a version of Lassie Goes Bad, despite the best efforts of a strong supporting cast— e.g. Abbott, Leiber, Yurka.
Then too, the war thinned out the ranks of Hollywood leading men, leaving lightweights such as Stephen Crane to haul the goods. Good thing he went into the restaurant business instead of staying on the stage. And what a waste of the talented Nina Foch who doesn't get nearly the screen time her character deserves. Instead, that goes to Osa Massen, a decent enough actress, but without Foch's special brand of haughty disdain.
No need to waste time on this B-movie disappointment. Columbia simply cut too many budgetary corners with not enough imagination to produce anything more than a sometimes amusing misfire and a general waste of acting talent.
There are far worse ways to spend an hour or so of your time. This movie was more than likely made for pocket change and contractual obligations, true; but despite not having someone like Val Lewton (who could conjure up palaces out of orange crates) behind it, this isn't at all bad. Nina Foch is quite capable and sympathetic, and ably supported by a raft of character actors who are old hands at this sort of thing.
There's plenty of atmosphere and suspense, with just enough mystery to keep your attention. As with some of the best of the afore-mentioned Lewton's work, until the denouement, you're never quite sure whether this is all in someone's mind or if there's a real bogeyman (or bogeywoman) stalking the night. Lon Chaney Jr's reputation is safe - or even Henry Hull - but the mug who called this the nadir of werewolfery is being a little harsh. With THE WOLF-MAN, Universal set the bar pretty high, after all. But if you're looking for some good old-fashioned fun, you could do much worse. If nothing else, it's an entertaining example of what can be done with some talent, care and craftsmanship, even if you couldn't quite buy dinner for a family of four to six people with the existing budget. Definitely check it out!
There's plenty of atmosphere and suspense, with just enough mystery to keep your attention. As with some of the best of the afore-mentioned Lewton's work, until the denouement, you're never quite sure whether this is all in someone's mind or if there's a real bogeyman (or bogeywoman) stalking the night. Lon Chaney Jr's reputation is safe - or even Henry Hull - but the mug who called this the nadir of werewolfery is being a little harsh. With THE WOLF-MAN, Universal set the bar pretty high, after all. But if you're looking for some good old-fashioned fun, you could do much worse. If nothing else, it's an entertaining example of what can be done with some talent, care and craftsmanship, even if you couldn't quite buy dinner for a family of four to six people with the existing budget. Definitely check it out!
8tavm
After looking at the list of werewolf movies on Wikipedia, I remembered this particular one was on YouTube so after watching Frankenstein Meets the Wolf Man on YT, I decided to watch this one there since it was next in my chronological list of werewolf movies to watch list. Nina Foch-who I mainly remember from An American in Paris-is quite compelling as the title character as she tries to keep people outside of her gypsy family from finding out about her secret. The setting is New Orleans, Louisiana, which is a two-hour drive from my current residence of Baton Rouge but I'm guessing that this was shot on the Columbia backlot. Perhaps part of me was confused by some of the details in the story but for the most part, I was enthralled at Cry of the Werewolf. So, yes, that's a recommendation!
This film when werewolf films are discussed gets a bad rap, and even though there are no " Special Effects", film is effective.It uses elements from two classic 1940's horror films " The Wolf Man" (1941) and " Cat People" (1942)and uses them well.Well made and acted apart from leading man Stephen Crane who acts like he is reading from cue cards.Overall this film is a nice surprise, i went into this not expecting much but thought it a good film, not that far behind the two classics already mentioned.
There are some good moments in this film. At the center is Nina Foch who plays a gypsy princess who can become a wolf at will. It is her purpose to keep the gypsy band together by killing off those who know about her abilities. But a scientist begins to invade their domain. He is killed but it leads to his son and fiancee trying to figure out what happened. One down side is the keystone kops police force. Even if they don't believe in werewolves, they could be a tad more competent.
Did you know
- TriviaBob Morris (Stephen Crane) drives a 1941 Cadillac convertible; Police Lt. Barry Lane (Barton MacLane) drives a 1938 Ford sedan.
- GoofsIn order to get the wolf to snarl and gnash its teeth for the camera, a clearly visible rubber band was placed around its upper jaw and snout. It is most easily seen in the footage running behind the opening credits.
- Quotes
Opening Titles: The ancient belief is still held by many that anything that happens in the world is never lost. No sparrow falls unnoted ~~ no tree crashes in the forest unheard. The sorrows, the joys, the loves and the hates of past generations live on in people's memories, in their legends and their stories. Perhaps our story is something that has lived on in a person's memory or perhaps it is just a legend ~~
- ConnectionsFeatured in Creature Features: The Mummy's Curse (1970)
- How long is Cry of the Werewolf?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Daughter of the Werewolf
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 3m(63 min)
- Color
- Aspect ratio
- 1.37 : 1
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