A Bell for Adano

I know that the movie is a bit unrealistic in its characterizations. I know that the movie is a bit heavy-handed in its stereotypical portrayals of the Italians. I know that the movie is fiction, and that no matter how much you try to sugar-coat the story, the fact is that Italy was a member of the Axis alliance, was belligerent and fascist, and went over to the Allied side only after it was thoroughly defeated. So any portrayals of Italians being particularly passive or pro-American circa 1945 must be taken with a huge grain of salt. All this being said, I still liked this movie. The movie brings out, in typical Hollywood fashion, that the United States and the Allies DID liberate Italy from fascism, and which prevented Italy from becoming a total basket case like Germany and Japan became after the war. The pro-American bias of the movie is unmistakable, but as a World War Two movie what else could you expect? The fact is that the United States liberated Western Europe from Nazism and fascism, and movies like "A Bell for Adono" serve to ensure that what the United States did to help Italy and the rest of Europe is not forgotten.

I very much enjoyed this movie, so much so that I plan to search out the book. I write this though because many commenters asked why Gene Tierney was a blonde Italian. This would lead me to wonder what they were doing while the movie was running because they obviously weren't watching it. In what I would term a key scene, Hodiak's 'Mr. Major' explains that he was from the Bronx but he didn't see it as beautiful like his Italian immigrant parents do and he always wanted to escape and Tierney's Tina replies that that is why she has blonde hair, that she wants to get away to America but she is unable to leave the village so her escape was to dye her dark hair blonde.

John Hersey's acclaimed Pulitzer Prize winning novel A Bell For Adano was purchased by 20th Century Fox and turned into a fine film. Darryl Zanuck borrowed John Hodiak from MGM probably because Tyrone Power was serving in the Marines at this time. Hodiak also did around the same time Lifeboat for Alfred Hitchcock also for 20th Century Fox. So for an MGM contract player Hodiak got two of his finest roles on loan to another studio. Happens that way some time.

Hodiak who is Major Joppolo, an Italian American from the Bronx has that much going for him as he's appointed military governor of the recently liberated town of Adano. That's considerable because he already has some familiarity with the culture.

The town wants the bare necessities, food, medical supplies, etc., but it also wants something. They had the biggest church bell around and it was there for hundreds of years. But Mussolini melted it down for cannon and from every quarter Hodiak is told get us our bell back or a new one just as good.

Hodiak deals with all kinds of situations trying to form an occupation government and there is the question of who to trust among the Italians. But the real test for Hodiak comes when an order is issued to keep all civilian traffic off the main road into Adano. The problem is that there are no side roads into the town, one way in and one way out. Hodiak takes it on his own initiative to countermand the order. He gets in trouble with the army, but earns the heartfelt thanks of the people of Adano.

Henry King got some great performances out of his ensemble and the recreation of occupied Italy is impressively done. Hodiak was a tough and compassionate man all at once with a lot of responsibility on his shoulders. It's definitely one of his best roles.

Also standing out is William Bendix as Hodiak's senior non-commissioned officer who backs Hodiak up all the way in his governing policies. Gene Tierney plays one of the villagers who wants Hodiak to find what happened to her boyfriend who was in the Italian army and providing some hospitality if needed. Harry Morgan is in A Bell For Adano playing a military police captain who is interested in covering his posterior in the military tradition. Finally there's Richard Conte who has a beautiful scene with Hodiak and Tierney as a recently released Italian soldier who tells them of the fate of Tierney's boyfriend.

For some reason A Bell For Adano the movie has been strangely forgotten and a lot of younger people haven't heard of it. That's a pity because this film is a neglected treasure.

In another attempt to depict Americans as the saviours of Europe post-WWII, Henry King's 'A Bell for Adano' centres on the rebuilding of an Italian town bombarded and driven to despair, rescued by the American 'invaders' who come to build civil peace.

The Italians are in the main shown in a comic way, as children who are incapable of governing themselves, or as joke fascists. A curious view at the time in history it was made, right at the end of the war. The Americans (the good-looking Major, the snipey Captain, the loyal but dumb Sergeant) have a bit more character but are still stereotypical Army types.

In the cast, John Hodiak is good as usual, helped this time by the stellar support of Harry Morgan, William Bendix, and Glenn Langan (as a too-good-to-be-true naval officer). Gene Tierney is a bottle-blonde lovely in the town and a love interest for Hodiak, although her acting is little more than passable.

I liked this film in the main as it manages to make an impact within a limited plotline. Now rarely seen and not available on video/DVD, it doesn't deserve to be in obscurity but to be seen and celebrated with other films made during and just after wartime.

This is one of those films made during late WWII about WWII. It has some of the feel of the Italian neo-realist films that were starting to be made around this time. This is definitely a good thing - it doesn't feel like an overproduced, overwritten studio effort.

The story slowly draws you in as the new American administrator of a little Italian village arrives and tries to help the townspeople get used to life as a free people again, and to get their lives & livelihoods restarted.

The writing is mostly fresh and natural, as is the acting. The only false notes are the bumbling Italians who become the Americans' assistants, and to a lesser extent the standard poor-yet-dignified villagers. But compared to most films of the era they're minor annoyances.