Mademoiselle Fifi

like many movies from period, it is seductive for its atmosphere. it is a kind of Maupassant in American skin. nice, clean, melodramatic, with patriotic heart but , in same measure, good example for a manner to present a drama. sure, like many films of war , its purpose is obvious - to be model for viewers. but it is its sin. Simone Simon is perfect gem for a strange construction, without real story and almost confuse. Manichean lines of script, the good and bad characters, the message like stamp on letter, a great potential and fear to expose more than demand of rules. a film. like many. interesting seed for discover Maupassant work/style. and for hope to a better adaptation.

This is a very interesting film directed by a very famous Hollywood Director, Robert Wise,"The Sound of Music","West Side Story" and many other famous films. This is a gem of a 1944 film starring Simone Simon, (Elizabeth Bousset),"The Curse of the Cat People" who plays the role of a young French Laundress who shares a coach ride during the Franco-Prussian War with some very important social superiors. These so called social superiors thought themselves better than Elizabeth, however, when they forgot to bring any food supplies on their journey, she furnished them with chicken she had prepared for herself and things changed. Kurt Kreuger, (Lt. Von Eyrick) is a Prussian soldier who tries to hit on Elizabeth and stops all the travelers from going on their journey until poor Elizabeth complies with his wishes. Jason Roboards,Sr., (Wholesaler in Wines) gave a great supporting role along with John Emery, (Jean Cornudet) who comes to the aid of Elizabeth along with a Priest who will not ring the church bells of his Parish in defiance of the Prussian Generals. Great Classic Film.

Simone Simon to me was always a fascinating woman. When I saw her on TV in Cat People, my mother told me that she had disappeared after the war. I was a kid, and I thought it was something mysterious. Years later I found out she just went back to France, where she lived to age 94.

Simon doesn't play the title role here; Kurt Krueger does. She plays a laundress in a combination of two Guy De Maupassant stories about the Franco-Prussian war. They must have resonated during World War II.

Simon's character hates the Prussians and doesn't go along with them, though many in the town do. The theme here is passive resistance, and how the poor make sacrifices for their country.

The first part of the film takes place in a carriage and was supposedly the inspiration for "Stagecoach."

Directed by Robert Wise and produced by, of all people, Val Lewton, this is a short film, mildly entertaining.

Actually, Simon's life would make a much more exciting story. Men she liked were given a gold key to her bedroom; she had a relationship with an MI5 spy, Dusko Popov, who was in actuality a double agent. Popov was supposedly the model for James Bond. Simon also had an affair with George Gershwin. I have a feeling there are lots of other interesting stories to be told.

This is a World War II film set in France during the Franco-Prussian War which in real life was over in 6 months. This was not a global conflict with the soldiers of many nations trying to rescue France from invaders. The Germans occupied about a quarter to a third of France and in their stay never put France through the depradations of the 1940s. In fact their stay was climaxed by the crowning of Wilhelm I Emperor(Kaiser) of Germany at Versailles.

But that's not the message Hollywood was sending in those years. Simone Simon becomes the object of the affection of Prussian officer Kurt Kruger.. In the end she does her patriotic duty and so does John Emery in striking a blow for the resistance which there really wasn't any in that war.

The other bone of contention was the silence of the town church bell which for some reason has the occupying Prussians with their backs up. it rings, but at a price for the Prussians.

The cast does well by this historical claptrap in Mademoiselle Fifi.

There is a good film waiting to be made out of de Maupassant's story, but this isn't it. (Stagecoach isn't either). We can understand it isn't Lewton and Wise's fault, it's just that the censorship wouldn't allow it to be done properly then.

Thus, the central character gets turned into a laundress, and the climax comes when she... HAS DINNER with the sadistic Prussian officer!! (in the story, she was shunned by her fellow passengers for being a hooker, then she saves the day by going to bed with him)).

Modern directors like Agnieszka Holland or M.L. Bemberg could make a really great movie out of this, but 1940's America was just not the place.